RAG MusicRecreation
Lovely senior life

[Recommended for people in their 70s] Songs that get everyone excited. Songs you’ll want to sing at karaoke.

A collection of classic Showa-era songs that are now loved across generations.

This time, we’re introducing especially lively tracks recommended for people in their 70s.

Focusing on hits from the 1960s to the 1980s, we’ve gathered songs that are popular at karaoke and tunes you’ll find yourself humming along to.

Singing can help relieve stress, and enjoying these songs together with others will make their appeal shine even more.

It’s also nice to savor them on your own while listening closely to the lyrics.

Please enjoy these wonderful, uplifting songs as you look back on memories from those days.

[Recommended for people in their 70s] Crowd-pleasing songs. Songs you’ll want to sing at karaoke (91–100)

Sexual Violet No. 1Kuwana Masahiro

It captivates with a rock sound emblematic of the 1970s and a sultry male vocal.

Depicting a passionate relationship between a man and a woman that exudes a bewitching sensuality, the piece is adorned with Takashi Matsumoto’s sophisticated lyrics and Kyohei Tsutsumi’s masterful melodic lines.

Released in 1979 as a campaign song for Kanebo Cosmetics, it topped the Oricon chart for three consecutive weeks.

Also included on the album “Communication,” it continues to enchant countless listeners.

Masahiro Kuwana’s wild, husky voice and mature allure vividly convey a world steeped in the melancholy of love.

It’s a perfect track for parties or karaoke—ride the catchy rhythm and sing along, and everyone is sure to feel their spirits lift.

Tokyo RhapsodyFujiyama Ichirō

Tokyo Rhapsody, nostalgic song, Tokyo
Tokyo RhapsodyFujiyama Ichirō

A classic song representing 1936 (Showa 11) was born in a work set in Ginza, Kanda, Asakusa, and Shinjuku, portrayed in a pure and light foxtrot style.

Ichiro Fujiyama’s beautiful voice elegantly sings of urban scenes and a love story.

This piece, which vividly brings to mind the bustling districts of Tokyo at the time, became a massive hit, selling 350,000 copies.

It was Fujiyama’s first release after moving to Teichiku, and a film of the same title was later produced, cementing its status as a beloved song that symbolizes the Showa era.

It’s a perfect track for a calm moment or when reminiscing about the past.

Enjoy a heartwarming time discussing what Tokyo was like back then together with older listeners.

Let’s go, Shake!Terauchi Takeshi & Banīzu

A happy tune from March 1967 that weaves together a seaside coming-of-age romance and the explosive sound of electric guitar.

A classic that epitomizes the golden era of Group Sounds, it won fervent support in dance halls and go-go clubs, symbols of youth culture.

Known as a signature work by Takeshi Terauchi and the Bunnys, it was included on the album “Let’s Go ‘Fate’” and won the Arrangement Award at the 9th Japan Record Awards.

The energetic sound born from Terauchi’s exceptional guitar technique and the band’s tight cohesion makes this a gem that conveys the essence of surf rock.

Highly recommended for anyone who wants to relive the radiance of youth or explore the history of Japanese rock.

Smiling Backkyandīzu

This is a song with a nostalgic, dramatic atmosphere that warmly wraps around your heart.

Released in February 1978, the final single by Candies sparked a huge response, reaching No.

1 on the Oricon chart.

With its bright, upbeat melody and lyrics that resonate deeply, the song is perfect for humming along to and for sharing fond memories.

We hope it helps everyone spend a delightful time together, accompanied by feelings of nostalgia.

Kawachi Ondo

Kawachi Ondo (Osaka Prefecture folk song)
Kawachi Ondo

Kawachi Ondo, one of the folk songs best known from Bon Odori, is said to have formed through a blend and arrangement of indigenous ondo and folk tunes that were sung in the area corresponding to the southeastern part of present-day Osaka Prefecture.

Because it came to be sung primarily as a Bon dance song, it has deep ties to Buddhism and also carries the character of a requiem.

Although Kawachi Ondo was born in a single locality, the 1961 record Teppō-bushi Kawachi Ondo became a million-seller, spreading its name not only throughout Japan but overseas as well.

For older listeners, just hearing the sound might be enough to set their hands moving involuntarily.