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Kiyoshi Hikawa, the prince of the enka world who captivates enka-loving ladies across Japan.
He truly has a wonderful voice, doesn’t he?
Here’s a ranking of some of Kiyoshi Hikawa’s most popular songs.
Whether you’re an enka fan or just getting interested in the genre, why not start by checking out this list?
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Hikawa Kiyoshi Popular Song Ranking [2026] (1–10)
Limit-Break x SurvivorHikawa Kiyoshi1rank/position
It’s the opening theme of Dragon Ball Super, a classic anison track packed with the same momentum and power as the anime itself.
The singer is Kiyoshi Hikawa, which surprised me at first since I didn’t have that image of him.
The overall vocal range is quite narrow at F#3–F#4, which should be comfortable for male singers.
However, because similar notes continue throughout, maintaining consistency is important.
The chorus has many sustained notes, so you can rack up points quickly there.
Keep an eye on the pitch bar and hold the notes all the way to the end.
Kiyoshi’s Zundoko SongHikawa Kiyoshi2rank/position
Kiyoshi Hikawa, a figure who sent shockwaves through the enka world.
Though an idol-type enka singer, he possesses solid vocal prowess and has influenced many as an artist who combines skill with catchiness.
“Kiyoshi no Zundoko Bushi” is one of his hit numbers.
While this song spans a fairly wide range—mid1 C to hi B—the pitch shifts in the kobushi (melodic ornaments) are kept to at most two notes, making the overall difficulty as enka relatively low.
If you have a reasonably wide vocal range, you should be able to sing it without trouble.
It’s immensely popular among madams, so consider adding it to your repertoire.
Hanjirō of the Hakone Eight RiHikawa Kiyoshi3rank/position
With its signature catchphrase, Kiyoshi Hikawa’s debut single “Hakonê Hachiri no Hanjirō” quickly became widely known.
Beyond his powerful vocals, his handsome looks won broad acceptance among younger women who had previously been less interested in enka, propelling him to instant nationwide stardom.
The song’s phrases function as a call-and-response with fans, reportedly creating an electrifying atmosphere at concerts.
Thanks to this, the song is widely recognized and enjoys great popularity at karaoke.
It’s also sure to liven up recreational activities at senior care facilities.
GeGeGe no KitaroHikawa Kiyoshi4rank/position
This song, GeGeGe no Kitaro, has long been beloved as the opening theme of the nationally cherished anime GeGeGe no Kitaro.
In the sixth series, which aired from April 2018, the “prince of enka,” Kiyoshi Hikawa, took on vocal duties.
Arranged by Kohei Tanaka, the piece—paired with Hikawa’s clear, soaring voice—achieves a wonderfully bewitching finish.
Released as a single CD in October 2018, could there be a track more perfect as BGM for a game of musical chairs? Its melody, which anyone can hum along to, is sure to be enjoyed across generations.
With a comfortable walking tempo, it will undoubtedly make recreation time even more exciting!
First Love TrainHikawa Kiyoshi5rank/position
“First Love Train” is a single released in 2005 by enka singer Kiyoshi Hikawa as his eighth single.
With this work, he achieved the remarkable feat of reaching No.
1 on the Oricon overall singles chart for the first time in his career.
Set to the characteristic melodies of enka that resonate with the ears and hearts of Japanese listeners, it depicts someone recalling their first love in Aomori and then crossing over to Hokkaido to search for that person.
The lyrics mention various place names within Hokkaido, so you might recognize some of them.
Give it a listen when you venture beyond Honshu and visit Hokkaido.
Ooi Stalker OntaroHikawa Kiyoshi6rank/position
Oikake Onjiro from Oi, a song by Kiyoshi Hikawa, is marked by its heartwarming melody.
While catchy, it still features melodies and vocal lines that firmly embody the essence of enka.
The kobushi (ornamental vocal turn) delivered with Hikawa’s signature hiccup-style flip of the voice is less difficult than the more typical kobushi that finely moves up and down the scale.
Since this song contains many such hiccup-inflected kobushi, its overall difficulty level is relatively low.
It’s okayHikawa Kiyoshi7rank/position
Life brings various hardships and joys, and Kiyoshi Hikawa delivers a warm, gentle song that embraces them all.
Released in 2019, this work expresses the sadness and feelings of love that everyone experiences through his beautiful vocals.
Like the moon setting and the sun rising, its hopeful message—that tomorrow will surely come—resonates in the heart.
Also included on the album “Shin Enka Meikyoku Collection 9,” this piece is perfect for singing along at recreational gatherings.
Its friendly, singable melody and uplifting lyrics are part of its charm.
Akiko of the Starry SkyHikawa Kiyoshi8rank/position
The song Akiko Under the Starry Sky was released in 2002.
It came out as the fifth single, but since the B-side, Denden-mushi, was used as the ending theme for an NHK drama, I imagine not many people remember this A-side track.
Despite that somewhat unfortunate fate, it’s actually a very easy enka song to sing.
The tempo is mid-tempo for enka, but it features an unusually large number of long tones, and those long tones are simply held with vibrato, making them very easy.
There are no complex kobushi that move up and down by three or four notes, so anyone familiar with enka should be able to sing it with ease.
Let’s go to grandpa’s house.Hikawa Kiyoshi9rank/position
Many of you probably spent your summer vacations at your grandparents’ house when you were children.
The song I’d like to introduce is “Let’s Go to Grandpa’s.” It’s a track created by enka singer Kiyoshi Hikawa, based on memories from his childhood.
It depicts scenes of playing with Grandpa during summer break and eating watermelon together.
With elements like sampled firework sounds, its seasonal feel is part of its charm.
Give it a listen while reminiscing about your own summer vacation days.
Tokyo OndoHikawa Kiyoshi10rank/position
Tokyo Ondo is a relatively new folk song born in 1932.
It was originally composed and written under the name “Marunouchi Ondo” to boost morale and aid the recovery from the 1923 Great Kanto Earthquake.
The song was later renamed “Tokyo Ondo” and became a huge hit.
As intended, it encouraged the people of Tokyo and gave rise to many stories.
Even today, it continues to be sung as a supporters’ song for the baseball team Yakult Swallows and the J.League club FC Tokyo.
It is a folk song that represents modern Tokyo.
