[Songs from the Showa Era] Introducing classic tracks that are easy to sing at karaoke.
Have you ever wanted to sing classic Showa-era hits to match the mood of the moment? In fact, many songs from the Showa period have simple, easy-to-remember melodies and are comfortable to sing without straining your voice! In this article, we introduce a wide range of Showa songs that feel great to sing at karaoke.
From nostalgic favorites to timeless classics loved across generations, you’re sure to find a song that becomes your go-to number!
- When you can’t decide what to sing at karaoke: Easy-to-sing classic hits from the Showa era
- A collection of iconic, cool Showa-era kayōkyoku classics sung by male vocalists
- [Karaoke] A roundup of songs that are easy for women to sing!
- A collection of nostalgic hits from the ’70s to 2000s that are perfect for livening up karaoke
- Recommended for women in their 60s! Easy-to-sing Japanese karaoke songs
- [Classic Showa Kayō Hits] The captivating Showa-era pop songs beloved even by younger generations
- Easy-to-sing songs recommended for men in their 80s: Showa-era classics to perform at karaoke
- [For People in Their 50s] Ranking of Easy-to-Sing Karaoke Songs [2026]
- Cool songs from the Showa era. Masterpieces from Showa that shine with sensuality, passion, and rugged charm.
- [Nostalgic Hits] Smash Hits with the Showa Generation! Classic and Popular Songs Sung by Female Vocalists
- Timeless classics only! Showa-era hit songs perfect for acoustic sing-alongs
- [Revisited] A roundup of popular and classic Showa-era songs that are trending now [2026]
- Evokes the charm of the good old days. Showa-era inspirational songs that are still loved today.
[Songs from the Showa Era] Introducing easy-to-sing karaoke classics (11–20)
Lullaby of the Holy MothersIwasaki Hiromi
Hiromi Iwasaki, a singer who debuted with the catchphrase “Let your voice ring to the heavens, Hiromi Iwasaki” and remains energetically active today.
Her 28th single, “Lullaby of the Madonnas,” was used as the first ending theme for the TV drama series Tuesday Suspense Theater, and its dramatic melody and wistful atmosphere are striking.
The overall key isn’t that high, so it’s relatively easy to sing, but the melody darts rapidly between low and high registers, so be careful not to slip off pitch.
It’s a famous song that almost everyone has heard at least once, and a classic of the Showa era that will liven up karaoke with people of any generation.
CheersNagabuchi Tsuyoshi
Tsuyoshi Nagabuchi is a singer-songwriter who has won a devoted fanbase with a powerful performance style that embodies his belief that “an acoustic guitar isn’t for playing—it’s for pounding.” The title track of his third album, “Kanpai,” has long been cherished for its lyrics as a classic song for weddings and graduation ceremonies.
Its narrow vocal range and lack of big dynamic swings make it easy to sing, and since it’s a song almost everyone has heard at least once, it’s perfect for group sing-alongs at karaoke.
If you sing it with a slight, deliberate pause, you’ll get closer to the feel of the original—give it a try if you’re comfortable.
Parting at 22kaze
Kaze is a folk duo formed by Shozo Ise from Kaguyahime and Kazuhisa Okubo from Neko.
With two iconic singers representing the folk scene performing together, they became extremely popular at the time.
Speaking of Kaze’s classics, of course it has to be “22-sai no Wakare” (“Parting at 22”).
True to the folk style, this song is sung in a subdued and somber tone.
The vocal line is so simple that even those who can’t hit high notes can sing it without trouble, so give it a try.
The Summer That Vanished Beyond the GlassSuzuki Masayuki
Masayuki Suzuki, a singer also known as a member of Rats & Star and dubbed the “King of Love Songs” for his soulful vocals.
His debut single, Glass Goshi ni Kieta Natsu (The Summer That Vanished Behind Glass), chosen as the campaign song for Nissin’s Cup Noodles, features an emotional vocal performance that resonates over a transparent, floating-feel ensemble.
The tempo is relaxed, but the song spans a wide vocal range, so adjust the key to suit your voice when singing it at karaoke.
Adding a touch of kobushi (that characteristic Japanese vocal ornament) will bring you closer to the original vibe, so if you’re comfortable, give it a try.
I just can’t stopYamamoto Rinda
Linda Yamamoto, a singer who thrived in the Showa era with her sexy visuals and vocals.
She’s left many classic hits, but the one I especially recommend is ‘Dounimo Tomaranai.’ Although it’s an intense, Latin-flavored number, it actually has a relatively narrow vocal range.
That means even those who can’t hit high notes can sing it without any trouble.
As long as you keep the rhythm solid—and since there aren’t many long, sustained notes—anyone can sing it well.
Give it a try!
interaction; friendly contact; bondingNakamura Masatoshi
Masatoshi Nakamura, who was hugely successful both as an actor and as a singer.
As a singer, his rugged, straightforward voice left a strong impression.
Among his songs, the one I especially recommend as easy to sing is Fureai.
It has a particularly narrow vocal range compared to his other tracks, so people with any voice type can sing it without trouble.
On the other hand, it can easily become monotonous, so when you sing it at karaoke, try to convey emotion to keep it engaging.
[Songs from the Showa Era] Introducing Easy-to-Sing Karaoke Classics (21–30)
Strawberry Statement, Once Morebanban
Lyrics and composition by Yumi Arai.
The title “Ichigo Hakusho” (The Strawberry Statement) is said to refer to the American film released in 1970.
It’s a folk ballad that seems to preserve, just as it was, the bittersweetness of youth, the afterglow of the student movement, and memories of love—the very atmosphere of the times! To be honest, although I knew the title, I had never actually listened to the song properly.
I’d like to take this opportunity to learn it well.
First, the melody line is very simple, so even casually humming it helps you memorize the song and makes it easier to sing by improving your breath—two birds with one stone! Because of its wistful mood, it might be best not to overdo it; try placing a hand on your chest and singing while feeling the resonance.
