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[2026] A Collection of Western Songs with Titles Starting with D

This article brings together and introduces only songs with titles that start with “D,” selected from a wide range of Western music—mainly popular genres like rock and pop—from the 1950s up to the present 2020s.

When you think of “D,” words like “DREAM” or “DAY” come to mind right away, and there are surely plenty of songs that begin with a question like “Do you ~,” too.

It’s a concept you won’t often see on other sites, and it can even be used for a song-title shiritori game.

Be sure to check it out!

[2026] Western songs starting with the letter D (61–70)

DEATH CULT ZOMBIEGenesis Owusu

Genesis Owusu – DEATH CULT ZOMBIE (Official Video)
DEATH CULT ZOMBIEGenesis Owusu

Genesis Owusu is a Ghana-born, Australia-raised rapper and singer known for a boundary-crossing sound that, while rooted in hip-hop, moves freely through funk, post-punk, and R&B.

A formidable talent, he won ARIA Album of the Year two releases in a row with his 2021 debut Smiling with No Teeth and his 2023 follow-up Struggler.

His new track, released in October 2025, is a scathing satire of contemporary society, where dogmatism and fear shackle people’s thinking and turn them into “zombies.” With barbed commentary aimed at male-supremacist rhetoric and culture-war theatrics, the song hammers its message home atop high-voltage electro-punk guitar riffs and a four-on-the-floor pulse.

Produced by Dan Hume, it’s engineered with a punch that moves bodies both live and in the club.

DeliIce Spice

Ice Spice, who quickly grabbed attention as a rapper from the Bronx, delivers a track that distills her hometown pride and hip-hop spirit.

Added to the deluxe edition of her debut EP Like..? in July 2023, it fuses the bouncy pulse of Jersey club with post-drill minimalism, creating propulsive energy perfect for bold, hip-swaying twerking.

Though just over two minutes long, RiotUSA’s hard-edged 808s and insistent kicks naturally set the body in motion, while her signature laid-back delivery leaves a pleasantly spacious feel.

The music video, set in a Harlem bodega, packs the screen with celebratory energy as she turns up with her crew, balancing raw local heat with pop-ready flair.

Peaking at No.

41 on the Billboard Hot 100 and earning RIAA Platinum certification, this track superbly links a social-media-friendly short format with club-centered physicality—making it a prime candidate for any twerk playlist.

Don’t Get Me Started (Remix) Ft Kwengface x Unknown TLil Slipz

Lil Slipz – Don’t Get Me Started (Remix) Ft Kwengface x Unknown T [Music Video] | GRM Daily
Don't Get Me Started (Remix) Ft Kwengface x Unknown TLil Slipz

Lil Slips is a UK drill rapper based in Hoxton, East London.

Since the early 2020s, this young artist has been gaining attention with locally rooted street storytelling and heavy, low-end-driven beats.

This remix, released by GRM Daily in November 2025 after the original dropped two months earlier, is an ambitious rework featuring Peckham’s Kwengface and Hackney’s low-frequency king, Unknown T.

The trio’s distinct vocal textures and rhyme cadences are clearly delineated, and each verse provides a three-dimensional response to the hook’s provocation, “Don’t light the fire.” The gliding 808 slides and crisp, spacious mixing by thomasbeatz and spawnbeatz are spot-on, making the track ideal for short-form clip circulation on social media.

It’s a must-listen for anyone looking to balance pride in their hometown with ambitions for national recognition.

Destiny Arrives (featuring Weyes Blood)SPELLLING

SPELLLING – Destiny Arrives featuring Weyes Blood (Official Audio)
Destiny Arrives (featuring Weyes Blood)SPELLLING

SPELLLING is the solo project of Chrystia Cabral, an artist based in Oakland, California.

Beginning from the bedroom and expanding through a fable-like worldview with choral and orchestral elements, she has established a singular form of art pop.

Released in November 2025, this work is a reimagined version of a track from the album “Portrait of My Heart,” featuring Weyes Blood.

Strings and layered synthesizers fill the space, and the moment when their two voices intertwine at the end is breathtaking.

Cabral’s dramatic delivery and Mering’s crystalline tone resonate together, radiating a majestic brilliance.

Highly recommended for those seeking music that is mystical and timeless.

Dancing in the MoonlightToploader

Toploader – Dancing in the Moonlight (Official Video)
Dancing in the MoonlightToploader

Released in 2000 by the English rock band Toploader, this track is a cover of a 1970s oldie and stands out as a pop-rock number with warmly woven piano harmonies.

While preserving the original’s sparkling, celebratory feel, it’s refreshed with snappy drums and a bouncy bassline—an irresistible combination.

Its catchy, sing-along melody and choral work were even featured in a TV commercial for the major UK supermarket Sainsbury’s, helping it become a big hit that reached No.

7 on the UK charts.

Interestingly, it’s also frequently used for breakdancing; perhaps its nostalgic vibe and drum breaks are what make it so popular with dancers.

Dope on PlasticUptown

The 12-inch single released by Tommy Boy in 1989 is still celebrated today as a masterpiece that epitomizes New York street hip-hop.

Boldly sampling multiple funk sources—most notably Kool & the Gang’s “Give It Up”—it fuses hard-edged breaks with high-energy raps for a true floor-igniting result.

Produced by Dante Ross and CJ Moore, it condenses the rough, dirty aesthetics of the mid-school era.

The track has continued to serve as a go-to soundtrack in clubs and battle circles, and is also known for its far-reaching influence that extended into the UK hardcore scene.

Its groove, woven from funky horn riffs and thick drums, is perfect for hitting accents in breakdance routines.

Do Itunderscores

underscores is the solo project of April Harper Grey, born in 2000.

Pivoting around hyperpop while freely moving through indie rock and electropop, she has steadily built her career with her debut album fishmonger (2021) and Wallsocket (2023).

Released in November 2025, this track serves as a lead single that bridges to her next album.

It’s a fully self-made song, with Grey handling everything from songwriting and production to mixing, mastering, and even directing the music video.

A dance track woven from sharp four-on-the-floor kicks and energetic synth stabs, it stands out for its cool, first-person reflections on self-determination and boundaries.

Dropped right before the start of her North American tour—including a joint run with Danny Brown—it’s a release poised to ignite live crowds.