Japanese pop songs that are easy for women in their 20s to sing at karaoke
We’ve put together a list of karaoke songs that women in their 20s often find easy to sing!
When choosing songs for karaoke, the vibe of the group and who you’re with can make the difference between a song you can sing and one you can’t.
Many people probably switch up their repertoire depending on the situation.
Even if a song fits the occasion, there are times you can’t sing it because it’s too high or too low—even if you love it.
So in this article, we’ll introduce recommended songs with a focus on various aspects of singability.
We’ve gathered tracks like “widely known hits,” “classics that hype up the room,” “songs without extreme vocal ranges,” and “tunes that feel nostalgic for people in their 20s.”
Find the perfect song for you and give it a try at karaoke!
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Japanese pop karaoke songs that are easy for women in their 20s to sing (21–30)
I want to be your lover.Abe Mao
How about a heart-wrenching love song that passionately sings of a straightforward, bittersweet unrequited love? It’s one of singer-songwriter Mao Abe’s signature songs, released in 2009 as her second single.
Carried by a mid-tempo guitar rock sound, her honest voice and feelings shine through—any woman in love right now won’t be able to help but relate.
It’s also known as a staple for band covers, meaning it features an approachable, easy-to-sing melody line.
Maybe singing this song is a good way to convey your feelings to the person you like.
When the wind blows, loveChatto Monchī
Chatmonchy disbanded in 2018 in what they called a “completion.” This song is fantastic, with lyrics that are painfully relatable and a refreshing sound that feels like a snapshot of the ideal high school life.
The key is on the higher side, so it’s a great pick for people with naturally high voices or those who are good at hitting high notes!
Karaoke songs in Japanese that are easy for women in their 20s to sing (31–40)
MisterKARA
Known as one of KARA’s signature songs, this track captivated many with its upbeat rhythm and memorable dance.
The lyrics, which depict a proactive approach to romance, set listeners’ hearts racing.
Released in Japan in August 2010, it became a defining song for the group’s popularity.
Its distinctive choreography drew attention and was frequently featured on music shows and in the media.
It’s a recommended pick for women in their 20s who want to liven up a karaoke session.
With a singable vocal range and an easy-to-remember melody, it’s sure to help create a fun time with friends.
Ojamajo Carnival!!MAHO dō
People in their twenties are especially the generation that grew up watching Ojamajo Doremi, right? This is “Ojamajo Carnival!!” sung by MAHO-dou! If you’re looking for something to rival Sailor Moon, this is definitely the song! It’s so nostalgic that it’s sure to get everyone hyped up!
frecklesJUDY AND MARY
This song, which was the opening theme for the anime version of Rurouni Kenshin, is Sobakasu by JUDY AND MARY, the rock band led by YUKI.
When you think of Judy and Mary, this is the song that comes to mind! It’s a mischievous and cute rock tune.
The key is quite high, so it’s a perfect track for those who are good at hitting high notes!
Rejected-Love GirlSayuri
Sayuri, the oxygen-deprived girl, splits into three selves across 2D, 3D, and parallel dimensions to carry out her activities.
Once you see and hear her enigmatic worldview and distinctive voice, they won’t let you go.
This song was written and produced by Yojiro Noda of RADWIMPS.
The music video was directed by dance filmmaker Nao Yoshigai, who expressed Sayuri and the song’s mysterious world through contemporary dance and more.
Be sure to pay attention to the striking lyrics as you listen!
Mutual loveaiko
Aiko often has songs that span a wide range from low to high notes.
In the new song “Sōshi Sōai,” the key range looks wide at G#3–C#5, but the actual sung range is lower than you might expect.
The B4 range is used in the chorus and elsewhere, but for most women, that pitch should come out naturally without much effort.
Rather than a “cheerful!” vibe, it’s a song that strongly conveys “bittersweet emotion,” so it’s one you can sing with a calm tone.
When you actually try singing it, you may find many phrases where the pitch drops at the end of the melody lines, which can make intonation tricky for some.
It’s true that moving from low to high can be easier if you have momentum, but going from high to low is very difficult to land accurately.
Try singing lightly while sustaining your breath all the way to the end.
