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Japanese pop songs that are easy for women in their 20s to sing at karaoke

We’ve put together a list of karaoke songs that women in their 20s often find easy to sing!

When choosing songs for karaoke, the vibe of the group and who you’re with can make the difference between a song you can sing and one you can’t.

Many people probably switch up their repertoire depending on the situation.

Even if a song fits the occasion, there are times you can’t sing it because it’s too high or too low—even if you love it.

So in this article, we’ll introduce recommended songs with a focus on various aspects of singability.

We’ve gathered tracks like “widely known hits,” “classics that hype up the room,” “songs without extreme vocal ranges,” and “tunes that feel nostalgic for people in their 20s.”

Find the perfect song for you and give it a try at karaoke!

Japanese karaoke songs that are easy for women in their 20s to sing (51–60)

Tokimeki DiaryDream Ami

Released for streaming in September 2025, it reportedly samples and uses the memorable chorus lyrics and melody from E-girls’ classic “Anniversary,” and is crafted with themes of “nostalgia” and “the connection between past, present, and future.” It’s a must-listen for fans! It’s sung mostly in a head voice, so it’s a bit high, but the range isn’t very wide, making it a good pick for those comfortable with higher notes.

The tempo isn’t fast, which is nice because you can take a breath at each phrase and sing calmly.

The ad-lib at the beginning uses easily pronounced words, so if you project your voice well there, it should help you keep singing comfortably throughout!

A Bouquet for YouUtada Hikaru

This is “Hanataba o Kimi ni” released by Hikaru Utada, a highly skilled singer-songwriter beloved by a wide range of age groups.

Many people know it as the theme song for the NHK morning drama series Toto Nee-chan.

It conveys feelings of gratitude and love that are hard to express straightforwardly in everyday life.

It’s perfect not only for girls’ gatherings but also for farewell parties!

KILL LOVEano

ano「KILL LOVE」Music Video
KILL LOVEano

At tempo 192, ano’s “KILL LOVE” is a very fast, band-driven track.

The structure builds to a big lift in the chorus, making it a super refreshing song to sing! The range isn’t that high, so you can comfortably sing it in chest voice.

In the A and B sections, sing with ano’s usual laid-back, conversational vibe, while the chorus turns full-on rock in both lyrics and feel—so it’ll sound coolest if you belt it out with an “unleash your feelings” kind of emotion.

Also, since the tempo is very fast, pay attention to your breath placement.

The chorus especially has continuous melodies, so take a deep breath right before it, and be careful not to blow out all your air at once—manage your airflow! If you tense your chest and shoulders when inhaling, you’ll slip into shallow chest breathing and won’t get enough air.

Keep your shoulders relaxed and focus on directing the breath into your abdomen.

Seduce Venusnozomi

This song was released on July 4, 2025, and it’s the theme for the DMM TV show “LOVE RING.” Some of you might already find it familiar.

The tempo is on the faster side, but the vocal range isn’t that wide, so it should be a comfortable key for most women.

However, the very end of the chorus goes up to D#5.

If you’re used to singing high notes, you might be able to power through each phrase with momentum, but if you’re not, forcing it could strain your throat—so switch to head voice without pushing.

You’ll need more breath support than you might expect, and once you get used to it, you’ll likely be able to sing it a bit more strongly.

It’s a cool track that’s sure to hype up the crowd! Give it a try and learn it!

Karaoke songs in Japanese that are easy for women in their 20s to sing (61–70)

companion on the road; fellow traveler; taking someone along (often unwillingly)Hoshimachi Suisei

This is a 2023 song by Suisei Hoshimachi, with lyrics, composition, and arrangement by Ayase from YOASOBI.

The song features many key changes throughout, resulting in a very dramatic piece.

While the overall vocal range is on the lower side, the range shifts between sections, making it enjoyable for those who find simpler songs unsatisfying.

For singers accustomed to high notes, it may feel low, so raising the key a bit could make it easier to sing.

From around the pre-chorus (B-melo), the pitch changes with almost every word, so it’s best to go through each note one by one, as if stepping up and down stairs.

Switching between head voice and chest voice is essential, so practice smooth transitions and aim to hit the pitch accurately—think of maintaining a slightly surprised expression to help with placement.

It seems to be a staple in Hoshimachi’s live performances, so learning this song will definitely be worthwhile!

Inconvenient Cuteness feat. AiNA THE ENDJenīhai

Genny High “Inconvenient Cuteness” feat. Aina the End (BiSH)
Inconvenient Cuteness feat. AiNA THE ENDJenīhai

Jenny High, a band produced by Enon Kawatani of Gesu no Kiwami Otome, is formed by a star-studded lineup: comedian Kazuya Koyabu, Cookie! (Kukki!), composer Takashi Niigaki, and Ikkyu Nakajima, the vocalist of the rock band tricot.

“Fuben na Kawaige” is a song that vents the dark emotions swirling in the hearts of women living in the modern age.

When there are only women around, bare your true feelings and sing it out at the top of your lungs!

Eine KleineYonezu Kenshi

The lyrics are striking in the way they savor the happiness of caring for someone.

It’s a song by Kenshi Yonezu, known for hits like “Lemon.” It’s included on the 2014 album “YANKEE.” Although it’s a male artist’s song, it seems like it would be easy for women to sing as well.