[Trend] A collection of nostalgic Vocaloid songs we used to listen to a lot
Vocaloid, a synthetic voice technology that often carries a cutting-edge image, actually dates back to 2007 with the release of Hatsune Miku.
When you think about it that way, quite a bit of time has passed since the scene first took shape.
There’s even a term for the generation that has been listening to Vocaloid songs since childhood: the “native Vocaloid generation.” In this article, we’ve put together a collection with the theme of “nostalgic Vocaloid songs”! It may especially resonate with those who “used to listen to Vocaloid a lot back in the day.” Let’s unravel the history of Vocaloid together!
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[Trending] A Collection of Vocaloid Songs We Used to Listen to—Nostalgic Favorites (21–30)
Amanojaku164
Vocaloid producer 164, known for songs that feature dynamic ensemble work and beats using effectively deployed irregular time signatures, has earned widespread popularity.
This piece is a moving number that portrays lingering attachment to a former lover, inner turmoil, and self-loathing.
It delicately and realistically expresses the protagonist’s inner conflict and emotional fluctuations.
In June 2023, it achieved “myth” status, securing its place in VOCALOID history.
It’s a highly recommended track for those struggling with love or wishing to confront their own emotions.
Bad ∞ End ∞ NightHitoshizuku P × Yama △
This is a track that draws you into a fantastical world.
Created by Hitoshizuku x Yama△, it was included on the compilation CD “EXIT TUNES PRESENTS Vocalodream feat.
Hatsune Miku” released in January 2012.
The story-like lyrics and melodies that highlight the unique personalities of various characters are captivating.
Energetic yet tinged with nostalgia, it’s loved by listeners across generations.
There’s also the joy of unraveling the hidden mysteries within the lyrics.
Brimming with charm that pulls you in, it’s a song you’ll want to dive into like a story.
A must-listen for Vocaloid fans, offering both a sense of nostalgia and freshness at the same time.
World’s End Dancehallwowaka
A quintessential hit from the early Vocaloid scene that prominently featured Hatsune Miku and Megurine Luka is “World’s End Dancehall” by wowaka.
The song is already fast-paced, but what truly sets it apart is its extensive use of ultra-high-speed vocal lines that are practically impossible for humans to sing.
The instrumental parts are also ingeniously crafted—listen for the guitar lines that use chromatic movement and the drums with tightly subdivided hi-hats.
Be sure to pay attention to those details as you listen!
Romeo and Cinderelladoriko
Released in 2009 by doriko, also known by the alias Kiritan-P, “Romeo and Cinderella” is a song that expresses a woman’s determination to make the man she likes notice her by any means necessary.
The music video, which features slightly sexy illustrations of a woman, also leaves a strong impression.
Musically, the track is full of clever touches that keep it engaging, such as a “beep” right before the chorus that momentarily stops the song for emphasis, and guitar and piano phrases panned left and right.
Another highlight—unusual for a Vocaloid track—is a fast, shredding electric guitar solo.
If you haven’t heard this song yet, be sure to pay attention to the instrumental section when you check it out!
SenbonzakuraKurousa-P
When it comes to KuroUsa-P’s signature works, many people would probably name this song.
Set during the period of Western cultural influx after the Meiji Restoration, it carries a message that satirizes modern society.
Despite its depth, the catchy melody leaves a strong impression.
In 2015, Wagakki Band performed it on television, and Sachiko Kobayashi showcased it at the NHK Kouhaku Uta Gassen, which rapidly boosted its popularity.
It’s the perfect track for those who want to feel the atmosphere of Taisho-era romance while reflecting on critiques of contemporary society.
Meltryo
One of the first songs that many people think of among early Vocaloid tracks is Melt by ryo of the creator unit supercell.
Sung with sweet-and-sour lyrics that capture the pure and shy feelings of a girl in love, this song can be considered a quintessential early Vocaloid piece beloved across generations.
Incidentally, the melodious bassline with a distorted tone gives the track a distinctive flavor.
At the time, a bass cover video by the gender-ambiguous performer Tissue-hime was also extremely popular.
Many people likely watched those “I tried playing it” videos alongside the original song in real time back then.
Tokyo Teddy BearNeru
This work is a powerful rock song that portrays the struggles of adolescence and feelings of self-denial.
Featuring Kagamine Rin’s heartrending vocals and intense guitar riffs, it stirs the listener’s heart.
Released as part of the “Kagamine Rin/Len 4th Anniversary & Append 1st Anniversary Project,” the track was included on Neru’s major-label debut album, World Domination.
Its driving rock ensemble and memorable melodies really stick with you.
It’s especially recommended for those who want to feel an inner battle or resonate with a heartfelt cry.