[For Women in Their 30s] Aim for a High Score at Karaoke!
Have you ever wanted to aim for a high score at karaoke but weren’t sure which songs to choose? If the vocal range is too wide or the rhythm is complex, your score might not go up as much as you’d like.
In fact, just picking songs with more falls (slide-down notes) or a stable melody line can make it much easier to score well.
This time, I’ll introduce tracks that are easy to sing and work well with scoring systems.
I’m from the same generation too, so I’ve picked especially popular songs! Find a track that suits your voice and enjoy your next karaoke session even more!
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[For Women in Their 30s] Aim for High Scores at Karaoke! (1–10)
Things that have formShibasaki Kou
It became a long-running hit as the theme song for the drama “Crying Out Love, In the Center of the World,” reaching No.
2 on the Oricon charts for three consecutive weeks and No.
6 for the year! It’s a ballad that portrays a heartrending romance, structured so that it starts quietly and the emotions explode in the chorus.
The tempo is slow, so the pitch bar is easy to follow and it’s easier to stay on pitch, making it feel singable even for beginners.
If you take solid breaths for each phrase and project your voice toward the mic, your expressiveness will score extra points too! For the start of the pre-chorus, come in with a firm voice, and in the chorus, don’t hesitate—letting your voice out boldly feels good and hits just the right spot.
BelieveTamaki Nami
It was Nami Tamaki’s major debut single and the 3rd opening theme for the anime Mobile Suit Gundam SEED! The tempo is fast, but the pitch movement isn’t very extreme, so once you lock into the rhythm it’s an easy song to sing.
The A section sits in a relatively calm range, and a high C#5 appears at the end of the B section, so be careful not to strain.
Since the melody gradually climbs, try raising your facial muscles and increasing your energy little by little as you sing; the notes should come out smoothly.
If you focus on accents, the high parts will come out properly and you’ll also be more likely to hit the pitch bar.
If I Fall in LoveCrystal Kay
For women in their 30s, this song might strongly resonate as an emblem of the golden era of 2000s romance dramas.
“Koi ni Ochitara” was also the theme song for the Fuji TV drama “Koi ni Ochitara: Boku no Seikou no Himitsu.” It was certified million for both its chaku-uta (ringtone) and single track.
It features Crystal Kay’s characteristically light vocals, so it’s best sung with a bright, buoyant feel.
The overall vocal range is G3 to D#5, and the B melody includes higher parts, so try to keep it light rather than belting.
In the final chorus, the key modulates upward, so imagining the resonance in your head voice throughout should make it easier to stay on pitch.
[For Women in Their 30s] Aim for High Scores at Karaoke! (11–20)
To the futureKiroro
There’s a well-known story that Chiharu Tamashiro wrote this song when she was in her third year of junior high school, as a letter to her mother, and on YouTube there are many comments saying, “I can’t sing this song because I start crying.” Also, because it carries a sense of graduation, it’s become a standard graduation song often sung in junior high and high school music classes and choir competitions.
The overall vocal range of the song is G3 to D5, building toward the latter half and including some quite high passages.
The D5 is where the chorus lifts sharply—time your entry and attack it like a precise needle prick!
The Story You Don’t Knowsupercell
Isn’t this the generational anthem packed with the golden age of late-night anime × Nico Nico culture × the bittersweetness of youth—the ending theme of the anime Bakemonogatari? The overall vocal range is A3 to D5 and stays fairly high throughout.
In particular, the top note D5 appears frequently in the chorus, so it’s best to sing it without straining by incorporating falsetto.
The tempo isn’t too fast and should be easy to groove to while singing, so try to feel it with your body as you listen closely to the backing band.
In the chorus, be mindful of accents and align your vocal timing to hit the pitch bar!
ORIONNakajima Mika
Released in November 2008, it became a big hit as an insert song for the drama “Ryusei no Kizuna.” The overall vocal range of the song is fairly wide, from G#3 to D#5, with the chorus’s peak being the highest note.
Mika Nakashima is known for her whispery, breathy tone, so there’s no need to belt.
Since the top note D#5 is quite high, use head voice and send a thin, upward-focused tone.
Imagining your voice being pulled up from above your head may help.
If you lift your eyebrows in time as well, it becomes easier to hit and adds to the vibe.
Once you get used to it, focus on expressiveness to boost your score.
It also helps to gradually increase your volume with each melodic phrase!
Love, Day After TomorrowKuraki Mai
Mai Kuraki, a female singer who was hugely successful in the 2000s.
She’s often compared to Hikaru Utada, but even in songs with an R&B flavor like Utada’s, her vocal lines are actually straightforward J-pop, so she has quite a few tracks that are surprisingly easy to sing.
Among them, the one I especially recommend is Love, Day After Tomorrow.
While it does feature some higher phrases, the overall pitch range isn’t that extreme, and the vocal line is fairly simple, making it a song that’s very conducive to scoring high—so long as you’re not uncomfortable with higher notes.
