Karaoke songs you’ll want to sing for men in their 70s: Enka and nostalgic Showa-era pop
In this article, we’ll introduce a comprehensive list of karaoke songs perfect for men in their 70s.
Focusing on tracks from the 1960s to the 1980s that they likely listened to in their youth, we’ve gathered many classic enka and Showa-era pop songs.
If you’re in your 70s, you’ll probably know every song here—and each one may bring back a variety of memories.
We hope this article helps you choose songs for your next karaoke session.
Reminisce about the old days and have a great time singing with friends of the same generation!
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[For men in their 70s] Karaoke songs you’ll want to sing: Enka and nostalgic Showa-era kayōkyoku (41–50)
A Letter Waiting for Springyoshida takurou

This is a gem of a melody by Takuro Yoshida, warmly depicting a heartfelt exchange through letters that gently convey the feelings and memories of a man and a woman.
The image of two people far apart, drawing close to each other through their letters, carries a nostalgic sentiment that many have felt.
Accompanied by a calm guitar tone, the feelings of a couple trying to connect while awaiting the arrival of spring leave a lingering resonance.
Released in October 1979, it reached No.
52 on the Oricon Weekly Singles Chart.
It was also included on the album “ONLY YOU 〜since coming For Life〜,” and has long been loved by many.
It’s a perfect song for those moments when you want to relax and enjoy music while looking back on memories with someone special.
Gatchaman SongShimon Masato

A classic song representing Showa-era anime hero series, it has captivated many with its exhilarating, fast-paced melody and grand lyrics.
The song leaves a strong impression with its sense of duty to protect the peace of the Earth and its portrayal of fighting with courage and passion.
Masato Shimon’s powerful vocals further elevate the work’s epic worldview.
Released as a single in October 1972, it was first used as the ending theme for the TV anime.
From episode 23, it was changed to the opening theme, becoming the series’ iconic track.
It has been included in numerous compilation albums and is hailed as a milestone in the world of anime songs.
With its powerful vocals and up-tempo melody, it’s perfect for bringing everyone together at parties and gatherings.
Tokyo RhapsodyFujiyama Ichirō

A classic song representing 1936 (Showa 11) was born in a work set in Ginza, Kanda, Asakusa, and Shinjuku, portrayed in a pure and light foxtrot style.
Ichiro Fujiyama’s beautiful voice elegantly sings of urban scenes and a love story.
This piece, which vividly brings to mind the bustling districts of Tokyo at the time, became a massive hit, selling 350,000 copies.
It was Fujiyama’s first release after moving to Teichiku, and a film of the same title was later produced, cementing its status as a beloved song that symbolizes the Showa era.
It’s a perfect track for a calm moment or when reminiscing about the past.
Enjoy a heartwarming time discussing what Tokyo was like back then together with older listeners.
my dadkaguya hime

A heartwarming folk song that warmly portrays a father within the family.
Set to a gentle acoustic guitar melody, it depicts a simple, down-to-earth father figure, as if capturing snapshots of everyday life.
Included on the album “Sankaidate no Uta,” released in March 1974, the song was written and composed by Kousetsu Minami, making full use of Kaguyahime’s folk sensibilities.
A live performance filled with a strong sense of unity with the audience is also featured on the live album “Kaguyahime LIVE,” released in September of the same year.
It’s a song you’ll want to listen to with your family, packed with gratitude that’s hard to express in everyday words.
In adult day-care settings, it may spark lively reminiscences through song.
Words of FarewellKaientai
It’s a beloved song with a gentle melody that accompanies moments of departure and farewell, carrying a warm message.
It carefully speaks to life lessons such as “loving someone deeply,” “accepting sorrow through tears,” and “trusting others and moving forward.” The lyrics were written by Kaientai’s leader, Tetsuya Takeda, based on a heartbreak he experienced in college, and the many words that strike the heart are especially compelling.
Released as a single in November 1979, it was chosen as the theme song for the first season of the TBS drama Mr.
Kinpachi in Class 3B, starring Tetsuya Takeda.
For older adults who have experienced the loss of a family member, it is sure to be a song that resonates deeply.
By reminiscing together or keeping time with handclaps to the melody, everyone can share a peaceful moment.
summer vacationyoshida takurou

This is a classic song by Takuro Yoshida, written with a gentle, bittersweet melody that traces summer memories in Kagoshima and Hiroshima.
Included on the 1971 live album “Yoshida Takuro On Stage Tomodachi,” the piece vividly paints scenes of a summer vacation that anyone might find nostalgic.
Childhood memories and moments with a cherished teacher are woven together with heartwarming lyrics.
A studio version was released on the 1972 album “Genki Desu.,” and the song has continued to be beloved by the artist and fans alike.
Inviting listeners to look back tenderly on summers from their youth, it’s a tune you can hum together with older generations, sparking wonderful conversations about treasured memories.
Kiyoshi’s Zundoko SongHikawa Kiyoshi

A heartwarming, approachable song that makes the most of rhythms found in folk songs and enka.
This masterpiece fully showcases Kiyoshi Hikawa’s charm, beautifully expressing the bittersweetness of love, masculine strength, and longing for one’s hometown.
With his natural vocal talent and refreshing appeal, Hikawa presents a uniquely modern take on the traditional enka worldview.
It was released by Nippon Columbia in February 2002.
The song won the Gold Prize at the 44th Japan Record Awards and is known as one of Hikawa’s signature tracks.
With its relaxed tempo and narrow melodic range, it’s a piece you can sing with a calm mindset.
During the chorus, it’s also nice to have listeners add call-and-response interjections!


