Songs with titles starting with “To.” A selection from popular tracks across generations!
When it comes to songs that start with “To,” what songs come to mind for you?
There are plenty of classic tracks titled “Tokyo,” and you can probably think of many song titles that begin with words like “Time” (Toki) or “Friend” (Tomo) as well.
In this article, we’ll introduce lots of songs that start with “To.”
Use this as a handy guide not only for song-title shiritori, but also when you’re stuck choosing songs for karaoke shiritori, where you link the last letter of each song title to the next.
All right, let’s dive in!
- A compilation of Vocaloid songs with titles that start with “To”
- Songs whose titles start with “Do” – Solo Karaoke / Song-Title Shiritori
- Masterpieces with titles that start with 'A'
- Introducing popular J-pop songs that start with “Ta”!
- Songs with titles that start with “Tsu.” Introducing famous tracks from the Showa to Reiwa eras!
- Songs with titles that start with “te.” Perfect for shiritori karaoke or song-title shiritori!
- [Karaoke] A roundup of songs that are easy for women to sing!
- A roundup of songs that start with “U.” Perfect for shiritori or picking tracks at karaoke!
- Even karaoke beginners can relax! Easy-to-sing songs for men
- Songs with titles that start with “wo.” Useful as hints for karaoke and shiritori!
- A roundup of songs that start with “ku.” Perfect for shiritori or picking karaoke tracks!
- Summary of Vocaloid songs with titles starting with 'Ta'
- Songs with titles that start with 'de'. Perfect as hints for karaoke or shiritori!
Songs with titles that start with “To.” Introducing picks from popular hits across generations! (211–220)
TRAIN-TRAINZa Burū Hātsu
The Blue Hearts’ classic “TRAIN-TRAIN” was a long-running hit from the 1980s into the early 2000s.
True to the Blue Hearts’ style, this track is a passionate punk rock song characterized by its raw sound.
You might expect it to be hard on the throat vocally, but it actually sits within a relatively narrow range of mid1 G# to mid2 F#.
The vocal line itself isn’t complex; however, starting from the second verse, it incorporates a slightly spoken delivery, which brings subtle pitch variations compared to the first verse.
Because this spoken-like quality isn’t a purely musical pitch change, be sure to carefully learn it by ear.
Were you stopped?Lunch Time Speax
Formed in 1993 in Mito, Ibaraki Prefecture, Lunch Time Speax is a three-member hip-hop unit known for hard-hitting, street-savvy lyrics and heavyweight beats.
Consisting of GOCCI, TAD’S A.C., and DJ DENKA, they were discovered in 1998 by DEV LARGE of BUDDHA BRAND and made their major-label debut with Sony Music Entertainment in 2001.
Through releases like the albums “BLUE PRINT MANEUVER” and “B:COMPOSE,” they cemented their place in Japan’s hip-hop scene, and in 2003 they launched their own label, PARANOEAR SOUND.
For over 30 years they have remained highly active, consistently broadcasting their music from the regions to the entire country.
Their stance transcends the boundaries of hip-hop and has impacted the broader music industry, making them a must-listen for music fans seeking uncompromising, hard-edged hip-hop.
TOKYO TRIPNagasuma Reo
Reo Nagatsuma, born in Ibaraki Prefecture, serves as the vocalist and keyboardist of the artist group 7ORDER.
With his sweet looks and tall stature, he’s adored by many fans as a “prince-like” presence.
After gaining experience at Johnny & Associates, he restarted in May 2019 as part of the 7ORDER project and made his major debut in January 2021 with the album “ONE.” In addition to music, he’s active as a member of a self-produced entertainment collective involved in stage productions and video creation.
His athletic versatility and bright, energetic personality are also part of his charm.
As the youngest member of the group, he showcases solid vocal skills and keyboard performances, making him highly recommended for anyone who wants to enjoy a wide range of entertainment!
TRUE TO MEAn Ruisu
This track is packed with quintessential ’80s electronic dance music, woven with synthesizer sounds and powerful vocals.
Tetsurō Oda wrote and composed the song, which focuses on Ann Lewis’s independence and conviction, and it is included on the album “Dri夢・X-T-C.” Released in 1985, the track reflects the influence of Western ’80s music while delivering a message of self-affirmation—uncommon among female artists at the time—that resonated with many fans.
It’s recommended for those who value staying true to themselves and for listeners who enjoy electronic music.
Topaz’s KissReita Eiko
A signature song by Taeko Ryota, featuring a sophisticated melody that evokes the decadent allure of the city at night and lyrics that depict a sweet, heartrending romance.
Included on the album “Taeko,” this track was released in November 1984.
Seamlessly blending city pop and AOR, it delicately portrays an urban love story while effectively weaving in English phrases.
The album contains nine tracks in total, including “Heat Lady,” “Midnight Face,” and “Reflex.” It’s a perfect choice for a nighttime drive or for relaxing in a quiet room, and comes highly recommended not only for city pop fans but also for listeners seeking a refined, grown-up love song.
Toshiko’s BluesAkiyoshi Toshiko
Toshiko Akiyoshi, who continues to be active while based in New York, is a jazz pianist Japan is proud to share with the world and a renowned big band leader.
With 14 Grammy nominations, the Medal with Purple Ribbon, and the distinction of being the first Japanese inductee into the Jazz Hall of Fame, her achievements are immeasurable.
Released in 1954, Toshiko’s Piano is Akiyoshi’s landmark debut.
Produced by Norman Granz and recorded with Oscar Peterson’s rhythm section, the album is highly regarded as a masterpiece that brilliantly fuses elements of hard bop and cool jazz.
From interpretations of standards to her own original compositions, this work showcases her exceptional piano technique and distinctive musical voice.
It’s a gem recommended not only for jazz fans but for anyone who loves music.
Tokyo Street RockerBLACK CATS
This track, Tetsuro Oda’s first production and a work that brought innovation to Japanese pop music, is an ambitious song built on a rockabilly foundation with a sophisticated, urban arrangement.
Its up-tempo rhythm, energetic performance, and stylish sound blend together in perfect balance.
Released in August 1984 as a track on the album “Tokyo Street Rocker,” it was also featured in a Coca-Cola TV commercial, “Yes Coke Yes.” An adventurous collaboration where the young BLACK CATS and a rising producer sparked a chemical reaction, the song has continued to be loved across generations, later being covered by The Biscats.
It’s recommended not only for those interested in Harajuku culture and rockabilly music, but also for anyone who wants to discover the origins of ’90s J-pop.