[For men in their 30s] Aim for a high karaoke score!
Have you ever struggled to pick the right song when you want to score high at karaoke? If you know songs that are not only easy to sing but also tend to score well on rating systems, karaoke will be even more fun.
Songs with a comfortable vocal range, a steady tempo, and that still get the crowd going—if you keep those in mind, you can take the mic with confidence.
In this article, we’ll introduce songs that are easy for men to sing and great for aiming for high scores.
Be sure to add them to your karaoke repertoire!
- Here are foolproof picks! Flirt-worthy karaoke songs recommended for men in their 30s
- Songs that score high easily on karaoke for men in their 20s
- Recommended Japanese pop songs for karaoke for men in their 30s
- Karaoke songs where even men with low voices can aim for high scores
- [For Women in Their 30s] Aim for a High Score at Karaoke!
- [For men in their 30s] Must-play karaoke hits that always get the crowd going
- [Karaoke] Songs that appeal to women in their 30s: Popular “chick-magnet” songs for men
- Recommended for men in their 30s: Karaoke songs that were a hit back in the day
- For Men in Their 50s: Easy Karaoke Songs to Score High
- [For Men] What Karaoke Songs Make It Easy to Score 100? A Curated List of Easy-to-Sing Tracks
- A Must-See for Men in Their 60s: Easy-to-Sing Karaoke Classics That Score High
- [For Men in Their 40s] A Collection of Songs That Score High at Karaoke [2026]
- [Recommended for women in their 30s] Popular and latest songs that are easy to sing at karaoke
[For men in their 30s] Aim for high karaoke scores! (41–50)
Mr.ChildrenTabidachi no Uta
This single, released on October 31, 2007, was used as the theme song for the film “Koizora” and in an NTT East Japan commercial.
The chorus, which is also the title of the song, feels very familiar, doesn’t it? “Tabidachi no Uta” ranges from C3 to A4, so you might think, “It’s not that high,” but since vocalist Sakurai sings it entirely in chest voice, you’ll probably want to belt it out in chest voice as well.
At the end of the chorus, the pitch jumps up sharply, and if you force it out, you’ll completely strain your throat.
As the notes get higher, focus on projecting your voice farther away.
Lift your eyebrows firmly and try to send your voice forward from just in front of your eyebrows.
Breath and explosiveness are key: take a deep breath and shoot it out like a beam, sending it far! It might be tiring until you get the feel for it, but once you get used to it, your voice will come out comfortably and you’ll hit the pitches well!
Keisuke KuwataMayonaka no Dandī
Songs by Keisuke Kuwata and Southern All Stars are well-received across a wide range of age groups, and many people choose them for vocal training! This time’s “Mayonaka no Dandy” was first released as a solo single in 1993.
The vocal range is generally around B3, and the melody line is simple, making it easy to learn and sing.
Because the melody is simple, slight pitch deviations can stand out when you line up with the pitch bar, but if you sing carefully, your score will definitely go up! When moving from the A and B sections into the chorus, the pitch rises a bit, so try to keep your facial muscles lifted and sing lightly so you don’t tense up overall.
Once you get used to it, you could try adding a slight shout like Kuwata does, but if your scores aren’t improving, better not—there’s a risk you’ll hurt your throat (lol).
plazmaYonezu Kenshi
As the theme song for ‘Mobile Suit Gundam GQuuuuuuX -Beginning-‘, it’s a track where the synthetic machine-like sounds really stand out! Kenshi Yonezu handled everything himself—lyrics, composition, arrangement, production, and even the artwork—making it one of his most dedicated works of 2025.
The vocal range is C3 to C5, which I think is a comfortable height for men to sing mainly in chest voice without strain.
There are falsetto parts here and there, but they’re used in those signature “this is the moment!” spots typical of Yonezu, so make sure to align precisely with the pitch bar.
For the fast sections, avoid mumbling and pronounce the vowels clearly.
Also be careful not to over-enunciate.
Approach it like a tongue twister: articulate the initial consonants cleanly and focus on locking in with the rhythm.
Fujifabricakakiiro no kinmokusei
This is the third single by Fujifabric, released in 2004.
The song’s overall vocal range is A#3 to G#4, so it should be very comfortable for those who struggle with high notes.
With a tempo of 153, it’s easy to ride the rhythm and stay aware of the pitch bar.
The A and B sections focus on lower notes, so if you overuse your throat, you’ll end up singing the higher notes in the chorus with a throaty sound, making it harder to stay on pitch.
When singing, aim for a singing voice rather than a speaking voice, and make sure the sound comes correctly from the vocal folds.
Lightly touch the dip between your collarbones and try producing sound from there.
If the spot you’re touching vibrates slightly, that’s a sign you’re using your voice correctly.
Sing with the image of projecting the sound forward from that point.
For low notes, place the sound right in front of you; for high notes, aim farther away and use a quick, explosive release.
In all cases, produce the sound from your vocal folds.
EXILEmichi
It’s a classic EXILE-style ballad! I’ve sung EXILE at live shows myself, and as a woman I was surprised by how low it sits.
Even raising the key by two semitones, it was still low, so I think EXILE’s songs really suit a male vocal range.
The gently flowing “Michi (Road)” spans B2–A4, and the chest-voice section in the bridge (C melody) feels a bit high.
That said, as with any song, if you’re aiming for a high karaoke score, singing in falsetto will definitely help you hit the pitches more accurately, so choose whichever approach you prefer! The key points are: sing carefully overall to match pitch, take breaths at each phrase, and be mindful of pitch habits at the ends of phrases.
If you focus on these three, you can definitely aim for a high score!
illustrated reference bookSEKAI NO OWARI
SEKAI NO OWARI often gives the impression of having many high-pitched songs, but the July 2025 release “Zukan” doesn’t feature belted high notes and has little range fluctuation, so it seems very scoring-friendly—you might even aim for a perfect 100.
The melody is also easy to remember since it’s structured with just verse A, verse B, and the chorus, without a new section like a bridge.
Overall, the vocal range, rhythm, and melody are clearly organized, so you don’t need any special techniques and can sing it at a relaxed pace.
To aim for 100 points, the first priority is matching pitch.
Try singing lightly with the image of lifting your facial muscles and eyebrows and sending the voice forward from just above the eyebrows.
Vocalist Fukase also tends to keep his eyebrows raised, so use that as a reference!
KanadeSukima Suichi
Sukima Switch’s classic song “Kanade” gets as high as A#4 in the latter half, so it can seem challenging, but the first half stays within a low–mid range of D3 to A#4, making it a great pick for lower-voiced male singers.
It’s a song almost everyone knows, so it’s definitely worth adding to your repertoire! Until you get used to the chorus range, it’s fine to lower the key a bit.
It’s absolutely better to sing in a key that’s comfortable for you rather than forcing the original key, so try finding the key that suits your voice.
The key is to sing gently!