Hikawa Kiyoshi Popular Songs Ranking [2026]

Zundoko-bushiHikawa Kiyoshi36rank/position

Kiyoshi Hikawa / Kiyoshi’s Zundoko Bushi (Short Ver.) [Official]

Famous for its call-and-response interjections, “Kiyoshi no Zundoko Bushi” is a song released in 2002 by enka singer Kiyoshi Hikawa and is often cited as one of his signature tracks.

There are two types of kobushi (ornamental vocal turns): one that shifts the pitch up and down, and another that briefly mixes in falsetto.

In this song, especially in the A-melody, both types of kobushi are used frequently.

It becomes clear when you listen to his own performance.

If you’ve only just started practicing kobushi, trying to sing exactly like him may feel difficult.

So first, aim to add a kobushi once per phrase.

That way, you can practice at your own pace and steadily improve your kobushi.

Once you’re comfortable, try switching between the two types!

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Yoimachi Jēn

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Halloween OndoHikawa Kiyoshi37rank/position

Halloween Ondo

Unusual for a Halloween song, this upbeat, ondo-style track is perfect for elevating the party mood.

Released in September 2012, it’s included on Kiyoshi Hikawa’s album “Enka Meikyoku Collection 17.” Its charm lies in the unique atmosphere created by blending Japan’s traditional ondo with Halloween elements.

The lyrics feature classic Halloween imagery like ghosts and pumpkins, celebrating flashy costumes and the fun of a carnival.

Recommended for those looking to add a unique, Japanese-inspired selection to their playlist.

WonderlandHikawa Kiyoshi38rank/position

Kiyoshi Hikawa / Wonderland [Official]

The masterpiece “Wonderland” leaves a strong impression with its rock sound.

The song channels elements of visual-kei rock—also part of Kiyoshi Hikawa’s roots—and its melody carries a BUCK-TICK-like vibe.

Despite being authentic rock, the piece keeps the vocal range relatively narrow throughout.

Aside from the interlude’s non-vocal sections, there are virtually no long sustained notes, and neither kobushi-style ornamentation nor shouts appear, so complex vocal techniques aren’t required.

Consider adding it to your repertoire.

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Ryo

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Winter MoonHikawa Kiyoshi39rank/position

Kiyoshi Hikawa / Winter Moon [Official]

While it follows the classic path of traditional enka, this captivating song also conveys a hint of freshness.

With the moon shining in the winter night sky as its central motif, it skillfully portrays the feelings of a solitary man.

Hikawa Kiyoshi’s signature beautiful high notes and rich, resonant vocals further enhance the song’s appeal.

Released in September 2011 as a B-side to the single “Jounetsu no Mariachi,” this track has become a fan favorite and is sometimes performed at live shows and concerts.

It’s recommended not only for enka enthusiasts but also for those who love soaring high vocals.

A song you might find yourself wanting to listen to alone, quietly, on a calm winter night.

The Flower Path of the DuelHikawa Kiyoshi40rank/position

Kiyoshi Hikawa / Shōbu no Hanamichi [Official]

This is a classic enka masterpiece sung by the popular singer Kiyoshi Hikawa, with powerful lyrics that feel like a strong push on your back—words that encourage anyone who listens.

It portrays a mindset that sees life as one great “match,” striving for self-realization.

Even when faced with hardship, it champions a spirit that never gives up, making it an anthem that gives courage and hope to its listeners.

Released in January 2018 as Hikawa’s 33rd single, it was also included on the album “Shin Enka Meikyoku Collection 7 – Shōbu no Hanamichi,” released in May of the same year.

It reached a peak position of No.

4 on the Oricon Weekly Singles Chart.

When you find yourself at a crossroads in life, or after experiencing doubt or setbacks, why not listen to this song, face forward, and try again?

Blossom RomanticaHikawa Kiyoshi41rank/position

Kiyoshi Hikawa / Blooming Romantica [Official]

Kiyoshi Hikawa’s classic “Saite Romantica.” This piece weaves Latin sounds—most notably flamenco—throughout the arrangement.

While flamenco and enka share many similarities in terms of vocal ornamentation (kobushi), the song doesn’t lean into that aspect, so you won’t hear the intricate pitch bends that kobushi requires.

If anything, the vocal line is closer to pop or kayōkyoku.

The tempo isn’t too fast, and there are no overly long sustained notes, making it a song that can be sung comfortably even without advanced vocal technique.

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Ryo

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Osaka dragonflyHikawa Kiyoshi42rank/position

Kiyoshi Hikawa / Osaka Tonbo [Official]

Hikawa Kiyoshi’s classic song “Osaka Tonbo,” set in Osaka, features a bright, upbeat atmosphere reminiscent of bon odori.

The vocal line is crafted to be easy to sing throughout.

While the overall mood is cheerful and the range is fairly wide, the high notes appear only briefly, and most of the melody sits in the mid range.

In addition, the tempo is slow, and there are no intricate melismatic inflections that require dramatic pitch movement.

Because the piece leans strongly toward pop and kayōkyoku elements, it’s comfortable even for those who struggle with traditional vocal ornamentation.

Consider adding it to your repertoire.

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Ryo

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