RAG MusicWindMusic
Wonderful wind ensemble

Perfect for free selections and concert programs! Introducing famous and classic favorites in wind ensemble music.

Members of school wind bands often get frequent chances to perform in public—at competitions (free-choice pieces), regular concerts, baseball game rallies, and even sports days! And every time, choosing the repertoire is the big headache.

Besides classic wind band standards and trending Japanese pop arrangements, if it’s a free-choice piece for a competition, you also want something that shows off your ensemble’s strengths—so when you think through everything, it can be hard to land on “this is it.” In this article, we’ll introduce a wealth of recommended wind band pieces that will surely help if you’re feeling stuck.

We’ve picked out a wide range—from dazzling numbers across various genres to stylish and cool pieces—so please find works that make you think, “We want to perform this!”

For free selections and concert programs! Introducing famous and classic wind band favorites (21–30)

African SymphonyVan McCoy and the Soul City Symphony

African Symphony,” a staple piece often played at baseball games.

While it has a sense of speed, the weighty timbre of the brass and the striking timpani rhythms add depth to the music.

The slender, beautiful woodwind runs that appear between sections and the trombone glissandi evoke vivid images of animals powerfully surviving on the African plains.

Omens of LoveT-SQUARE

Omens of Love / Composed by Hirotaka Izumi / Arranged by Toshio Mashima
Omens of LoveT-SQUARE

This piece, one of the staples of wind band repertoire, is originally a song by T-SQUARE, one of Japan’s leading instrumental bands.

It opens with a symphonic-sounding intro, then picks up the tempo at the cue of chimes and a drum fill.

Throughout the piece, the melody is mainly carried by the high woodwinds and trumpets.

It’s upbeat from start to finish, and it’s a number that often invites clapping along during performances!

sand ripplesHoshina Hiroshi

[Wind Ensemble] Wind Band Competition Set Piece: “Kazemon” (Wind Ripples)
sand ripplesHoshina Hiroshi

If there were a popularity vote for competition set pieces, it would invariably rank near the top, and although it was a set piece in 1987, it is still frequently performed at concerts by wind ensembles of all kinds today.

At the time it was released, it was a long piece for an étude, but later, in accordance with the composer’s original concept, a longer urtext version of “Fūmon” (Wind Patterns) running a little over seven minutes was published.

The tears of Princess Kushinada that flow into the Hii RiverTarumiya Masanori

Composed by Masanori Taruya and released in 2013, this piece is inspired by the Izumo myth “The Slaying of Yamata-no-Orochi” from the upper volume of the Kojiki, focusing on the story’s heroine, Princess Kushinada.

Beginning with a flute solo, it flows into the main narrative, showcasing the composer’s characteristic blend of delicacy and dynamism.

Sailors and sea shanties (songs of seafaring men)Robert W. Smith

As a title, the mistranslation “Song of the Men of the Sea” may actually be more well-known.

As the name suggests, this piece portrays a voyage, incorporating special techniques throughout to imitate sounds like seagulls, whale calls, and waves.

The bold, stirring main theme vividly conjures an adventurous voyage, while the midsection—evoking the quiet depths of the ocean—is another of its charms.

Hound of SpringAlfred Reed

Among Alfred Reed’s many celebrated masterpieces, “The Hounds of Spring” is one of his most popular works.

True to its title, the piece opens with a lively rhythm.

Reed said he sought to portray in music “the youthful vigor of poetry and the gentle sweetness of tender love,” making it a composition that both performers and listeners can enjoy.

Little Mermaid MedleyHoshide Takashi

This is a medley from the Disney film The Little Mermaid.

It’s an irresistible piece for Disney fans.

After the lively Under the Sea, there are captivating solos by saxophone, trumpet, and flute.

Then the climax awaits, ending the piece in a way that seems to evoke the vastness of the ocean.