Tear-jerking songs for women in their 70s: from Showa-era classics to Heisei hits

Dance with sorrowTeresa Ten

Dance with sorrow

With lyrics by Toyohisa Araki and music by Takashi Miki—a golden duo—“Kanashimi to Odorasete” is a single released by Teresa Teng in 1991.

It’s a masterpiece from the later period of her career, unveiled near the end of her life.

The mellow sound that straddles enka and kayōkyoku, though a product of the early Heisei era, is something I’d love younger listeners interested in Showa-era pop to hear.

While the chorus reaches slightly higher notes, the melody unfolds straightforwardly and the overall range isn’t that wide, so it’s very comfortable to sing at karaoke.

SaraiKayama Yūzō

Yuzo Kayama - Sarai (with lyrics)

This is a heartwarming classic that brings back nostalgic memories.

It delicately portrays the feelings of people who leave their hometowns to chase their dreams, and was created by Yuzo Kayama and Shinji Tanimura in November 1992 as the ending theme for Nippon TV’s “24-Hour Television.” Its title derives from a Persian word meaning a desert oasis or a staging post, and the soothing melody—like a spiritual homeland—leaves a lasting impression.

The piece was composed based on messages of love sent in by viewers from across the country, and even after more than 30 years, it remains deeply etched in many hearts.

It’s a recommended song for times when you want to quietly bask in memories or connect heart-to-heart with someone special.

Red Sweet PeaMatsuda Seiko

Seiko Matsuda - Red Sweet Pea [With Lyrics]

This work weaves a beautiful melody that brings the light of spring and a tender, bittersweet love story.

Released by Seiko Matsuda in January 1982, it is a classic that delicately portrays the fresh emotions of a young girl in love.

The lyrics vividly depict the arrival of spring, brimming with a maiden’s heart stepping into an adult romance.

Under the pen name Kureta Karuho, Yumi Matsutoya composed the music, with Takashi Matsumoto providing the lyrics.

The song and lyrics harmonize beautifully, creating a warm and gentle atmosphere.

The piece was also used as the CM song for Fujifilm’s Astalift cosmetics.

Why not revisit fond memories with older listeners as you feel the beginning of spring together? It’s a song whose calm vocals envelop you in kindness and gently warm the heart.

cherry blossomMoriyama Naotaro

Naotaro Moriyama – Sakura (Solo)

Speaking of cherry blossoms, they are beautiful flowers that herald the arrival of spring.

This song is a masterpiece that overlays the fleeting nature of sakura with the transience of life.

Naotaro Moriyama’s gentle voice vividly depicts a farewell beneath rows of cherry trees.

Released in March 2003, it became a massive hit, selling over one million copies.

Many may know it as the ending theme for the MBS/TBS program “Sekai Ururun Taizaiki.” It’s a song that resonates at life’s milestones and moments of parting.

How about listening to it with older adults and basking in nostalgic memories? Wrapped in the warmth of spring, you can spend a heartwarming moment together.

wintering swallowMori Masako

wintering swallow

This gem of a ballad, which eloquently sings of the aching melancholy of painful love, is a masterpiece that showcases Masako Mori’s outstanding vocal prowess.

Its poetic world is striking: the feelings of a woman who has thrown herself into a forbidden romance are overlaid with the image of a lone swallow that defies the seasons and makes its home out of place.

Mori’s limpid voice intertwines with the heartrending melody, where sorrow and passion cross, creating a deeply moving song.

After its 1983 release, her tearful performance on NHK’s Kōhaku Uta Gassen drew widespread attention, and the song earned her the Best Vocal Performance award at the 25th Japan Record Awards.

Even among enka songs that give voice to bittersweet longing, this work stands out for its richly expressive phrasing.

It’s the perfect piece for those moments when you want to pour your emotions into the song and sing your heart out, as if setting your soul free.

Tsugaru Strait Winter SceneIshikawa Sayuri

Tsugaru Strait – Winter Scene

There is a classic song that beautifully and poignantly portrays a northern winter landscape and a bittersweet love.

Powerfully sung by Sayuri Ishikawa, the piece recounts the feelings of a woman traveling from Ueno on a night train to Aomori, where she bids a final farewell aboard the Seikan ferry.

Since its 1977 release, it has garnered numerous honors, including the Japan Record Award for Best Vocal Performance, and stands as a monumental work in the enka genre.

Set against the frigid Tsugaru Strait, the image of a woman quietly deciding to part ways amid snow and the roar of the sea is deeply moving.

Please enjoy a wonderful time together, singing along or clapping in rhythm as you savor nostalgic memories.

Farewell, my loverSakai Masaaki

Farewell, my lover

Masaaki Sakai began his music career in 1962 when he joined The Spiders, and made his solo debut in 1971 with “Saraba Koibito” (“Goodbye, My Love”).

Released as his first single after the band’s breakup, the song has since been covered by many artists and is beloved across generations.

“Saraba Koibito” portrays the feelings of a protagonist who, while sensing a poignant loneliness in choosing to part ways, blames himself for the breakup.

Although Sakai is often associated with a cheerful and lively image, this song touches on deeper emotions in life through the experience of parting.

For older listeners, it may evoke memories of their youth and moments of farewell.

Across this wide fieldMoriyama Ryoko

This Wide, Open Field – Ryoko Moriyama

The classic song that celebrates love and freedom spreading across the great outdoors is a folk tune released by Ryoko Moriyama in January 1967.

Her clear, pleasant voice and gentle melody deliver a refreshing sense of liberation, like clouds floating in the sky or wind sweeping through.

The piece is said to have been completed in just 30 minutes, based on a poem found in a Ginza art gallery.

After it was broadcast on NHK’s “Minna no Uta” in 1974, it became a children’s song passed down throughout Japan.

Singing it with older adults can blossom into warm conversations filled with nostalgia and create a wonderful time naturally full of smiles.

Azusa No. 2karyūdō

Azusa Nigo (2015 Remaster)

Azusa No.

2 was released in 1977 by the twin-vocal duo Kariudo, made up of Kunihiko Kato and Takamichi Kato.

The song portrays the feelings of a woman rocking in a train from the city to Shinshu, delicately expressing the conflict between lingering attachment and a new departure.

Because her need to keep some distance and her hopes for a new life are intricately intertwined, it’s a theme many can relate to.

In particular, for those at a turning point in life, it may offer a chance to reconsider one’s choices and the courage to move forward.

It’s recommended to listen carefully while imagining a moment from someone’s life, accompanied by the voices of Kariudo.

Until we meet againOzaki Kiyohiko

Mata Au Himade

Kiyohiko Ozaki’s signature song “Mata Au Hi Made” (Until the Day We Meet Again) was released in 1971 and is a work that fuses the delicate lyrics of Yū Aku with the memorable composition of Kyōhei Tsutsumi.

While the song centers on parting, it is characterized by its expression of a forward-looking spirit.

It won numerous awards and has continued to be loved across generations.

Even though it deals with separation, it conveys a sense of mutual compassion.

Its message may especially resonate with older adults who have experienced various changes in life.