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[Trend] A collection of nostalgic Vocaloid songs we used to listen to a lot

Vocaloid, a synthetic voice technology that often carries a cutting-edge image, actually dates back to 2007 with the release of Hatsune Miku.

When you think about it that way, quite a bit of time has passed since the scene first took shape.

There’s even a term for the generation that has been listening to Vocaloid songs since childhood: the “native Vocaloid generation.” In this article, we’ve put together a collection with the theme of “nostalgic Vocaloid songs”! It may especially resonate with those who “used to listen to Vocaloid a lot back in the day.” Let’s unravel the history of Vocaloid together!

[Trending] A Compilation of Vocaloid Songs We Used to Listen To—Nostalgic Classics (61–70)

Ironyscoop

[Hatsune Miku Soft] Irony [Original Song with PV]
Aironiscope

It’s a classic that portrays a bittersweet love.

Skopp’s delicate lyrics and the soothing guitar tones are a perfect match.

This work resonated with many listeners and had a major impact on the Vocaloid scene.

It’s a song that speaks not only to those who have experienced heartbreak or setbacks, but to anyone struggling in life.

The protagonist’s inner turmoil and the strength to move forward, embedded in the lyrics, pierce the heart.

When you feel like looking back on the past, try listening to it quietly.

It will surely stay close to your heart.

Our 16-bit Warsasakure.UK

“Our 16-bit War” feat. GUMI (Remaster ver) sasakure.UK + Yukei Rampage
Our 16-bit War sasakure.UK

A surge of people are getting hooked on its unpredictable song structure! This track, created by Vocaloid producer sasakure.UK—also known as sasakure-P—who also leads the fusion band Yuukei Rampage, was released in 2009.

Its cutting-edge sound arrangement and dystopian lyrical worldview are irresistible.

In 2022, a remastered version was released as part of the smartphone game Project Sekai: Colorful Stage! feat.

Hatsune Miku.

Listening—or playing—might just bring back the feelings you had back then.

Re-educationNeru

Neru – Re-education feat. Kagamine Rin & Kagamine Len
Re-education Neru

Neru, a Vocaloid producer known for the hit of his signature song “Lost One’s Weeping.” Popular for tracks that leverage a rock sound, his 2012 piece “Re-education” is a sentimental song that portrays facing the worries and anxieties of adolescence.

Over a band performance resonating with passionate guitar riffs, Kagamine Rin and Len deliver cool vocals.

Their mechanical voices, evoking a boy and a girl in their school days, somehow also feel human.

Give this rock number a listen, where fiery passion and bittersweet emotion intertwine.

When the con man starts to laughUi Nashimoto

With jagged, distorted guitars, a roaming bass, brisk drums, and a noisy vocal, this rock track’s ensemble is irresistibly cool.

It’s a song by Nashimoto Ui, a Vocaloid producer known for band-driven sound, released in 2009.

Fans of grunge and alternative rock likely found it especially striking.

And that ending…

it gives you chills.

Back then, a fan-made animated MV based on the song was also widely watched.

Bind, open, Rakshasa and corpseBee

Hachi MV 'Tie and Untie: Rakshasa and Corpse' HACHI / Musunde Hiraite Rasetsu to Mukuro
Tie and untie, demon and corpse eight

Rasetsu to Mukuro (Tie and Open) by Vocaloid producer Hachi, posted in July 2009, is an early Vocaloid track characterized by an eerie, horror-tinged melody and lyrics.

By the way, the Vocaloid used is Hatsune Miku.

It’s quite interesting to see the darker side of Hatsune Miku, who is more often featured in relatively bright-sounding songs.

Incidentally, Hachi, the creator of this song, is the same person as Kenshi Yonezu, who later found success as a singer-songwriter with hits like Lemon and Paprika!

Cantarellakuro usagi P

Cantarella (feat. KAITO & Hatsune Miku)
Cantarella by Kuro Usagi-P

Songs with a gothic worldview have always been popular in the Vocaloid scene, from the old days to the present, haven’t they? Created by Kurousa-P—who also produced the iconic hit Senbonzakura that’s practically synonymous with Vocaloid—this track was released in February 2008.

It originally belonged to WhiteFlame, the doujin circle Kurousa-P was part of, and what we’re introducing here is, in other words, a self-cover arrangement using Vocaloid.

It’s a highly narrative piece where the dramatic sound and mature vocal work are a perfect match.

KAITO’s sultry singing voice is truly wonderful!

It hurts so much; I want to express my pain.EZFG

[VY1 & VY2] I Hurt So Much, I Want to Hurt [Original MV] [1080p]
I really want to be in pain, EZFG.

“Totemo Itai Itagaritai” is a song by EZFG, released in January 2012.

Its distinctive lyrics interweave the pain of mouth ulcers with the pain of love, leaving a strong impression.

Over an electronica-based sound, a duet by VY1V3 and VY2 blends harmoniously.

It’s a song I’d love people who feel deep-seated pain and inner conflict to listen to.

Included on the album “Cyber Thunder Cider.”