[For Women in Their 30s] Aim for a High Score at Karaoke!
Have you ever wanted to aim for a high score at karaoke but weren’t sure which songs to choose? If the vocal range is too wide or the rhythm is complex, your score might not go up as much as you’d like.
In fact, just picking songs with more falls (slide-down notes) or a stable melody line can make it much easier to score well.
This time, I’ll introduce tracks that are easy to sing and work well with scoring systems.
I’m from the same generation too, so I’ve picked especially popular songs! Find a track that suits your voice and enjoy your next karaoke session even more!
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[For Women in Their 30s] Aim for High Scores at Karaoke! (31–40)
Feverish Demonzutto mayonaka de ii no ni.
The vocal range is A#3 to E5, and the song is generally on the higher side.
I think you can aim for a high score by basically singing gently with a falsetto-like tone, which also makes it easier to hit the pitches.
If you use too much falsetto, you might get wobbly and tired, so be sure to focus on diaphragmatic breathing and keeping your core steady so your voice doesn’t waver.
The rap-like part before the chorus might not even have a pitch bar, but please have fun singing along to the rhythm! Since the tempo is a bit fast, don’t forget to take breaths and give your falsetto your best shot!
AriaAina ji Endo
Aina the End is known for her husky, slightly nasal voice, but if you’re not used to this singing style, trying to imitate it can make it very hard to stay on pitch.
To score high, first match the pitch solidly using your own comfortable vocal tone.
There’s a high C5 at the end of the C section; take a breath mid-phrase and place the note cleanly.
Also, the chorus uses a lot of sliding (shakuri) as a technique, but at first don’t worry too much about that—focus on getting used to the overall melody of the song!
Love WindIkuta Rira
This is a solo song by Rira Ikuta, the vocalist of YOASOBI.
It’s not an uptempo, belting type of track, but a gentle, relaxed one.
The range is F#3 to E5, so there are plenty of high notes, but if you approach it primarily in head voice, I think the pitches are easier to hit.
You might think about using more breath and other details, but first and foremost, focus on matching the pitch accurately.
For the high notes in the chorus, switch to head voice without hesitation and lock in the pitch.
Among Rira Ikuta’s songs, this one is relatively easy to sing, so aim for a high score and give it a try!
Blooming at nightHoshimachi Suisei
As of June 2025, the average score on JOYSOUND karaoke scoring seems to be around 90.35, giving the impression that the average is on the higher side.
Indeed, among Hoshimachi Suisei’s songs, this one doesn’t have an especially high range and is fairly compact, so it’s easier to hit the pitches compared to her other tracks.
Also, the rhythm is very easy to grasp, so once you learn it, it’s a song that’s easy to sing! If you sing while clearly keeping a 4/4 beat, your timing will match more easily and you’ll line up with the pitch bar perfectly.
Once you’re comfortable, it might be a good idea to add techniques like vibrato!
usyama
Yama’s song “us” doesn’t have many high notes, so there aren’t any parts where you need to belt; overall it’s sung in a whispery style, which makes it very easy to sing throughout! The general range is G#3 to C#5, and the verses (A and B sections) sit lower, so it’s a range where a low voice can really shine.
The chorus does go up to around C5, but if you sing it lightly in a falsetto-like tone without belting, it’ll be easier to sing without strain and will perfectly match the song’s vibe.
Try delivering it gently and smoothly!
[For Women in Their 30s] Aim for High Scores at Karaoke! (41–50)
STEP youHamasaki Ayumi
Ayumi Hamasaki’s classic “STEP you” carries an atmosphere reminiscent of gothic rock.
The world it creates—born from its sharp synths and melodies with a dark pop/gothic rock vibe—is truly breathtaking.
Interestingly, despite those melodies, the vocal line is surprisingly straightforward.
The verses sit a bit low, but the chorus doesn’t push the intensity either, so the overall range is narrow, with well-placed rests throughout.
Definitely consider adding it to your repertoire.
A flower blooming in joyACO
ACO is a female singer-songwriter who gained popularity with a trip-hop-centered musical style.
Many women in their 30s may have discovered her through her guest appearance on Dragon Ash’s classic track “Grateful Days.” Among ACO’s songs, a particularly recommended one is “Yorokobi ni Saku Hana” (“A Flower Blooming in Joy”).
While the vocal delivery is sentimental, the melody line is surprisingly even and understated, with a fairly narrow range, making it easy to sing for people with various vocal types.
Be sure to check it out.