Masaharu Fukuyama, whose sweet singing voice rivals his sweet face.
Here’s a ranking that gathers his popular ballads.
Every ballad, woven with his low, velvety, slightly nasal tone, is exquisite—so powerful it can make listeners weak at the knees.
Please enjoy to your heart’s content.
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Masaharu Fukuyama Ballad Songs: Popular Song Ranking [2026] (1–10)
squallFukuyama Masaharu1rank/position

Masaharu Fukuyama is a singer-songwriter who showcases his talents in a variety of fields, from his musical career to his work as an actor.
His 14th single, “Squall,” released as a double A-side with “HEAVEN,” is also known as a self-cover of a song he originally provided to Eiko Matsumoto.
The female-perspective lyrics sung in his sexy, low register offer a different kind of appeal compared to a clear, airy female voice.
It’s a sentimental ballad number that both men and women can sing at karaoke.
dearestFukuyama Masaharu2rank/position

Masaharu Fukuyama’s “Saiai” is a ballad that quietly sublimates the pain of heartbreak.
Set to a bittersweet yet beautiful melody, its carefully chosen lyrics resonate poignantly.
It’s also ideal for karaoke—the slow tempo makes it easy to pour your feelings into the song, leaving a lasting impression.
With a melody and lyrics that sink deeper with every listen, it’s perfect not only for men who have experienced heartbreak, but also for anyone who wants to renew their feelings for someone they love.
Comparing it with Kou Shibasaki’s cover version is also recommended—this is a classic ballad that adds color to any scene.
SakurazakaFukuyama Masaharu3rank/position

Masaharu Fukuyama’s 15th single, which captivated listeners with its poignant lyrics and melody.
Released in April 2000 as the theme song for the variety show “Uhnan no Hontoko! Mirai Nikki V,” it became the last single of the 20th century to surpass two million copies sold according to Oricon.
The lyrics, themed around feelings for a former lover, were written based on Fukuyama’s own real-life experiences, resonating with many listeners.
Its lyrical melody, delivered in his deep voice, is sure to strike a chord with anyone who has known heartbreak.
This work continues to be cherished as one of the Heisei era’s emblematic “sakura” songs.
aspiration; longing; ardent desireFukuyama Masaharu4rank/position

This is a work by Masaharu Fukuyama that portrays a heartrending romance and parting during wartime through delicate emotional expression.
The lyrics carefully weave together feelings for a loved one, a longing for peaceful everyday life, and the inescapable flow of fate, conveying the emotions of people buffeted by the era of war.
The tender vocals depict a yearning for the small joys of daily life and the warm moments shared with someone precious.
Created as the theme song for the film “If Only I Could Meet You Again on the Hill Where That Flower Blooms,” released in December 2023, this piece brilliantly expresses the worldview of the original novel through music.
Despite dealing with heavy themes such as war and separation, it is a song that evokes human warmth and hope, recommended for those who wish to reflect on the bonds with their loved ones and the preciousness of peace.
Let’s become a familyFukuyama Masaharu5rank/position

Masaharu Fukuyama’s “Kazoku ni Narou yo” was released in 2011.
It’s a song that gently conveys feelings toward family.
Centered around piano and acoustic guitar with a soft timbre, layered with a powerful vocal, it evokes the idea of strength within gentleness.
The lyrics, which depict a desire to move toward an ideal family, are memorable, and a tender emotion is expressed throughout the piece.
The song was used in a SoftBank commercial featuring Masaharu Fukuyama and AI Mashaharu, portraying SoftBank’s efforts to address social issues.
Let me live so that flowers will bloom again and again.Fukuyama Masaharu6rank/position

This song, included on Masaharu Fukuyama’s 31st single “I am a HERO,” released in August 2015, conveys the idea that making even small changes for the better is a sincere way of living.
It was used as the Shiseido “TSUBAKI” commercial song, in which Masaharu Fukuyama’s scene shampooing a woman is very sexy.
fireflyFukuyama Masaharu7rank/position

A gentle yet powerful ballad, this piece resonates with the heart through Masaharu Fukuyama’s soft and passionate vocals.
Like fireflies faintly glowing on a summer evening, it depicts the fleeting passage of time and bittersweet feelings for someone dear, reminding us of the importance of living fully within our limited time and loving someone deeply.
Released in August 2010 as Masaharu Fukuyama’s 26th single, it was also selected as the theme song for the NTV drama “Mioka: The Days You Were Here.” When you’re longing for something to accompany the loneliness and sentimentality felt at the end of summer, listening to this song will wrap you in warmth.


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