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Lovely classics

[Quartet] Masterpieces and Popular Pieces for String Quartet

The string quartet drew attention not only from classical music fans but also from a wider audience after being featured in the 2017 TV drama “Quartet.”

Perhaps some of you were captivated by its charm through the show.

A string quartet is a form of chamber ensemble consisting of two violins, a viola, and a cello.

Since being established in the late 18th century by Franz Joseph Haydn, it has been cherished as the most refined form of chamber music.

In this article, we introduce masterpieces brimming with the allure of the string quartet.

Please enjoy the elegant and refined resonance of string instruments.

[Quartet] Masterpieces and Popular Pieces for String Quartet (1–10)

String Quartet No. 14 in G major, K. 387 “Spring”Wolfgang Amadeus Mozart

Among Wolfgang Amadeus Mozart’s string quartets, this piece is known as a particularly captivating work.

Completed in 1782, it is the first of the set of six quartets dedicated to Haydn.

Distinguished by bright, lively melodies that evoke the arrival of spring, each of its four movements presents a different character.

From the energetic themes of the first movement to the gentle, song-like melody of the third, it is as if the music expresses the many faces of spring.

Showcasing Mozart’s genius for composition to the fullest, this work is recommended not only for classical music enthusiasts but also for those encountering a string quartet for the first time.

String Quartet No. 12 in F major, Op. 96 “American,” II. MovementAntonín Dvořák

String Quartet in F Major, Op. 96, “American” by Antonín Dvořák – Lento
String Quartet No. 12 in F major, Op. 96 “American,” II. MovementAntonín Dvořák

Dvořák, who was from the Czech lands, came to the United States to serve as director of the National Conservatory of Music in New York.

Living far from home in America, a country with a different history and culture, he became interested in African American spirituals and the music of Native Americans, and began incorporating these elements into his own works.

The piece known as “American” is one of the works in which you can feel the inspiration he drew from his life in the United States.

This movement, which is the second, is a moving slow movement: it sings out a plaintive melody reminiscent of a spiritual, then the cello takes it up and plays a Bohemian-style folk tune, creating a movement imbued with nostalgia.

String Quartet No. 13 in B-flat major, Op. 130: V. “Cavatina”Ludwig van Beethoven

Beethoven String Quartet in B-flat major, Op. 130: V. Cavatina (arr. for Strings)
String Quartet No. 13 in B-flat major, Op. 130: V. “Cavatina”Ludwig van Beethoven

A string quartet captivates with the elegant resonance of string instruments.

One of its masterpieces is a late work by Ludwig van Beethoven.

Composed between 1825 and 1826, it is characterized by delicate, beautiful melodies.

It’s hard to believe it was written when he had completely lost his hearing, such is the richness of Beethoven’s musical imagination.

The leisurely lines that unfold in stillness seem to express the composer’s inner struggles and deep emotions.

It is a piece I would love even beginners to classical music to hear at least once.

Wrapped in the sonority of strings, why not listen for Beethoven’s inner voice?

[Quartet] Masterpieces and Popular Pieces for String Quartet (11–20)

String Quartet No. 14 in D minor, D 810 “Death and the Maiden”, Fourth MovementFranz Schubert

The year before 1824, when Schubert is said to have begun this work, he suffered from ill health, and perhaps as a result, all four movements are written in a minor key, giving the piece a distinctly sorrowful mood.

The work was officially published two and a half years after Schubert’s death.

The urgent, tarantella-like finale is striking for its powerful character, with dramatic melodies woven throughout.

Because the second movement quotes the melody of his famous song “Der Tod und das Mädchen” (Death and the Maiden), this piece is also affectionately known as “Death and the Maiden.”

String Quartet in F Major, Second MovementMaurice Ravel

Enso Quartet: Ravel String Quartet: II. Assez vif. Très rythme
String Quartet in F Major, Second MovementMaurice Ravel

Ravel, the French composer famous for works such as Daphnis et Chloé and Boléro, was a composer of Impressionist music, one of the classical music movements that emerged in early 20th-century France.

It was born from applying the new technique of “Impressionism,” widely used at the time by painters like Monet, Renoir, and Cézanne in the French art world, to the realm of music.

This piece makes a striking impression by beginning with pizzicato, a technique in which all four instruments pluck the strings, and as the piece unfolds, the mood shifts rapidly, conjuring up a variety of scenes in the listener’s mind.

String Quartet No. 19 in C major, K. 465 “Dissonance,” First MovementWolfgang Amadeus Mozart

String Quartet No. 19 in C Major, K. 465 – “Dissonances”: I. Adagio – Allegro (Extended Version)
String Quartet No. 19 in C major, K. 465 “Dissonance,” First MovementWolfgang Amadeus Mozart

One of the six string quartets known as the “Haydn Set,” dedicated to Haydn, a representative composer of the Classical era.

Because its first movement opens with an introduction full of dissonances, it is nicknamed the “Dissonance.” The sonorities were hard to comprehend at the time, and when the work was published, they were even thought to be the result of a copying error.

It is said that this piece is Mozart’s musical representation of the profound impression made on him by his initiation ritual into the Freemasons.

The striking contrast between the dissonant opening and the subsequent melodies is a defining feature.

SummaArvo Pärt

Composed in 1977 as the Credo, one of the movements of a choral Mass, it was later arranged for string quartet.

This work by Estonian composer Arvo Pärt bears the title “Summa,” which in Latin means “the whole” or “complete collection.” The piece is written in Pärt’s so-called tintinnabuli style and is characterized by simple harmonies and straightforward rhythms, reminiscent of Gregorian chant from the 8th–9th centuries and Renaissance music from the 14th–16th centuries.

It exudes a solemn atmosphere, as if it were resonating within a church.