TM NETWORK’s songs are often said to have been at the forefront of their times.It’s a unit where Tetsuya Komuro’s songwriting and composing sensibilities shine, starting with their signature track “Get Wild.”Here, we’ll introduce a ranking of TM NETWORK’s most popular songs.
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TM NETWORK Popular Songs Ranking [2026] (1–10)
Get WildTM NETWORK1rank/position

This work combines a sense of speed like racing through the city at night with a powerful message about facing hardships while sharing pain and dreams.
The story-like lyrics penned by Mitsuko Komuro make it no exaggeration to call it a national song with outstanding recognition across generations.
Released as a single in April 1987, it became TM NETWORK’s first song to break into the Top Ten and stands as one of their signature tracks.
It’s also included on the classic album “Gift for Fanks.” Created with the intention of serving as the ending theme for the anime City Hunter, it excels in delivering a refreshing vibe that links seamlessly with the series.
It’s easy to sing at karaoke and extremely popular, so if you want to liven up a party, definitely consider adding it to your setlist next time.
BEYOND THE TIME (Beyond the Möbius Universe)TM NETWORK2rank/position

When it comes to TM NETWORK, who took the world by storm with their synth-driven sound, many will surely recall this masterpiece that plays like a grand sci-fi epic.
Released in March 1988 as their 13th single, the track was used as the theme song for the film Mobile Suit Gundam: Char’s Counterattack.
More recently, it suddenly found new life when it was featured as an insert song in episode 11 of Mobile Suit Gundam GQuuuuuuX, which aired in June 2025, sparking huge buzz and rocketing to No.
1 across various streaming charts.
The song portrays a fate that repeats like a Möbius strip, and the powerful emotions that connect people across time and space.
The torrent of sound woven by futuristic synthesizers and dramatic strings hasn’t faded one bit even today.
If you were immersed in the film’s world back then, just hearing the intro is enough to set your heart ablaze.
It’s also a surefire crowd-pleaser at karaoke!
STILL LOVE HER (A Lost Landscape)TM NETWORK3rank/position

This ballad, which closes the album “CAROL ~A DAY IN A GIRL’S LIFE 1991~” released at the end of 1988, is a delicate piece that gently reflects the urban scenery of December.
With images of double-decker buses and a park, the protagonist’s heart quietly carries feelings they wished to convey and a poignant sense of what has been lost.
It was also used as the ending theme for the NTV anime City Hunter 2, and the synthesizer tones that echo on winter nights leave an even deeper impression.
This song is perfect for those who want to pause amid the year-end rush and spend a reflective moment looking back on the past year.
BEYOND THE TIMETM NETWORK4rank/position

Mobile Suit Gundam: Char’s Counterattack is an animated film released in 1988, in which the battle between Amuro Ray and Char Aznable comes to a conclusion.
The theme song is performed by TM NETWORK, and its highest position on the Oricon chart was 4th.
Lion of FridayTM NETWORK5rank/position

“The Friday Lion (Take it to the Lucky)” is TM NETWORK’s debut single, released on April 21, 1984.
The synthesizers are striking, and I think it even connects to today’s EDM.
Tetsuya Komuro’s origins are here.
The long nights of AugustTM NETWORK6rank/position

When it comes to vividly capturing the bittersweet scenes of a summer night in TM NETWORK’s early works, this song has to be the one! Beyond the melody line that fuses shimmering synthesizers with the approachable charm of kayōkyoku, the striking electric guitar riff hits you right in the heart.
It feels as if it beckons you back to those summer nights of the past, burdened with the ache of unrequited love and the worries unique to youth.
The track appears on their second album, “CHILDHOOD’S END,” released in June 1985, and it’s a piece packed with the sparkle and wistfulness of TM NETWORK’s early days.
It was later included on the best-of album “Gift for Fanks” and has long been cherished by fans.
Many listeners might find that, when they play it alone on a slightly cooler late summer night, faint memories of that time come rushing back, tightening the chest.
It’s a classic you’ll want to turn to when you want to immerse yourself in the atmosphere of those summer nights back then…
Self ControlTM NETWORK7rank/position

This is a track by the music unit TM NETWORK, also known for having Tetsuya Komuro—renowned for his work as a music producer—as its leader.
The unit’s hallmark digital sound and sharp vocals stand out in this song as well, conveying a sense of urgency.
A major highlight is that the intro riff becomes the melody of the chorus, and the repeated use of the same words with processed vocals makes the song’s title linger in your ears.
COME ON EVERYBODYTM NETWORK8rank/position

This is the 15th single released by TM Network, led by Tetsuya Komuro.
Its distinctive tempo and melody give it a dance-music feel, and it’s also well known for featuring Takahiro Matsumoto, the guitarist from B’z.
The song was performed on the NHK Kouhaku Uta Gassen, so anyone from the generation that knows it is sure to get excited.
DIVE INTO YOUR BODYTM NETWORK9rank/position

TM NETWORK, known for a string of hits that epitomize the golden age of Eurobeat.
Released in July 1989, this track stands out with its celebratory guitars and synthesizers, and vocals charged with heat and allure.
Produced at a studio in London, it’s a song Tetsuya Komuro crafted under the influence of the local dance music scene.
With an arrangement designed to excite listeners, it’s also famed for igniting crowds at live shows.
Highly recommended for anyone seeking a refreshing rush that blows away the summer heat.
1974 (Visitor from 16 Light-Years)TM NETWORK10rank/position

Released on July 21, 1984 as TM Network’s second single.
As many of you know, TM Network is the group that included the renowned producer Tetsuya Komuro, who would later go on to create a string of million-selling hits.
I think you can already sense a glimpse of his knack for memorable, catchy melodies in this early work, “1974.” When this song was released, I first heard it on a music TV program, and I still vividly remember how I was immediately captivated by its pop sound, laden with synthesizers.


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