[2026] A Collection of Western Songs with Titles Starting with D
This article brings together and introduces only songs with titles that start with “D,” selected from a wide range of Western music—mainly popular genres like rock and pop—from the 1950s up to the present 2020s.
When you think of “D,” words like “DREAM” or “DAY” come to mind right away, and there are surely plenty of songs that begin with a question like “Do you ~,” too.
It’s a concept you won’t often see on other sites, and it can even be used for a song-title shiritori game.
Be sure to check it out!
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[2026] A Compilation of Western Songs Whose Titles Start with D (41–50)
Dandy HooliganBabyshambles
Born as an offshoot of The Libertines—icons of the UK indie scene in the 2000s—Pete Doherty’s Babyshambles have made a triumphant comeback with their first new song in 12 years.
Released in November, the track blends reggae and ska foundations with a distinctly British pop sensibility, resulting in a stylish, polished finish.
Its title pays homage to a real-life figure involved in the anti-Nazi movement, capturing a rebellious spirit and the feel of the streets beneath a dapper exterior.
Produced by Mike Moore, known for his work with Baxter Dury, and mixed by Ross Orton of Arctic Monkeys fame, it fuses a taut, held-back groove with sweet melodies to exquisite effect.
Alongside the reunion tour starting in November and the 20th-anniversary edition of their debut Down in Albion due in December, it’s the perfect moment to celebrate their return.
[2026] Compilation of Western songs with titles starting with D (51–60)
DestinyEllie Goulding
Ellie Goulding, the British singer-songwriter known for her translucent vocals, has released her first solo single since the 2023 album “Higher Than Heaven” in November 2025.
The track was written as the ending theme for the TV anime “Clevatis: The King of Beasts, the Infant, and the Fallen Hero.” Centered on themes of loss and rebirth, it depicts a wounded heart gradually accepting its own fate, resonating with the context that it was created after her divorce, which was made public in 2024.
Its dark yet beautiful electropop sound is compelling, enhanced by a hybrid arrangement that blends in the warmth of acoustic guitar.
It’s a song I especially recommend to those standing at a crossroads in life or hoping to discover a new version of themselves.
DON’T EVER LEAVE MEFaouzia
Fauzia, a Moroccan-born, Canada-raised singer-songwriter.
The tracks on her debut album, FILM NOIR, released in November 2025, fuse her powerful vocals with cinematic production.
Orchestral strings intertwine with dramatic piano to portray emotions swaying between pain and prayer.
The urgent plea of “don’t leave” and the struggle not to be overwhelmed by her own feelings are expressed through the dynamics that build toward the chorus.
Arthur Besna’s film-score-style arrangements highlight a grand sense of scale rooted in her multicultural background.
Recommended for moments when you want to reflect on the bond with someone dear.
Die HappyHolly Humberstone
Holly Humberstone is a singer-songwriter from Lincolnshire, England.
Debuting in 2020, she’s an artist to watch who won the BRITs Rising Star award in 2022.
Her new song, released in November 2025, draws inspiration from Gothic literature, including Angela Carter and Bram Stoker.
It portrays the intoxication of a dangerous love like a shadowy fairy tale.
The track fuses dark pop and alternative rock, with deeply reverbed guitars and ambient synths casting light and shade, while her intimate, breath-close vocals feel as if they’re peering into your chest.
It’s a song where thrill and sweetness coexist, romanticizing a ruinous romance.
Dream As OneMiley Cyrus
In November 2025, Miley Cyrus released a new song as the end-credit track for James Cameron’s epic Avatar: Fire and Ash.
Created alongside powerhouse producers like Mark Ronson and Andrew Wyatt, the piece is a dreamy pop ballad woven with gentle synthesizers and strings.
Having lost her home in the 2018 wildfires, Cyrus resonated deeply with the themes of fire and rebirth, crafting a narrative that moves from loss to hope.
The song is a moving ode to love and solidarity, spanning from an intimacy like listening to each other’s heartbeats to a sweeping vision of overcoming hardship together and building a future.
D.I.S.Oneohtrix Point Never
Oneohtrix Point Never is the solo project of Daniel Lopatin, an artist who continually traverses the boundary between experimental music and pop culture.
Known for winning the Cannes Soundtrack Award and for collaborations with The Weeknd, he released this track from his album “Tranquilizer” in November 2025.
Built on a concept of deconstructing and reconstructing commercial sample libraries from the ’90s, the piece intricately weaves razor-sharp digital beats with distorted timbres, creating a unique sense of time where memory and the present intersect.
The music video by Elliott Elder is striking for its artificial visual aesthetics, presenting an experience in which sound and image are fused.
While it follows the lineage of the fragmented aesthetics developed in past works like “Replica” and “Garden of Delete,” this more minimal, honed piece serves as a mirror reflecting contemporary cultural ennui.
It’s experimental yet approachable, making it a strong recommendation for fans of electronica and ambient music.
Dani CaliforniaRed Hot Chili Peppers
Opening the 2006 album Stadium Arcadium, this song is a pivotal track that concludes the story of the fictional woman Dani, whose tale was told in fragments on past works Californication and By the Way.
It reached No.
6 on the U.S.
charts and was used as the theme song for the film Death Note in Japan, greatly boosting the Red Hot Chili Peppers’ name recognition.
The dry guitar riff and tight rhythm create a groove that’s quintessentially RHCP.
It’s a number that stirs up nostalgia, along with those MTV visuals that played on repeat during our youth.