RAG MusicHit Song
Lovely hit song

Songs that sold in the Showa era are resonating again today. A collection of timeless classics passed down across generations.

The Showa era can be called a golden age in which countless masterpieces were born on Japan’s music scene.Back when TV music programs were a national pastime, don’t you ever find yourself humming those melodies that drifted naturally from living rooms and city streets?This time, we’ll introduce a wide range of hit songs from the Showa era that have been etched into many people’s hearts.Whether you’re looking to bask in nostalgia or discovering Showa music for the first time, these tracks will resonate—so be sure to find a new favorite!

Songs that sold in the Showa era now resonate again. A collection of timeless classics passed down across generations (1–10)

Runnerbakufū suranpu

Bakufu Slump – Runner / THE FIRST TAKE
Runnerbakufū suranpu

This song captivates with a passionate world that layers youthful scenes set on a track-and-field team with heartfelt emotions for a bandmate who’s leaving.

The powerful vocals of Bakufu Slump combined with a high-velocity rock sound stoke the listener’s fighting spirit.

Released in October 1988, it remains enduringly popular.

Issued as the lead single from the classic album “HIGH LANDER,” it became widely known nationwide after being featured as insert music on the variety show “Tensai! Takeshi no Genki ga Deru TV!!” and in a Hitachi video commercial.

Loved for many years, with sales of about 340,000 copies, this is a fight song we highly recommend to anyone seeking the courage to face daunting challenges.

Snow CountryYoshi Ikuzo

A signature song by Ikuzo Yoshi, known for shaking off his comedic image and establishing himself as a bona fide enka singer.

Written and composed by Yoshi himself, the piece depicts snowbound landscapes and the ache of waiting with accessible lyrics and an elegant melody.

Released as a single in February 1986, it was featured in the film “Fancy Dance” and earned the Composer’s Award at the 29th Japan Record Awards, among other accolades.

It enjoys broad, cross-genre support and is perfect for anyone seeking the nostalgic atmosphere of Showa-era kayōkyoku.

On a cold winter night, if you relax in a warm room and listen closely, vivid, heartfelt scenes may rise before your eyes.

Be sure to add it to your singing repertoire.

UFOpinku redii

A masterpiece with a powerful impact that draws you into a mysterious world from the very first bars.

It unfolds a surreal worldview that layers the temptation of an alien with the push-and-pull of romance, and its greatest allure lies in a dynamic sound infused with disco elements.

The melody is irresistible—your body reacts before the meaning even sinks in.

Released in December 1977, the song topped the charts for ten consecutive weeks.

The synergy with the simultaneously released album “Best Hit Album” was tremendous as well.

In later years, it was featured in commercials for UQ Communications and instant cup yakisoba, and it stands as one of Pink Lady’s signature works.

Many of you probably once obsessed over copying the choreography.

It’s a perfect pick when you want to get everyone fired up at karaoke, regardless of generation.

Songs that were hits in the Showa era resonate again today. A collection of timeless classics passed down across generations (11–20)

FriendsRebekka

REBECCA “Friends” (Shibuya Public Hall, Dec 25, 1985)
FriendsRebekka

Just hearing that glittering keyboard intro wraps you in a tight, aching feeling, doesn’t it? Written by vocalist NOKKO based on her first love, this song vividly captures the bittersweet shift from friendship to romance and the heartbreak of a relationship falling apart, along with the sweet-and-sour taste of youth.

Released in October 1985, it became a massive hit when it was chosen as the ending theme for the drama “Half Potato na Oretachi.” It was also included on the classic album “REBECCA IV ~Maybe Tomorrow~,” released the following month.

A remix version came out in 1999 and, as the theme song for the drama “Lipstick,” showed how enduringly beloved it remains.

It’s a track you’ll want to listen to while quietly soaking in memories of your school days gone by.

I look up as I walkSakamoto Kyu

When it comes to Japan’s timeless standard numbers, this song sung by Kyu Sakamoto surely comes to mind.

Gently portraying scenes where loneliness and hope intertwine, it depicts the resolve to face forward while holding back sorrow.

Its mellow whistling melody is also captivating, and it offers comfort to the heart in any era.

Released as a single in October 1961, it became a massive hit through numerous tie-ins, including the TV program “Yume de Aimashou,” a 1962 Nikkatsu film, and even the 2011 animated film “From Up on Poppy Hill.” In 1963, it reached No.

1 on the U.S.

charts, becoming beloved around the world.

It’s a song you’ll want to listen to when you’re feeling down or need a gentle push forward.

Wine Red Heartanzenchitai

Centered around Koji Tamaki, a vocalist who captivates with overwhelming vocal prowess and expressive depth, Anzenchitai is a rock band.

With lyrics by Yosui Inoue and music by Tamaki, this song is a love ballad that sensually yet wistfully depicts a precarious, adult romance.

Its sophisticated, urban melody layered with a whisper-like vocal delivery evokes an ineffable blend of allure and melancholy.

Released in November 1983 as their fourth single, it was later included on the classic album “Anzenchitai II.” The track was featured in a Suntory Akadama Punch commercial and used as the opening theme for the TV drama “Machigaidarake no Otto Erabi” (“Choosing the Wrong Husband”).

The sound, imbued with a chic Showa-era mood, feels perfect for those who want to lose themselves in music late at night, sipping a drink alone.

I LOVE YOUOzaki Yutaka

Yutaka Ozaki – I LOVE YOU (Official Music Video)
I LOVE YOUOzaki Yutaka

Singer-songwriter Yutaka Ozaki, who won support as a voice representing the loneliness and struggles of youth.

This song is a ballad whose restrained piano melody contrasts with his intense rock image.

Its worldview—evoking the instability of love with no place to go and a desperate urge to escape—is conveyed through his gentle vocals.

Originally included on the album “Seventeen’s Map,” released in December 1983, it was later released as a single in March 1991.

It was also used in JR Tokai commercials and as insert music for the drama “From the North Country.” An enduring love song covered by numerous artists, it’s perfect for a quiet night with someone you love or for those who want to feel the warmth of a bittersweet romance.