A collection of Western songs with titles starting with “L”
When it comes to songs with titles that start with “L,” do any come to mind for you?
People don’t usually pay attention to the first letter of a song title, so it might not be easy to think of examples right away.
That said, when it comes to English words starting with “L,” there’s “Love,” and just that alone probably accounts for hundreds of songs.
There are also plenty of other words that seem likely to appear in song titles, like “Last,” “Lady,” and “Little.”
In this article, I’ll introduce lots of songs with titles that start with “L,” regardless of era or genre.
By searching for music from a perspective you may not have considered before, you might discover some new tracks.
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A roundup of Western songs with titles starting with “L” (41–50)
LOISGlorb

Grolvb has been active as an anonymous creator since 2023.
With a distinctive style of using AI voices to make anime characters rap, he has rapidly gained support, mainly on YouTube and TikTok.
Released in November 2025, this work marks a bold shift from his previous SpongeBob-inspired pieces to one themed around characters from Family Guy.
Over a high-tempo beat that blends trap and drill, multilayered vocals retain AI-specific formant qualities, delivering a barrage of deadpan parody humor and provocative metaphors.
From the moment of release, reaction videos and reels poured in, reaffirming his presence as a driver of internet-born meme culture.
While clearly labeled as parody, this track also showcases his stance at the forefront of ongoing debates over AI and copyright.
lone star (feat. Carolyn Malachi)redveil

Rapper/producer redveil, who grew up in Maryland, has steadily built support among his generation with self-produced tracks that weave in jazz and soul.
This is the song he released in November 2025 featuring Carolyn Malachi.
Centered on memories of summers in Texas and reflections on family, it quietly portrays a sense of fulfillment that links past and present, warmly touching on motifs like honoring his grandmother and renewing his self-image.
The band-like texture created by the rich choral layers and electric piano exemplifies the beauty of alternative rap, and the way Carolyn’s supple vocals meld with redveil’s flow is superb.
The track serves as a lead single from the album Sankofa, slated for a December release, and it sharply raises expectations for his first full-length since Learn 2 Swim.
Lonely WomanOrnette Coleman

Also known in Japan under the title “Jazz: What Is to Come,” The Shape of Jazz to Come is a landmark work often hailed for laying the groundwork of free jazz.
Released in 1959 by saxophonist and free-jazz pioneer Ornette Coleman, the album contains no covers of standards; every track is an original composition by Coleman.
With cornetist Don Cherry, drummer Billy Higgins, and bassist Charlie Haden, the quartet—fronted by two horns—created a sound entirely unlike the piano-centered jazz of the time.
By deliberately departing from fixed chord progressions and conventional song structures, it forged a music in which the uncanny displacements of dissonance coexist with beautiful melodies—a truly high-freedom, avant-garde sound that deserves to be called the origin of free jazz.
That said, to modern ears it isn’t necessarily impenetrable; it can be appreciated as a jazz masterpiece that showcases Coleman’s gifts as a composer.
Lullaby of BirdlandSarah Vaughan

Known by the nickname “The Divine One,” Sarah Vaughan is recognized as a master of jazz vocals—alongside Billie Holiday and Ella Fitzgerald—for her rich projection and astonishing three-octave range.
She launched her professional career after winning at the Apollo Theater in 1942, and while performing with bebop giants like Dizzy Gillespie and Charlie Parker, she forged her own distinctive style.
Recorded between 1954 and 1955, the album Sarah Vaughan is famed as her only collaboration with the brilliant, short-lived trumpeter Clifford Brown and later earned induction into the Grammy Hall of Fame.
Centered on standards such as “Lullaby of Birdland” and “April in Paris,” the selection showcases a sublime interplay between Vaughan’s beautiful vibrato and Brown’s lyrical trumpet, offering a full immersion in the sophistication of modern jazz.
It’s a masterpiece we urge anyone seeking the allure of jazz vocals to hear first.
Lose YourselfEminem

This track, which hurls its hungry spirit straight at you, was released in 2002 as the theme song for the film 8 Mile, which reflects Eminem’s life.
Riding an emotional flow, it depicts a protagonist trying to seize a “once-in-a-lifetime chance” while battling poverty, anger at his home environment, and stage fright.
The tense sound that begins with the piano chords in the intro is unforgettable after a single listen.
As the first hip-hop song in history to win the Academy Award for Best Original Song, this classic is sure to encourage anyone facing adversity.
Listen to it before a sports match or an important presentation, and you’ll feel your courage rise.
Livin’ On LoveAlan Jackson

Alan Jackson, known as a leading figure of neotraditional country, hails from Georgia.
After marrying his high school sweetheart, he moved to Nashville, and a chance encounter his wife had with Glen Campbell opened the door to the music industry.
He signed with Arista Nashville in 1989 and launched his career with his 1990 debut album, Here in the Real World.
Songs like Chattahoochee and Livin’ On Love are still beloved by many fans today.
With two Grammy Awards and sixteen CMA Awards to his name, he has built a stellar record as one of country music’s defining artists.
His sound, which emphasizes traditional instruments like the steel guitar and fiddle, is must-listen music for country fans who value authenticity.
Love U Like ThatLauv

A love song released in August 2023 that marks a new phase for Lauv.
Shimmering synths and gentle beats weave a mid-tempo sound layered with his soaring high-register vocals.
The lyrics center on the resolve to choose the courage to love as you are, even while fearing the possibility of getting hurt.
It carries a message of embracing vulnerability without being bound by society’s gaze or the critical voices within, delivered through a delicate melody.
In November of the same year, a Korean-language version utilizing AI technology was also released, reflecting his dedication to global fans.
It’s a track that stays by your side when you need the courage to move forward at the start of a new year.


