Easy-to-sing songs recommended for women in their 70s: A collection of classic hits perfect for karaoke

They were youngOzaki Kiyohiko

Futariwa Wakakatta

I once had a student in their sixties who sang nothing but Kiyohiko Ozaki songs! If you don’t sing regularly, it might be hard to get your voice out, but “Futari wa Wakakatta” doesn’t go very high, so I think you can sing it in a relaxed way.

The melody is simple, so it’s also a good one to learn anew.

The beginning sits quite low, so make sure to resonate your voice so it doesn’t get muffled.

Try raising your hands to head level and slowly project your voice toward them.

Your facial muscles will naturally lift, and you should feel the resonance in your head, making it easier to hear your own voice.

When the chorus comes, it’s good to consciously sing out more firmly!

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Kubota Mami

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Tokyo Boogie-WoogieKasaogi Shizuko

Shizuko Kasagi – Tokyo Boogie-Woogie [Music Video]

This classic song by Shizuko Kasagi, a major influence on the Showa-era music scene, stands as a landmark of Japanese pop that brought brightness and vitality to postwar Japan.

Set to the buoyant rhythm of boogie-woogie, it paints a heart-thumping world filled with the joy and hope of youth.

Released by Nippon Columbia in January 1948, it became a record-breaking hit, selling 270,000 copies in its first year.

Its inclusion in the film Drunken Angel helped it win affection across a wide audience.

Etched in people’s hearts alongside memories of the Showa period, this work has the power to evoke nostalgic recollections.

It’s likely to be a treasured song to hum together with older listeners, sharing the happy memories of those days.

Scorpio womanMikawa Ken’ichi

Kenichi Mikawa “Woman of Scorpio (New Recording)” (Official Audio)

A signature song by Kenichi Mikawa that portrays the strength and poignancy of a passionate woman who lives for love.

Released in December 1972, this memorable enka number expresses straightforward affection and the sorrow of betrayal.

Mikawa’s powerful vocals blend beautifully with a distinctive worldview inspired by Scorpio, one of the twelve zodiac signs, and the song sold about 97,000 copies on the Oricon charts.

It was performed on NHK’s Kōhaku Uta Gassen for four consecutive years from 2006 to 2009, revealing new charms through various arrangements, including operatic and samba styles.

With its relaxed tempo and gentle melodic contours, it’s also easy to sing—another part of its appeal.

Why not sing it with a sense of nostalgia as a treasured song tied to precious memories?

Because the moon is so very blueSugawara Totoko

Highest Sound Quality! ~ Because the Moon Is So Very Blue (Sung by: Totoko Sugawara)

Totoko Sugawara, known for her distinctive, wistful vibrato, was called the Queen of Elegy and is also famous as the very first singer to perform on NHK’s Kouhaku Uta Gassen, which everyone knows.

She moved to Tokyo at the age of nine for an audition, where her talent blossomed, and together with her father, the composer Akira Mutsu, she released numerous masterpieces.

Her signature song, “Tsuki ga Tottemo Aoi Kara” (Because the Moon Is So Very Blue), became a million-selling hit in an era when the music market was much smaller than it is today, making her a household name across Japan.

For many seniors, it’s a song right at the heart of their youthful days, so it could be a great choice for recreational activities or background music in senior care facilities.

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kojifumi

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Sugarcane fieldSakushi sakkyoku: Terashima Naohiko

Sugarcane Field (♪ zawawa zawawa~) by Himawari ×9 [Chorus] Full Version with Lyrics | 8/15 End of War Memorial Day

This is an anti-war song imbued with a deep wish for peace, overlaying memories of the Battle of Okinawa with the sound of sugarcane swaying in the wind.

It was conceived when Naohiko Terashima visited Okinawa in 1964 and was told about the remains of the war dead at Mabuni Hill.

Premiered in 1967, it became widely beloved after Naomi Chiaki sang it on NHK’s music program “Minna no Uta” in 1975.

Told from the perspective of a girl who lost her father in the war, the song features the symbolic sound “zawawa” repeated 66 times, resonating deeply with listeners.

It’s a recommended piece for those who have experienced war or for moments when you want to reflect on peace.

Ladybug Sambacherisshu

Ladybug Samba Cherish 1973

Let me introduce a lovely song that captures the arrival of spring.

Its bright, buoyant rhythm and lyrics depicting tiny creatures celebrating a wedding are especially memorable.

Released in July 1973, it was a major hit, reaching No.

5 on the Oricon weekly chart.

It has long been cherished as a classic wedding song.

For many older listeners, it may also bring back fond memories.

It’s perfect when you want to savor the cheerful atmosphere of spring or lift your spirits.

If everyone sings and dances together, it’s sure to become a wonderful time filled with smiles.

ScandalTeresa Ten

Scandal

Teresa Teng’s songs are full of that quintessential ’80s vibe.

You can especially hear it in the synthesizers and the vocal lines.

This track, “Scandal,” is unusual for a Teresa Teng song in that its vocal line is crafted more like a 1970s idol tune.

It features a melody that leans somewhat toward doo-wop, and in contrast to the sprightly rhythm, the vocal line is characterized by a narrow range and gentle, gradual pitch movement.

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Ryo

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