[Trend] A collection of nostalgic Vocaloid songs we used to listen to a lot
Vocaloid, a synthetic voice technology that often carries a cutting-edge image, actually dates back to 2007 with the release of Hatsune Miku.
When you think about it that way, quite a bit of time has passed since the scene first took shape.
There’s even a term for the generation that has been listening to Vocaloid songs since childhood: the “native Vocaloid generation.” In this article, we’ve put together a collection with the theme of “nostalgic Vocaloid songs”! It may especially resonate with those who “used to listen to Vocaloid a lot back in the day.” Let’s unravel the history of Vocaloid together!
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- [From Classics to the Latest] A Special Feature on Vocaloid Masterpieces and Legendary Tracks!
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[Trending] A Collection of Vocaloid Songs We Used to Listen to—Nostalgic Favorites (21–30)
Rolling Girlwowaka
You can’t leave out this high-speed, high-style rock tune! It’s a track by wowaka—Vocaloid producer and former frontman of the rock band Hitorie—released in February 2010.
The sound image, rich in high-frequency elements, is irresistibly cool! Another draw is the somewhat decadent lyrical world centered on a girl’s words.
It’s a work that many currently active Vocaloid producers openly say influenced them.
Back then, “utatte mita” covers and fan-made animated MVs were skyrocketing in views, right?
World's End Dancehallwowaka
A quintessential hit from the early Vocaloid scene that prominently featured Hatsune Miku and Megurine Luka is “World’s End Dancehall” by wowaka.
The song is already fast-paced, but what truly sets it apart is its extensive use of ultra-high-speed vocal lines that are practically impossible for humans to sing.
The instrumental parts are also ingeniously crafted—listen for the guitar lines that use chromatic movement and the drums with tightly subdivided hi-hats.
Be sure to pay attention to those details as you listen!
Meltryo
One of the first songs that many people think of among early Vocaloid tracks is Melt by ryo of the creator unit supercell.
Sung with sweet-and-sour lyrics that capture the pure and shy feelings of a girl in love, this song can be considered a quintessential early Vocaloid piece beloved across generations.
Incidentally, the melodious bassline with a distorted tone gives the track a distinctive flavor.
At the time, a bass cover video by the gender-ambiguous performer Tissue-hime was also extremely popular.
Many people likely watched those “I tried playing it” videos alongside the original song in real time back then.
Luka Luka★Night Feversamfree
Luka Luka★Night Fever is a lively Eurobeat-style Vocaloid song posted to Nico Nico Douga by samfree in February 2009.
The track was created using the Vocaloid Megurine Luka and is crafted with a worldview that highlights her character, so many people may have discovered Megurine Luka through this song.
The call-and-response sections sprinkled throughout are also memorable, making it a track that naturally boosts your energy just by listening.
This is the Happiness Assurance Committee.Utata-P
A futuristic track draped in nostalgia.
Utata-P’s work resonates deeply with listeners.
Its dystopian worldview and electronic sound are a perfect match.
Released in June 2012, it quickly became popular.
Its compelling message invites reflection on what happiness and freedom truly mean.
Ideal for those who question modern society or are interested in Vocaloid culture.
It’s sure to leave something with your heart.
Six Trillion Years and an Overnight Storykemu
After a heartrending piano timbre, the sound suddenly turns aggressive and cuts straight through your ears.
This is a signature song by the Vocaloid producer kemu, first released on Niconico in April 2012.
Its poignant lyrics, which make you feel as if you’re reading a story from another world, pierce the heart.
The track is included on albums such as “PANDORA VOXX” and “V♥25 -cantabile-,” and has been covered by various artists including Roselia and Wagakki Band.
Senbonzakurakuro usagi P
When it comes to KuroUsa-P’s signature works, many people would probably name this song.
Set during the period of Western cultural influx after the Meiji Restoration, it carries a message that satirizes modern society.
Despite its depth, the catchy melody leaves a strong impression.
In 2015, Wagakki Band performed it on television, and Sachiko Kobayashi showcased it at the NHK Kouhaku Uta Gassen, which rapidly boosted its popularity.
It’s the perfect track for those who want to feel the atmosphere of Taisho-era romance while reflecting on critiques of contemporary society.