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Popular Japanese karaoke songs. Latest rankings [2026]

We present the latest top 100 from the popular Japanese karaoke rankings, ordered by most views!

Japanese songs tend to get the crowd going at karaoke, so checking out the newest tracks is recommended when you’re unsure what to sing.

Sing your heart out and have a blast!

The playlist is updated every week!

Popular Japanese songs for karaoke. Latest rankings [2026] (31–40)

SaudadePorunogurafiti36rank/position

Pornograffitti “Saudade” MUSIC VIDEO
SaudadePorunogurafiti

One of Porno Graffitti’s signature songs, this classic captures the pain of heartbreak and a sense of nostalgia within a Latin-style melody.

“Saudade” is a Portuguese word that means “longing or nostalgia for something lost.” The overall vocal range is surprisingly narrow, from B3 to G#4.

However, the key modulates in the final chorus and the pitch rises, and the tempo is fast, so be careful not to fall behind the rhythm.

Did you know that when vocalist Okano sings, he raises his eyebrows? I definitely recommend copying this! Especially for high notes, lifting your eyebrows makes it easier to hit the pitch and produce a solid tone.

If you raise your eyebrows right when the melody changes, it helps you land the notes smoothly, so I highly recommend it!

Meltryo37rank/position

Hatsune Miku "Melt"
Meltryo

A gem of a love song that colored the dawn of the Vocaloid scene.

Posted to Nico Nico Douga by ryo in December 2007, it had reached 11.7 million views by December 2017.

You’ll be moved by the lyrics, which straightforwardly depict a girl’s feelings of love when faced with the person she likes.

The piano-driven, fast-paced sound conveys a fluttering, racing heart.

Hatsune Miku’s vocals are also captivating—mechanical yet somehow human.

The track is included on the first album “supercell” and helped lay the foundations of Vocaloid culture.

It’s the perfect song for reminiscing about your youth or getting hyped with friends at karaoke.

CHE.R.RYYUI38rank/position

YUI 『CHE.R.RY-short ver.-』
CHE.R.RYYUI

This is YUI’s eighth major-label single, written with a modern take on the heart-fluttering thrill of unrequited love.

Released in March 2007, it became widely known as the CM song for au by KDDI’s “LISMO!” The lyrics vividly capture youth communication of the time—emoji in mobile emails, the timing of replies—and overflow with pure feelings for someone so strong there’s no room for mind games.

The message about the bittersweet start of love will bring back the thrills of youth just by listening.

With light acoustic guitar and YUI’s clear, transparent vocals evoking the freshness of spring, this pop number is sure to be a hit at girls’ nights and karaoke.

Sand Planethachi39rank/position

Hachi – Sand Planet feat. Hatsune Miku, HACHI – DUNE ft. Miku Hatsune
Sand Planethachi

Kenshi Yonezu, now a leading figure in Japan’s music scene, once worked as a Vocaloid producer.

Under the name Hachi, he released this track in 2017 to commemorate Hatsune Miku’s 10th anniversary.

It portrays a figure walking on through a desolate, desert-like world, blending electro and rock with Hatsune Miku’s vocals soaring over the sound.

The song hit one million views in just six days after release, setting a new speed record in Vocaloid history.

If you were a fan of his Hachi era, it’s guaranteed to get the crowd going at karaoke!

Romantic Flightkome kome CLUB40rank/position

JAL Okinawa Campaign Summer Rikyu 1990 Theme Song: "Kome Kome Club - Roman Hikou"
Romantic Flightkome kome CLUB

As the title suggests, it became a big hit as the CM song for JAL’s “Summer Palace Campaign,” and its bright, forward-looking lyrics and the thrill of setting off on a journey are emblematic.

The overall vocal range is B2 to G4, with the A melody sitting quite low.

The key modulates for the final chorus and the pitch rises, but it doesn’t go too high, so if you time your breath and placement well, those notes should come out smoothly.

Overall, avoid pushing your voice; aim for light singing with head resonance for a pleasant feel.

Also, for the syllables where the vowel is “i,” be careful not to spread the sound too horizontally.