Masaharu Fukuyama’s Most Popular Karaoke Songs Ranking [2026]

milk teaFukuyama Masaharu6rank/position

Masaharu Fukuyama – milk tea (Full ver.)

Among vocal training students who struggle with high notes, a very common comment is, “Because my voice is low, Masaharu Fukuyama’s songs are easy to sing!” In fact, Fukuyama’s songs often have a wide low range and don’t feature many excessively high notes, so there are plenty of songs you can sing in the original key.

However, one caveat is that if you sing the low notes with your throat as if you’re speaking, even a comfortable range can feel strenuous.

It’s important to vibrate the vocal cords at every pitch, so place your hand in the hollow between your collarbones and try singing while checking that your vocal cords are properly vibrating.

Also, when producing sound, aim your voice as if projecting to a distant point; this helps engage the vocal cords rather than the throat.

Instead of mumbling up close, it’s best to sing as clearly and crisply as possible.

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Kubota Mami

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SquallFukuyama Masaharu7rank/position

Masaharu Fukuyama – Squall (WE’RE BROS. TOUR 2014 in ASIA)

Included on Masaharu Fukuyama’s 14th single “HEAVEN/Squall,” this song was released as a double A-side alongside the lead track “HEAVEN.” Although it was originally written for singer-songwriter Eiko Matsumoto, it is presented here as Fukuyama’s self-cover.

Incidentally, this was reportedly the first time Fukuyama provided a song to another artist.

It’s a very heartrending piece: a slow-tempo ballad with lyrics written from a woman’s perspective.

What heightens the song’s sense of poignancy even further, in my view, is Fukuyama’s use of falsetto in the final part of the chorus.

Precisely because his appeal lies in his distinctly “masculine” vocal tone, the contrast with a slightly delicate falsetto makes the expression all the more effective.

It stands as an excellent example of how a male vocalist can use falsetto to powerful effect.

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Kei Takahata

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So there was one in Tokyo, too.Fukuyama Masaharu8rank/position

Masaharu Fukuyama – There Was One in Tokyo (Full ver.)

“Tokyo Nimo Attanda” depicts someone who came to Tokyo with a dream, gazing at the beautiful scenery they found there while thinking of a loved one back home.

Released in 2007 as a double A-side single together with “Muteki no Kimi,” the song was chosen as the theme for the film “Tokyo Tower: Mom and Me, and Sometimes Dad.” Although the chorus includes a section with a slightly higher key, the song overall showcases the appeal of a low voice, making it recommended for those with a lower vocal range.

Its relaxed tempo and easy-to-remember melody also make it accessible for people who aren’t used to singing.

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SAKI

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rainbowFukuyama Masaharu9rank/position

Masaharu Fukuyama – Rainbow (Full ver.)

This is a refreshing pop-rock number by Masaharu Fukuyama that brightens the listener’s mood.

For the first time, he handled the arrangement himself and was meticulous about the performance, channeling the passions of youth and grand dreams for the future into the music.

Feelings he wanted to express but couldn’t put into words, and a strong will to overcome hardships and grasp hope, come through clearly in his soaring vocals and the lively sound.

The song was included on a single released in August 2003 and was loved by many as the theme song for the drama “WATER BOYS.” It’s truly one of the signature masterpieces that symbolize that summer.

In the Rain of RemembranceFukuyama Masaharu10rank/position

Masaharu Fukuyama – In the Rain of Remembrance (【Men-Only LIVE】Fukuyama☆Grand Winter Thanksgiving Vol. 14: A Holy Night for Men, by Men, of Men—Yarō Night!!)

A refreshing, fast-paced number brimming with momentum, “In the Rain of Reminiscence” is Masaharu Fukuyama’s debut single, released in 1990.

Despite its bright melody, the lyrics depict a bittersweet love that has ended in the past.

Its easy-to-remember lyrics and catchy melody make it very singable.

The vocal range isn’t very wide, so even those with lower voices can sing it comfortably without changing the key.

With its driving melody, it’s sure to get the crowd going at karaoke!

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SAKI

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