[Trend] A collection of nostalgic Vocaloid songs we used to listen to a lot
Vocaloid, a synthetic voice technology that often carries a cutting-edge image, actually dates back to 2007 with the release of Hatsune Miku.
When you think about it that way, quite a bit of time has passed since the scene first took shape.
There’s even a term for the generation that has been listening to Vocaloid songs since childhood: the “native Vocaloid generation.” In this article, we’ve put together a collection with the theme of “nostalgic Vocaloid songs”! It may especially resonate with those who “used to listen to Vocaloid a lot back in the day.” Let’s unravel the history of Vocaloid together!
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- Summary of Popular and Classic Songs That Colored the Vocaloid Scene of the Heisei Era
- [Standard] Vocaloid masterpieces, recommended popular songs, god-tier tracks
- [Easy to Sing] A Compilation of Recommended Vocaloid Songs for Karaoke
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- [From Classics to the Latest] A Special Feature on Vocaloid Masterpieces and Legendary Tracks!
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- [Hot] A special feature on cool Vocaloid songs!
[Trending] A Compilation of Vocaloid Songs We Used to Listen To—Nostalgic Classics (61–70)
WAVEniki

An impressive track that paints a dreamy soundscape.
niki’s electronic/pop style is on full display.
The fantastical lyrical world and Lily’s transparent vocals are a perfect match.
The lyrics, as if drifting across the boundary between reality and imagination, will leave a deep impression on listeners.
The sense of discovering the extraordinary within the everyday, and the blend of hope and anxiety for the future, are skillfully expressed.
It’s the perfect song for when you want to soak in a dreamlike mood or when you feel ready to start something new.
Our 16-bit Warsasakure.UK

A surge of people are getting hooked on its unpredictable song structure! This track, created by Vocaloid producer sasakure.UK—also known as sasakure-P—who also leads the fusion band Yuukei Rampage, was released in 2009.
Its cutting-edge sound arrangement and dystopian lyrical worldview are irresistible.
In 2022, a remastered version was released as part of the smartphone game Project Sekai: Colorful Stage! feat.
Hatsune Miku.
Listening—or playing—might just bring back the feelings you had back then.
Re-educationNeru

Neru, a Vocaloid producer known for the hit of his signature song “Lost One’s Weeping.” Popular for tracks that leverage a rock sound, his 2012 piece “Re-education” is a sentimental song that portrays facing the worries and anxieties of adolescence.
Over a band performance resonating with passionate guitar riffs, Kagamine Rin and Len deliver cool vocals.
Their mechanical voices, evoking a boy and a girl in their school days, somehow also feel human.
Give this rock number a listen, where fiery passion and bittersweet emotion intertwine.
The Tailor of Enbi Hillmothy

This is a highly narrative-driven work that combines a Japanese-style sound with a mad, distorted worldview.
The song is by mothy, also known as Akuno-P, and was released in 2009.
It is one of the Seven Deadly Sins series alongside pieces like “Conchita, the Epicurean Daughter,” and was created with the theme of “envy.” The protagonist, a tailor, becomes jealous when he sees the person he loves walking with a woman who isn’t him… Written like this, it might seem like the theme is “infidelity.” But those who’ve listened know that’s not it, don’t you?
When the con man starts to laughNashimoto Ui
With jagged, distorted guitars, a roaming bass, brisk drums, and a noisy vocal, this rock track’s ensemble is irresistibly cool.
It’s a song by Nashimoto Ui, a Vocaloid producer known for band-driven sound, released in 2009.
Fans of grunge and alternative rock likely found it especially striking.
And that ending…
it gives you chills.
Back then, a fan-made animated MV based on the song was also widely watched.
CantarellaKurousa-P

Songs with a gothic worldview have always been popular in the Vocaloid scene, from the old days to the present, haven’t they? Created by Kurousa-P—who also produced the iconic hit Senbonzakura that’s practically synonymous with Vocaloid—this track was released in February 2008.
It originally belonged to WhiteFlame, the doujin circle Kurousa-P was part of, and what we’re introducing here is, in other words, a self-cover arrangement using Vocaloid.
It’s a highly narrative piece where the dramatic sound and mature vocal work are a perfect match.
KAITO’s sultry singing voice is truly wonderful!
Love wordsDECO*27

It’s a catchy and pop message song that colors a band sound with lively, chiptune-style synths! It wouldn’t be an exaggeration to introduce DECO*27 as a composer for whom “every song released is a hit,” with works like “Mosaic Roll,” “Hibana,” and “Vampire.” This track was released in July 2009.
While the title and lyrics are crafted like a love song, in truth it’s a song of gratitude from DECO*27 to the fans who listen to his work.
The warm atmosphere that comes through the whole track really fills your heart with comfort.



