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Thrilling to Cool Showa-Era Tunes! Classic Songs from Female Singers and Artists of the Showa Period

Showa-era songs are now loved by the younger generation too.

Many people probably think they’re “cool,” don’t they?

No wonder—there were so many timeless hits by female stars radiating overwhelming charisma, like Momoe Yamaguchi and Akina Nakamori.

Beyond their outstanding vocal ability, you can’t help but be drawn to their astonishing allure.

From Showa kayō and enka to rock and city pop, and more.

This is a playlist featuring cool Showa-era tracks across genres!

[Feel the Thrill of Cool Showa-Era Tunes!] Classic Showa Songs by Female Singers/Artists (31–40)

You Are the One Who Rings That BellWada Akiko

There’s even an anecdote that Horipro’s president, Takeo Hori, approached lyricist Yū Aku with the wish to create “a song that could win the Japan Record Award’s Vocal Performance Award.” And in the end, it actually won that very award—proof of the incredible energy of everyone involved.

The song has since become one of Akiko Wada’s signature numbers.

She sometimes performs it with an orchestra, and her vocal power as a singer—never overshadowed by the orchestra—is simply stunning.

And of course, Yū Aku’s lyrics, chronicling the times and loneliness, are exceptional.

TAXISuzuki Kiyomi

Here’s a song from the end of the Showa era, made in 1987.

Seimi Suzuki—also known as the sister of Masayuki Suzuki—is, I think, a singer with a soulful voice and a coolness that transcends gender.

The song she sings, “TAXI,” only mentions a taxi in the opening lyrics; after that, it depicts a woman going to see the man she separated from.

What makes this song so cool, in my view, is how it expresses the possibility of interaction between a man and a woman after a breakup.

Being able to stay connected post-breakup feels like something uniquely associated with Seimi Suzuki.

Love is overŌyō Fifi

Ouyang Feifei “Love Is Over”
Love is overŌyō Fifi

The singer who performed this song, Ouyang Fei Fei, is a Taiwanese artist.

Her singing and visuals are cool, but isn’t the real coolness of this song in its lyrics? The way the lyrics present a breakup to a man in a weaker position—while saying he’s not disliked—is strikingly novel and stands out among Showa-era songs.

Perhaps these lyrics work precisely because they’re sung by a cool, independent woman like her.

From around the end of the Showa era, when these lyrics were born, I feel like portrayals of strong women and weak men began to appear more and more.

In conclusion

We’ve packed in a tight showcase of cool Showa-era songs sung by women. Did you find any you liked? For those who listened to them in real time back then, I’m sure nostalgic memories came flooding back, and for first-time listeners, I hope they felt a fresh jolt of excitement. I also thought that unique sense of thrill you get from Showa music was really cool!