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TM NETWORK Popular Song Ranking [2026]

TM NETWORK’s songs are often said to have been at the forefront of their times.It’s a unit where Tetsuya Komuro’s songwriting and composing sensibilities shine, starting with their signature track “Get Wild.”Here, we’ll introduce a ranking of TM NETWORK’s most popular songs.

TM NETWORK Popular Song Ranking [2026] (11–20)

half run-upTM NETWORK15rank/position

Half-Step Run-Up -JUST FOR YOU AND ME NOW-
half run-upTM NETWORK

TM NETWORK debuted in 1984.

Their signature songs include “GET WILD,” but I feel that in their early days they had many songs that were very simple yet profound.

Synthesizers tend to produce a cold, mechanical sound, but this was a warm, gentle song that was popular.

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DREAMS OF CHRISTMASTM NETWORK16rank/position

TM NETWORK is a music unit that has become a legend in the J-POP scene with their trademark digital sound and ever–trend-conscious musicality.

“DREAMS OF CHRISTMAS,” included as the B-side to their 23rd single “RHYTHM RED BEAT BLACK,” is a Christmas song that was featured in a commercial for NTT’s “Pocket Bell” pager.

Its delicate ensemble, highlighting Hammond organ and acoustic guitar, evokes a sense of sanctity that seems to meld with snowy scenery.

A gem of a winter song, its fantastical sound—brimming with the atmosphere of Christmas—resonates deeply in the heart.

Hoshino Takashi
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TILL LOVE HER (Lost Landscape)TM NETWORK17rank/position

TM NETWORK / 「Still Love Her（from LIVE Blu-ray / DVD TM NETWORK 30th 1984〜 QUIT 30 HUGE DATA）」
TILL LOVE HER (Lost Landscape)TM NETWORK

“STILL LOVE HER (Ushinawareta Fukei)” is a song included on the 1988 album “CAROL.” Recently, it was announced that a new City Hunter anime film will be released, and this song was also used as the ending theme.

While “GET WILD” is famous, this one is a masterpiece as well.

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Winter Comes Around (A Winter Day)TM NETWORK18rank/position

A little-known yet beloved ballad included on the classic album CAROL ~A DAY IN A GIRL’S LIFE 1991~, released in December 1988.

Its charm lies in an atmosphere that evokes stillness and chill—like suddenly stopping on a winter street corner.

Naoto Kine’s warm, woven melodies and Mitsuko Komuro’s lyrics, which blend loss and hope, seep into the depths of the heart.

Unlike the group’s dazzling singles, the delicate soundscape crafted by strings feels as if it captures a single winter’s day.

Though it had no major tie-ins, the song has long been cherished by fans as a vital piece that colors the album’s narrative.

It’s a winter song for grown-ups—one you’ll want to listen to alone on a quiet night.

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