T-BOLAN Popular Songs Ranking [2026]

I don’t want to let go.T-BOLAN1rank/position

T-BOLAN “I Don't Want to Let Go” Music Video

This was T-BOLAN’s second single, released in December 1991.

In addition to being the ending theme for TV Asahi’s ’92 Paris-Le Cap, it landed several other tie-ins and became a major hit.

With its relaxed tempo, the song gently nestles up to the listener, while its straightforward lyrics are sure to resonate with anyone.

The melody is easy to remember, and there don’t seem to be any sections that require strained high notes, so anyone can belt out the chorus with confidence.

Written and composed by Arashi Moritomo, this classic once thrilled countless fans, yet it still feels fresh today and is perfect for karaoke.

It’s ideal for setting the mood with someone special or enjoying a moment of nostalgia.

As you look back on the past, savor a richly nuanced sound that hasn’t lost its luster even now.

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Kei Takahata

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I can’t erase this fleeting sadness.T-BOLAN2rank/position

T-BOLAN I can’t erase this fleeting sorrow

The way it starts with that guitar reminds me of old J-pop.

It’s a cool song.

Moritomo is the best.

The vocals are great.

It was even used as a TV theme song.

The catchy, upbeat chorus is really good, too.

I used to listen to it a lot while driving.

Bye For NowT-BOLAN3rank/position

T-BOLAN「Bye For Now」MV

A gem of a ballad that has etched itself into many hearts as a supportive song about a beautiful farewell.

Released by T-BOLAN in November 1992, it was used as the theme song for Woman Dream and impressively became a million-seller.

Its powerful message—singing of the courage and hope to move toward one’s dreams after overcoming the loneliness of parting—deeply resonates with listeners.

It remains a beloved song more than 30 years after its release, one you’ll want to hear when parting from someone dear, at graduation ceremonies, or at the start of a new journey.

Also included on the albums HEART OF STONE and SINGLES, it shines as one of T-BOLAN’s signature masterpieces.

The transience of glassT-BOLAN4rank/position

I sang T-BOLAN’s “Glass-like Transience”~~♪

It’s “Glass Ephemerality,” included on T-BOLAN’s third original album, “SO BAD.” T-BOLAN’s songs aren’t unreservedly bright; many of them carry a certain shadow.

Later, T-BOLAN went through periods when Arashi Moritomo lost his voice, leading to disbandment and reunions, and I think that hint of fragility you can feel from them is part of their appeal.

Frustrating LoveT-BOLAN5rank/position

T-BOLAN 'Irritating Love' MUSIC VIDEO

This was T-BOLAN’s fifth single, released in September 1992.

T-BOLAN’s Moritomo isn’t just a singer who relies on low notes; rather, as a contrast to his soaring high notes, he has a low register that’s very usable within the song, which is part of his appeal.

Leaving aside the range itself, the track makes very effective use of his distinctly “masculine” tone—rich in low-frequency overtones—which is extremely attractive.

Another charm of this song is the luxurious backing chorus lineup featuring Yuichi Ikuzawa and Maki Ohguro.

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Kei Takahata

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Embrace all your scarsT-BOLAN6rank/position

Embrace all your scars

From the double A-side single “Setsunasa wo Kese Ya Shinai” and “Kizudarake wo Dakishimete,” this is “Kizudarake wo Dakishimete.” It was used as the CM song for Otsuka Pharmaceutical’s “Fibe-Mini.” It’s a song with interesting rhythm patterns throughout.

I like T-BOLAN’s sound that leans more toward rock, and this track really showcases that appeal.

Sorrow hurts.T-BOLAN7rank/position

T-BOLAN “Sadness Hurts” LIVE

This is T-BOLAN’s memorable debut single.

Back in 1991, when I was an elementary school student, I discovered how cool T-BOLAN was through “Hanashitaku wa Nai,” and I remember buying their debut single because I was curious about it.

It’s a song that could be called the starting point for their success in the ’90s.

Their sound and worldview seem to encapsulate ’90s Japanese rock as it was.