Thrilling to Cool Showa-Era Tunes! Classic Songs from Female Singers and Artists of the Showa Period
Showa-era songs are now loved by the younger generation too.
Many people probably think they’re “cool,” don’t they?
No wonder—there were so many timeless hits by female stars radiating overwhelming charisma, like Momoe Yamaguchi and Akina Nakamori.
Beyond their outstanding vocal ability, you can’t help but be drawn to their astonishing allure.
From Showa kayō and enka to rock and city pop, and more.
This is a playlist featuring cool Showa-era tracks across genres!
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- Nostalgic yet fresh!? Classic masterpieces of Japanese rock from the 1970s and 1980s
- A classic Showa-era kayōkyoku song sung by a female vocalist. A nostalgic tune passed down through the years.
- Popular Showa-era pop. Timeless hit songs.
- Heart-touching, tear-jerking masterpieces from the Showa era
- An iconic song by a female artist that Gen Z can get hyped about with their peers
- When you can’t decide what to sing at karaoke: Easy-to-sing classic hits from the Showa era
- Timeless classics only! Showa-era hit songs perfect for acoustic sing-alongs
- Songs by Showa-era idols that you’ll want to listen to now, in the Reiwa era!
Thrilled by cool Showa-era tunes! Classic Showa hits by female singers and artists (11–20)
Bye-bye, Jewelshibata hatsumi
Included on the album Hazumi de Daite, released in August 1979, this is a classic distinguished by its sophisticated jazz-soul arrangement.
Hatsumi Shibata’s soulful vocals brilliantly capture both the exhilaration of romance and the complex emotions of parting.
This work is a Japanese cover of the original “It’s The Falling In Love,” and its appeal lies in an urban, refined atmosphere themed around mature love.
It was also used in a Mazda Cosmo commercial and performed at the 28th NHK Kōhaku Uta Gassen.
It’s a moving track that I highly recommend to adults wrestling with matters of the heart.
vibrationKasai Kimiko
This is a classic that lets you fully savor Kimiko Kasai’s lustrous vocals.
Its light, rhythmic sound stands out, with a superb blend of jazz-funk and city pop elements.
Released in September 1977, the track drew attention as the lead single from the album “TOKYO SPECIAL.” Composed by Tatsuro Yamashita, it exudes an urban, sophisticated vibe that symbolizes Japan’s 1970s music scene.
It’s also highly regarded in club circles and has been enjoying a resurgence among DJs and music fans.
A perfect song for a nighttime drive or whenever you want to revel in a chic, metropolitan mood.
Midnight DriverYoshida Minako
A track with elements of 80s funk and disco, it explores the themes of loneliness and anxiety racing through the city at night, along with a latent inner impulse.
Marked by Minako Yoshida’s distinctive vocals and rhythmic groove, it runs about 7 minutes and 24 seconds.
Reissued in June 2016 as a 12-inch vinyl by the esteemed Dutch label Rush Hour Recordings, it received high acclaim from aficionados of Japanese rare groove.
The piece incorporates many aspects of city pop, fully showcasing Yoshida’s musicality.
Vividly capturing the sense of freedom that comes with nighttime drives, it’s recommended for those who want to savor a refined, urban atmosphere.
Lament of ResentmentKaji Meiko
Meiko Kaji’s song, released in June 1973, is distinguished by lyrics themed around a woman’s vengeful grudge.
Its powerful vocals interwoven with a plaintive melody resonate deeply with listeners.
Used as the theme song for the Female Convict Scorpion film series, it became a piece emblematic of Meiko Kaji’s identity.
Although classified as enka, it has been praised for bringing a fresh breeze to the traditional musical style.
Kaji’s passionate performance and vocals greatly contributed to the films’ success, making this work an important milestone in her career.
Keiko’s Dream Opens at NightFuji Keiko
Known as one of Keiko Fuji’s signature songs, this piece is a classic that made a profound impact on the Showa-era pop scene.
With a voice both heartrending and powerful, it gives voice to sorrow and despair—resonating deeply with many listeners in light of the social climate of the time.
Upon its release in April 1970, it topped the Oricon singles chart for 10 consecutive weeks.
That same year, it won the Popularity Award at the Japan Record Awards, and Fuji made her first appearance on NHK’s Kōhaku Uta Gassen.
The song is distinguished by lyrics that vividly portray the emotions of people living in the night city, making it a track that speaks deeply to anyone struggling with life.