[Trend] A collection of nostalgic Vocaloid songs we used to listen to a lot
Vocaloid, a synthetic voice technology that often carries a cutting-edge image, actually dates back to 2007 with the release of Hatsune Miku.
When you think about it that way, quite a bit of time has passed since the scene first took shape.
There’s even a term for the generation that has been listening to Vocaloid songs since childhood: the “native Vocaloid generation.” In this article, we’ve put together a collection with the theme of “nostalgic Vocaloid songs”! It may especially resonate with those who “used to listen to Vocaloid a lot back in the day.” Let’s unravel the history of Vocaloid together!
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- [Standard] Vocaloid masterpieces, recommended popular songs, god-tier tracks
- [Easy to Sing] A Compilation of Recommended Vocaloid Songs for Karaoke
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- [From Classics to the Latest] A Special Feature on Vocaloid Masterpieces and Legendary Tracks!
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[Trend] A Compilation of Vocaloid Songs We Used to Listen to and Feel Nostalgic About (41–50)
1925T-POCKET
This track features a retro-flavored sound that was still relatively rare at the time of its release.
“1925,” released by Yuto Tomita under the name T-POCKET, was unveiled as a video in October 2009 and later included on his debut album in 2010.
Its wistful, marching band-style sound is crafted to the point that your body starts to sway as you listen.
The lyrical word choices are stylish and sophisticated, too.
It’s a song with a charm that never wears thin, no matter how many times you play it.
[Trend] A Collection of Vocaloid Songs We Used to Listen to and Feel Nostalgic About (51–60)
Servant of Evilmothy
If you’re a fan of Vocaloid, just seeing the two characters “Aku no” probably rings a bell.
“Servant of Evil” by mothy, also known as Akuno-P, was released in 2008.
Together with its answer-song counterpart, “Daughter of Evil,” it became a popular work.
Its defining feature is, above all, the storytelling.
The meticulously crafted worldbuilding—which later expanded into stage productions, novels, and manga—is what captured listeners’ hearts.
I imagine many people came to like this kind of androgynous-sounding musical style after listening to “Servant of Evil.”
Conchita, the Devourer (The Gluttonous Daughter Conchita)mothy
A song by mothy, also known under the name Akuno-P, released on Niconico in 2009.
This work represents “Gluttony” in mothy’s Seven Deadly Sins series.
Its lyrics tell a story about a woman whose appetite never subsides no matter how much she eats.
Back when it was released, many listeners probably kept comparing tracks, wondering, “How does this song connect to the others in the series?” Its fantastical yet deranged worldview continues to captivate fans to this day.
Yoshiwara Lamentasa
Please give this mature, Japanese-style Vocaloid song a listen.
It’s a track by Asa that later inspired a novel and also drew attention when enka singer Sachiko Kobayashi covered it.
The lyrics tell a story, featuring a woman living in the nightlife of the Edo period.
As you listen, the scenes come to life—and it can really bring you to tears.
The song’s worldview pairs perfectly with the arrangement, which incorporates the tones of traditional Japanese instruments.
I hope you take the time to listen closely.
Just Be FriendsDixie Flatline
“Just Be Friends” by Dixie Flatline is a Vocaloid track featuring Luka Megurine, characterized by house-style, bittersweet lyrics.
Among many Vocaloid songs known for their strong impact, this one stands out for its relatively simple arrangement and melody.
At a time when ultra-high keys and extremely fast tempos were popular, it was quite a unique presence.
The music video, which uses cute illustrations, matches the song beautifully, so be sure to check it out.
Bind, open, Rakshasa and corpsehachi
Rasetsu to Mukuro (Tie and Open) by Vocaloid producer Hachi, posted in July 2009, is an early Vocaloid track characterized by an eerie, horror-tinged melody and lyrics.
By the way, the Vocaloid used is Hatsune Miku.
It’s quite interesting to see the darker side of Hatsune Miku, who is more often featured in relatively bright-sounding songs.
Incidentally, Hachi, the creator of this song, is the same person as Kenshi Yonezu, who later found success as a singer-songwriter with hits like Lemon and Paprika!
Torinoko City40mP
Despite its rhythmic, catchy feel, it tightens your chest… It’s a light and lively piano rock number.
Created by 40mP, who has long been active at the forefront of the Vocaloid scene, it was released in 2010 and is also included on the compilation album “EXIT TUNES PRESENTS Vocalonexus feat.
Hatsune Miku.” It’s a mixed-style piece that colors a band sound with playful synth beeps, and its percussive beat construction is striking.
The melody is crisp and fits the overall tone perfectly.