Ranking of Popular Japanese Music and J-POP Artists Among People in Their 60s [2026]
Artists who sing J-POP and Japanese songs that are popular among people in their 60s
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Ranking of Popular Japanese Music and J-POP Artists Among People in Their 60s [2026] (61–70)
My good friendKamayatsu Hiroshi64rank/position

As a member of The Spiders, Hiroshi Kamayatsu helped ignite Japan’s Group Sounds boom.
After going solo, he continued to produce many classic songs with refined musical sensibilities.
Among his works, the one I especially recommend to men in their 60s for its ease of singing is “Waga Yoki Tomo yo” (“My Good Friend”).
Though the melody has a cool, mature tone, the vocal line is surprisingly light and comes together with an unexpectedly simple feel.
The range is narrow and there are no sections that require belting, so it should be easy for anyone to sing.
Tokyoyashiki takajin65rank/position

Released in March 1993, this mood-kayō song fuses tearful enka with sophisticated urban pop.
Through Kansai-dialect lyrics, it movingly portrays a romance and breakup with a man she met in Tokyo, along with her complex feelings toward the city.
Takajin Yashiki was an artist who was active mainly in the Kansai region, also serving as a host of the popular program “Sei! Young.” This piece became a hit as requests on cable radio surged, ultimately selling a total of 600,000 copies.
In live performances, he would sometimes change the place name in the chorus to match the concert location, valuing a sense of unity with the audience.
When singing it at karaoke, it’s recommended to sing at an easy, relaxed pace while thinking of your hometown and the special people you’ve met.
dogwood (flowering dogwood)Hitoto Yo66rank/position

Released in February 2004, this work has continued to be loved as a classic of J-pop.
Hitoto Yo’s clear, translucent vocals and lyrics imbued with prayers for peace make this song deeply moving.
With its relaxed tempo and stepwise melodic progression, it’s surprisingly easy to sing.
It has also been used on Nippon TV’s “Tuesday Suspense Theater” and in commercials, making it familiar to many people.
It’s a perfect song to sing with thoughts for someone special.
Why not sing it slowly, layering your own experiences and emotions into it?
The Last RainYasushi Nakanishi67rank/position

Yasushi Nakanishi’s classic, filled with gentle yet heartrending emotion, is a ballad about parting with a lover.
The breakup scene, overlaid with imagery of rain, along with the portrayal of deep affection, possessiveness, and the acceptance of being unable to make the other person happy, leaves a strong impression.
The beautiful arrangement of piano and strings further highlights the crystalline quality of his vocals.
Released in August 1992, it was later used as the theme song for Hitachi’s “Ashita P-KAN Kibun!” and gradually gained support, ultimately becoming a massive hit with total sales of 900,000 copies.
In karaoke, its relaxed tempo and relatively narrow vocal range make it easy to sing calmly.
Why not sing it while carefully unfolding its story-like lyrics, together with your cherished memories?
I LOVE YOUOzaki Yutaka68rank/position

Released in 1983, this is Yutaka Ozaki’s signature love ballad—so famous that almost everyone knows it.
I’ve taught “I LOVE YOU” in lessons several times, and I feel it’s a tough song for people who struggle with falsetto; many students actually used this song to practice it.
You shouldn’t need to change the key—the original should be comfortable to sing.
Since some people aren’t confident with falsetto, let’s review the key points.
If you’ve mostly been singing in chest voice, you’re probably used to pushing with just your voice without using much breath.
To use your breath properly, humming is important.
Do a nasal hum to create nasal resonance so the sound vibrates in your nose.
Be careful not to force it with your throat.
After a light hum, keep the resonance in the same place and let your singing voice become thinner and lighter.
At all times.Makihara Noriyuki69rank/position

A signature work by Noriyuki Makihara that delivers a universal message of living true to yourself, carried by a powerful yet gentle melody.
While acknowledging the doubts and anxieties of life, this classic is imbued with a strong resolve to cherish your true self.
Included on the album “Who Do You Share a Happy Yawn With?”, it became a massive hit, surpassing one million copies within six months of its June 1991 release.
It was also selected as the entrance march for the 64th National High School Baseball Invitational Tournament in spring 1992.
The melody, featuring a distinctive acoustic guitar and a calm tempo, makes it easy to sing.
For many people, it’s a song that resonates in the heart when standing at a crossroads or when they feel on the verge of losing themselves.
Kiyoshi’s Zundoko SongHikawa Kiyoshi70rank/position

A heartwarming, approachable song that makes the most of rhythms found in folk songs and enka.
This masterpiece fully showcases Kiyoshi Hikawa’s charm, beautifully expressing the bittersweetness of love, masculine strength, and longing for one’s hometown.
With his natural vocal talent and refreshing appeal, Hikawa presents a uniquely modern take on the traditional enka worldview.
It was released by Nippon Columbia in February 2002.
The song won the Gold Prize at the 44th Japan Record Awards and is known as one of Hikawa’s signature tracks.
With its relaxed tempo and narrow melodic range, it’s a piece you can sing with a calm mindset.
During the chorus, it’s also nice to have listeners add call-and-response interjections!


