Japanese pop songs that are easy for women in their 20s to sing at karaoke
We’ve put together a list of karaoke songs that women in their 20s often find easy to sing!
When choosing songs for karaoke, the vibe of the group and who you’re with can make the difference between a song you can sing and one you can’t.
Many people probably switch up their repertoire depending on the situation.
Even if a song fits the occasion, there are times you can’t sing it because it’s too high or too low—even if you love it.
So in this article, we’ll introduce recommended songs with a focus on various aspects of singability.
We’ve gathered tracks like “widely known hits,” “classics that hype up the room,” “songs without extreme vocal ranges,” and “tunes that feel nostalgic for people in their 20s.”
Find the perfect song for you and give it a try at karaoke!
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Karaoke Songs in Japanese (41–50) That Are Easy for Women in Their 20s to Sing
Togetsu Bridge ~Thinking of You~Kuraki Mai
This song by Mai Kuraki was written specifically as the theme song for the film Detective Conan: The Crimson Love Letter.
With this track, her songs have been used as Detective Conan themes for the 21st time, earning a Guinness World Record.
It features a Japanese-style melody and lyrics that evoke scenes of Kyoto.
Although it’s challenging to sing, it’s widely recognized, and many people would be delighted if you can sing it at karaoke!
Japanese karaoke songs that are easy for women in their 20s to sing (51–60)
May it be filled with kindnessJUJU
This is one of JUJU’s signature songs, and it’s been covered by many artists.
Its wistful melody and love-themed lyrics are very popular, and it’s often used at weddings.
I’m sure many of you know it.
It’s still a karaoke favorite, so it’s definitely a song worth remembering!
It’s nothing.Kamishiraishi Mone
The anime film Your Name, released in 2016, became a massive hit.
Its ending theme is Nandemonaiya by the rock band RADWIMPS.
Mone Kamishiraishi, who played the protagonist Mitsuha Miyamizu, also covered the song.
Her cover is included on the album Chouchou, released the same year.
The tempo is relaxed, so even if you’re not confident in your enunciation, you should be able to give it a try.
Sing while cherishing each note and every part of the melody.
Your name is hopeNogizaka 46
This is the song “Kimi no Na wa Kibou” released in 2013 by Nogizaka46, an idol group immensely popular among young women.
It’s a song that inspires hope for the future.
When you have a friend who’s feeling down, sing this song for them—it’ll surely lift their spirits!
Inconvenient Cuteness feat. AiNA THE ENDJenīhai
Jenny High, a band produced by Enon Kawatani of Gesu no Kiwami Otome, is formed by a star-studded lineup: comedian Kazuya Koyabu, Cookie! (Kukki!), composer Takashi Niigaki, and Ikkyu Nakajima, the vocalist of the rock band tricot.
“Fuben na Kawaige” is a song that vents the dark emotions swirling in the hearts of women living in the modern age.
When there are only women around, bare your true feelings and sing it out at the top of your lungs!
Mutual loveaiko
Aiko often has songs that span a wide range from low to high notes.
In the new song “Sōshi Sōai,” the key range looks wide at G#3–C#5, but the actual sung range is lower than you might expect.
The B4 range is used in the chorus and elsewhere, but for most women, that pitch should come out naturally without much effort.
Rather than a “cheerful!” vibe, it’s a song that strongly conveys “bittersweet emotion,” so it’s one you can sing with a calm tone.
When you actually try singing it, you may find many phrases where the pitch drops at the end of the melody lines, which can make intonation tricky for some.
It’s true that moving from low to high can be easier if you have momentum, but going from high to low is very difficult to land accurately.
Try singing lightly while sustaining your breath all the way to the end.
companion on the road; fellow traveler; taking someone along (often unwillingly)Hoshimachi Suisei
This is a 2023 song by Suisei Hoshimachi, with lyrics, composition, and arrangement by Ayase from YOASOBI.
The song features many key changes throughout, resulting in a very dramatic piece.
While the overall vocal range is on the lower side, the range shifts between sections, making it enjoyable for those who find simpler songs unsatisfying.
For singers accustomed to high notes, it may feel low, so raising the key a bit could make it easier to sing.
From around the pre-chorus (B-melo), the pitch changes with almost every word, so it’s best to go through each note one by one, as if stepping up and down stairs.
Switching between head voice and chest voice is essential, so practice smooth transitions and aim to hit the pitch accurately—think of maintaining a slightly surprised expression to help with placement.
It seems to be a staple in Hoshimachi’s live performances, so learning this song will definitely be worthwhile!