[Latest & Classic] A Special Feature on Rock Vocaloid Songs [VOCAROCK]
There are various coined terms in the Vocaloid scene, and among them, Vocaloid rock songs are written as “VOCAROCK.” In this article, I’ve put together a selection of popular VOCAROCK tracks.
From timeless classics to newer releases, it’s a well-rounded lineup.
So I can confidently say it’ll resonate with both rock fans and Vocaloid fans! If you read through to the end, you might just catch a glimpse of the history of rock in the Vocaloid world.
Be sure to find your new favorite track!
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[Latest & Classics] Rock Vocaloid Song Special [VOCAROCK] (361–370)
Bad Gazeryotabaito
A track by Yotabaito, who began working as a Vocaloid producer in 2019 and took 3rd place in the Rookie category of The VOCALOID Collection ~2020 Winter~.
It’s a rock number whose relentless, quintessentially Vocaloid melodies and crisp guitar cutting stick in your ears.
While the song unfolds with a thrilling tension, it also features an interlude arranged around acoustic guitar and piano, showcasing controlled dynamics throughout.
It’s a high-quality Vocaloid track with finely managed ebb and flow.
Aimai SoumeiIruma
A track that marked Vocaloid producer Irma’s debut upload and has already surpassed 100,000 plays.
With hysteric, tight guitars, a bass whose rapid-fire slaps catch the ear, and drums that create a powerful sense of speed, it’s a number that rock fans can enjoy no matter which part they focus on.
The intricate yet catchy melody riding atop the meticulously constructed performance further elevates the song’s overall polish.
While packed with the best elements of Vocaloid music, it’s fully realized as rock—a new-generation “Voca-rock” number.
Showtime RulerKarasuyasabō
This is an original piece written for the unit Wonderlands×Showtime from the mobile game “Project SEKAI COLORFUL STAGE! feat.
Hatsune Miku.” The song, composed by Vocaloid producer Karasuyasabou, was released in 2021.
It’s a mixed-style rock number that draws you in with its lavish sound arrangement.
It features EDM-like developments and hints of hip-hop, brimming with appeal! The lyrics’ dazzling worldview also gives it that signature Wonderlands×Showtime flair.
growing painsKanzaki Iori
A candid outpouring of emotion set to a rock sound, woven by Kanzaki Iori.
Released in October 2024, this track sharply portrays the struggles of human relationships and inner contradictions.
Its medium-tempo groove underscores lyrics that hurl raw feelings without pretense.
It delves into the hidden emotions behind social media and our dependency on others—the shadowy side of modern society.
Bon Soyogi’s subtly sultry vocals are another highlight.
It’s sure to resonate with anyone wrestling with the distance between self and others.
When you’re worn out by relationships, this might be a song you can truly relate to.
femme fataleKedarui
A sleek rock tune with cool acoustic-guitar slap phrases.
It’s a track by Vocaloid producer Kedarui, released in 2021.
With touches like a walking bass and a horn section, Kedarui’s musical sensibility really shines, and you can’t help but be captivated by the stylish sonic palette.
The occasional heavy tones are a great touch, too—they seem to echo the dark worldview portrayed in the lyrics.
Rex’s Void RunKou
This song, with its striking intro that begins with a drumroll, is a work by Kou—also known as a member of the Vocaloid band Diarays—and was released in 2019.
It’s a superb track that makes you want to proclaim, “This is guitar rock!” with its sense of speed, dynamic structure, and an anthemic, open-feeling chorus.
The supporting drum phrases and the heavy, thundering bass are also cool.
And the lyrics, which convey a strong determination to keep moving forward no matter what, really hit home.
It gained attention when it was chosen as the theme song for the fighting game event “Sengeki 2019.”
[Latest & Classic] Rock Vocaloid Song Special [VOCAROCK] (371–380)
Land of FoolsShishido
A tightly packed piece of social satire with a highly addictive sound.
Created by Shishido and released in September 2024, it won the Grand Prize in the song contest celebrating Otomachi Una’s 8th anniversary.
Despite its breezy melody, the lyrics sharply criticize self-centered behavior in modern society.
The crisp production perfectly complements Una’s light, agile vocals.
It’s an irresistibly catchy track that’s sure to resonate with younger listeners.
The more you play it, the deeper its social irony sinks in.
An instant sing-along that’s guaranteed to light up a karaoke session!