[For men in their 30s] Aim for a high karaoke score!
Have you ever struggled to pick the right song when you want to score high at karaoke? If you know songs that are not only easy to sing but also tend to score well on rating systems, karaoke will be even more fun.
Songs with a comfortable vocal range, a steady tempo, and that still get the crowd going—if you keep those in mind, you can take the mic with confidence.
In this article, we’ll introduce songs that are easy for men to sing and great for aiming for high scores.
Be sure to add them to your karaoke repertoire!
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[For Men in Their 30s] Aim for High Karaoke Scores! (21–30)
Full-Power BoySukima Suichi
A signature song by Sukima Switch, this pop track carries an encouraging message about dreams and taking on challenges.
With a lively band sound and a fairly fast tempo, you’ll need to keep the beat with your body so you don’t fall behind.
The overall vocal range is C3–A4, and it jumps into the high register in the chorus, so it’s recommended for singers who are good with high notes.
If high notes aren’t your strength, it’s fine to lower the key to make the chorus easier to sing, but be careful not to let the low notes in the verse get lost.
When you sing, lifting your facial muscles right before the chorus will help you hit the first note smoothly!
A Little Love SongMONGOL800
It’s a coming-of-age love song that’s been adored across generations since its release on September 16, 2001.
The overall vocal range of the song is A#2 to G#4, and anyone who’s tried singing it has probably felt how wide the lower range is.
If you’re not used to singing low notes, your voice can get muffled and it becomes hard to sing.
In fact, when you’re not accustomed to a certain part of your range—whether low or high—you use more breath than you think.
You need to inhale with diaphragmatic breathing, and you also need to fully exhale the breath you’ve taken in.
Many people surprisingly don’t exhale completely, so for low notes, project your voice forward slowly and make sure to breathe out fully.
If you can nail the low notes in the A melody, you can suddenly aim for a high score!
FanfareTamaki Kōji
An encouraging song written by Koji Tamaki, who was born and raised in Hokkaido, for a drama set in the world of horse racing.
The melody has a driving sense of speed, as if a horse is galloping, and it’s a song that lets you sing freely! The overall vocal range is C3 to B4, and the structure gradually builds in emotion and excitement.
For the A and B sections, put your voice firmly into the mic as if you’re speaking, and for the chorus, imagine singing in a wide-open space and let your voice out fully—this will help your voice come out comfortably and make it easier to stay on pitch.
For karaoke scoring, watch the pitch bar and check each note as you sing!
lilacMrs. GREEN APPLE
The opening theme song for the TV anime “Oblivion Battery.” In karaoke, it’s a challenge-type rock number where a sense of speed and stable high notes are the keys to a high score! You’ll use both chest voice and falsetto, and the transitions can feel tricky, but because falsetto makes it easier to hit the right pitches, singing it naturally can really boost your score! Also, the melody line is surprisingly simple and easy to follow.
There’s a section in triple meter partway through, so be sure to lock in with the rhythm.
If the range feels high, adjust the key to what’s comfortable for you—another tip for aiming at a perfect 100! Try singing lightly without straining your voice too much.
It’s love.V6
A poppy, refreshing love song that represents V6 in 1997—and I just learned this myself—the composer is Koji Tamaki.
The overall vocal range is wide and high, from D#3 to D#5, and both the intensity and the range build steadily toward the latter half.
Because the tempo feels good, you’ll need to project your voice while staying in the groove.
As you approach the high notes before the chorus, keep a tight, small body rhythm to line up your timing, use your body to add momentum, and accent the phrase.
Be careful not to tense up on the “n” sound in the song title; focus on carrying it with your breath and try singing with that in mind!
CANDYMr.Children
Mr.Children’s classic song “CANDY,” included on the masterpiece I♡U released in 2005.
This track features a fairly wide vocal range from mid1 C# to high B, with the highest chest note at high A.
Although it doesn’t appear often, that high A shows up once in each pre-modulation chorus, so before singing, make sure to focus on diaphragmatic breathing and mindful breaths.
If you’re confident in your upper range, it might be interesting to challenge yourself by singing the post-modulation high B not in falsetto but with a mix voice.
You might find it’s surprisingly easier to keep the pitch that way.
Watercolor MoonHata Motohiro
Hata Motohiro’s masterpiece “Suisa no Tsuki” is marked by its emotional melody.
Released after the nationwide hit “Himawari no Yakusoku,” this track has a notably acoustic and mellow finish.
Its vocal range is relatively narrow at mid1F to hiC, but the chorus features sustained high phrases up to hiC, making it harder to sing than it might sound.
If you have a high voice, you might try singing the falsetto parts with mixed voice.
Be sure to check it out.