Male-Popularity Artist Rankings [2026]

waxing; filling up; becoming full; growing (e.g., the moon growing fuller)Fuji Kaze15rank/position

Fujii Kaze – Michi Teyu Ku (Overflowing) / Official Video

That even the most brilliant moments must come to an end—and that by letting go of attachment, the heart can be filled.

Released in March 2024 as the theme song for the film “When April Comes, She Will,” this is Fujii Kaze’s first love song.

It gently sings of the futility of love that seeks something in return and the fulfillment that unconditional love brings.

His tender voice, carried by a soft piano melody, teaches us the importance of embracing change.

It’s a song I recommend to those who have experienced parting from someone dear, or who wish to reconsider what it means to love.

Maximum reachSEKAI NO OWARI16rank/position

SEKAI NO OWARI “Highest Altitude”

An anthem cheering on those who keep challenging themselves, turning weakness into strength and aiming higher.

Released in September 2023, this song was written specifically as the opening theme for the anime ONE PIECE.

Its appeal lies in SEKAI NO OWARI’s distinctive, imaginative world: a driving, exhilarating melody, grand strings, and a marching-style arrangement inserted midway.

The vocal range is relatively compact at mid1 F to mid2 F# (m1F–m2F#), so with a key adjustment, it should be quite singable even for kids around the voice-changing stage.

Its positive message about charging toward your dreams is sure to fire up the room when sung with friends at karaoke.

SakurazakaFukuyama Masaharu17rank/position

Masaharu Fukuyama – Sakurazaka (Full ver.)

The 15th single, released in 2000, is a song that was used as the theme for the “Mirai Nikki V” segment of the variety show “U-nan no Hontoko!”.

Born from Masaharu Fukuyama’s own experience of heartbreak, the piece portrays lingering feelings for a former lover while still wishing for their happiness.

The lyrics, which intertwine the season of cherry blossoms with parting, resonate even more deeply when heard during spring, a time of new beginnings.

Achieving a record-breaking 2,299,000 in cumulative sales, this song stands as one of the Heisei era’s quintessential “sakura” songs—one that anyone who has experienced a breakup can relate to.

Wherever you areONE OK ROCK18rank/position

Full ver. One Ok Rock Wherever You Are #oneokrock #ワンオク #whereveryouare

ONE OK ROCK’s signature song “Wherever you are.” Since it’s sung as a love song that vows eternity, you’ll want to use falsetto to really bring out the song’s appeal.

That said, the falsetto in “Wherever you are” appears mainly at the beginning.

The song builds toward the latter half, so about two-thirds is sung in chest voice.

If you sing the initial guitar-backed section firmly in falsetto to create contrast, it lands stylishly.

Many people who like rock and band music seem to want to sing ONE OK ROCK.

The high range can be a hurdle, but ballads let you cover the high notes with falsetto, so they’re recommended.

Open your throat and keep the breath flowing steadily!

expand_lessRaise the rankingexpand_morelower

Kubota Mami

Report a problem

somedaySaucy Dog19rank/position

Saucy Dog "Someday" MUSIC VIDEO

A ballad that blends Saucy’s signature “vulnerability and kindness.” From the intro it sounds like a full-on band track and you expect something intense, but the gentle feel from the first verse draws you in.

The song’s overall range is D3–E5, and the lift from the chorus goes into quite a high range—if you try to belt it, you probably won’t manage it.

Aim to use your breath steadily.

When adding emotion, think less about “shouting” and more about “sending your voice far.” When aiming for distance, try moving the mic slightly away from yourself—this reduces the sense of pressure and helps you relax naturally.

expand_lessRaise the rankingexpand_morelower

Kubota Mami

Report a problem

budKobukuro20rank/position

Kobukuro – Tsubomi

Released in March 2007 as the 14th single, this masterpiece was newly written as the theme song for the drama “Tokyo Tower: Mom and Me, and Sometimes Dad.” Created by Kentaro Kobuchi in memory of his late mother, the song won the Excellent Work Award at the Japan Record Awards and was also selected as the entrance march for the 80th National High School Baseball Invitational Tournament.

Like a tiny bud before it blooms, it warmly portrays the power of growth even in an unfinished state, along with heartfelt gratitude to the loved ones who always cheered us on.

It is a gentle song that, when you remember someone precious you can no longer meet, lets you feel that they are still watching over you from somewhere.

balladKetsumeishi21rank/position

Ketsumeishi “Ballad”

This work by Ketsumeishi gently embraces listeners with a melody overflowing with songcraft, keeping the rapping to a minimum.

It’s their 24th single, released in January 2011, and it became widely familiar as the theme song for Nippon TV’s information program “Sukkiri!!”.

Sung over a quiet arrangement woven from piano and strings, the lyrics convey the pain of unrequited love and a yearning for a beloved that refuses to fade.

Even an adult man who usually keeps his emotions under wraps may find the long-suppressed ache welling up when he hears this song, perhaps even moved to tears.

It’s a touching adult love ballad that makes you want to listen alone, quietly, on a sleepless night.