A love song that makes a man in his sixties relive his youth. Timeless classics that rekindle the romances of those days.

Bye For NowT-BOLAN

T-BOLAN「Bye For Now」MV

A gem of a ballad etched in the hearts of many as a supportive anthem about a beautiful farewell.

Released by T-BOLAN in November 1992, this song was used as the theme for Woman Dream and went on to become a million-seller.

Its powerful message—singing of the courage and hope to move toward one’s dreams after overcoming the loneliness of parting—deeply resonates with listeners.

It remains a beloved choice for moments like parting from someone dear, graduation ceremonies, and new beginnings, retaining its luster more than 30 years after its debut.

Featured on the albums HEART OF STONE and SINGLES, it shines brightly as one of T-BOLAN’s signature songs.

I love you, I love you, I love you.Za Kānabītsu

I love you, I love you, I love you

The debut release by The Carnabeats, a cover of a song by the British rock band The Zombies.

Released in June 1967, the track was a forerunner of the Group Sounds boom and sold between 1.2 and 1.5 million copies.

With its energetic rhythm and catchy melody, the song drew attention for Ai Takano’s performance, singing while playing drums.

In later years, Mi-Ke’s cover was used as the opening theme for Nippon TV’s “N!? Sanma,” and it was also featured in the anime The Prince of Tennis, making it a beloved song across generations.

Highly recommended for those who want to savor GS sound that sings of the sweet loves of youth.

Blind BirdZa Moppusu

Blind Bird

This is the debut work released in November 1967 by The Mops, known as pioneers of the psychedelic movement during the tumultuous 1960s.

Its innovative arrangement—melding heavy guitar riffs with a dreamlike sound—shocked Japan’s music scene at the time.

Drawing attention for performances featuring outlandish costumes and light shows, this piece was also included on the album “Psychedelic Sound in Japan,” spawning numerous legends.

With the April 2014 release of the complete edition “Psychedelic Sound in Japan +2,” it became available on CD, prompting a renewed appreciation of its innovation.

It’s a must-listen for those who want to explore new musical possibilities or who are interested in the history of Japanese rock.

Ha-ha-haZa Rindo & Rindāzu

Ha Ha Ha – The Lind & Linders (’68.8.25)

A lively pop tune by The Linds & Linders, released in August 1968, carried by a snappy rhythm and bright melody.

As one of the Kansai region’s representative Group Sounds acts, the song was featured in a popular TV commercial for Nobel Confectionery’s “Amand Kiss,” boosting its recognition even in the Tokyo metropolitan area.

As a signature number from a leading Kansai GS group, the single’s B-side includes the lyrical ballad “Four Days’ Love.” This track was later included in the January 2000 album “The Linds & Linders Meets The Youngers: Complete Singles,” winning over a new generation of fans.

Recommended for those who want to feel the spirit of the Group Sounds heyday or bask in the nostalgia of their youth.

With the setting sunZa Wairudowanzu

With the setting sun

A refreshing melody that captures scenes shining against the blue sky makes this song especially memorable.

Drummer Yoshiaki Ueda takes the lead vocal, captivating listeners with his distinctive style of singing while playing.

Released in May 1967 as The Wild Ones’ third single, it’s also known for having lyrics written by all the members.

The bright, open sound of the 12-string electric guitar remains unfaded, a classic that symbolizes the golden age of Group Sounds.

It’s a track you’ll want to play on an evening drive or while spending time with friends.

Let’s go, Shake!Terauchi Takeshi & Banīzu

Let's go, Shake!

A happy tune from March 1967 that weaves together a seaside coming-of-age romance and the explosive sound of electric guitar.

A classic that epitomizes the golden era of Group Sounds, it won fervent support in dance halls and go-go clubs, symbols of youth culture.

Known as a signature work by Takeshi Terauchi and the Bunnys, it was included on the album “Let’s Go ‘Fate’” and won the Arrangement Award at the 9th Japan Record Awards.

The energetic sound born from Terauchi’s exceptional guitar technique and the band’s tight cohesion makes this a gem that conveys the essence of surf rock.

Highly recommended for anyone who wants to relive the radiance of youth or explore the history of Japanese rock.

The lights of Sakhalin do not go outZa Jenoba

The Genova / The Light of Sakhalin Never Goes Out (1968)

A crowning achievement of 1960s Group Sounds from Crown Records.

With a bittersweet melody and lyrics in the style of a Russian folk song that weave in images of the northern provinces, this soul-stirring track moves every listener.

It builds a one-of-a-kind world that feels both nostalgic and fresh.

The Genova’s debut single from February 1968 is known as a unique outlier within the 1960s Group Sounds scene, and it recorded an astonishing sales figure of over 100,000 copies.

Seamlessly blending electric guitar and band-driven sound with elements of kayōkyoku, this work lingers as a gem of a ballad that stands beside the aching hearts of those who’ve lost their hometown or their love.

It’s a classic to be heard on a quiet night by anyone who has known heartbreak or parting, or who carries deep feelings within.