A collection of Western songs with titles starting with “L”
When it comes to songs with titles that start with “L,” do any come to mind for you?
People don’t usually pay attention to the first letter of a song title, so it might not be easy to think of examples right away.
That said, when it comes to English words starting with “L,” there’s “Love,” and just that alone probably accounts for hundreds of songs.
There are also plenty of other words that seem likely to appear in song titles, like “Last,” “Lady,” and “Little.”
In this article, I’ll introduce lots of songs with titles that start with “L,” regardless of era or genre.
By searching for music from a perspective you may not have considered before, you might discover some new tracks.
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A roundup of Western songs with titles starting with “L” (41–50)
Lost the BreakupMaisie Peters
This is Maisie Peters’s coming-of-age anthem that portrays the strength of believing “one day I’ll win,” even while carrying the pain of a breakup.
Released in March 2023, the track drew attention as a lead single from her second album, The Good Witch.
The lyrics, where biting humor intersects with raw emotion, delicately trace the shift from lingering attachment and anger right after the split to the conviction that “in the long run, I’m the one who wins this breakup.” Against a pop sound woven from sprightly drums and guitars, Maisie’s husky yet gentle vocals vividly capture the protagonist’s wavering heart as she struggles forward despite being hurt.
It’s a song I especially recommend to anyone grappling with heartbreak or hoping to reclaim themselves.
A collection of Western songs with titles starting with “L” (51–60)
Last NightMorgan Wallen
This country-pop masterpiece vividly captures the emotional ebb and flow between lovers after a bittersweet night.
Released in January 2023 as the third single from the album “One Thing at a Time,” it drew major attention and set an astonishing record by topping the Billboard Hot 100 for 16 consecutive weeks.
Carried by Morgan Wallen’s warm vocals, the protagonist’s feelings are carefully woven from dusk through dawn.
The resonance of acoustic guitar and pedal steel highlights the lingering sweetness and sorrow of a single night, wrapping you in a tightening ache with every listen.
The emotions wavering between parting and reunion with a once-beloved partner are the very essence of the youthful pain many have experienced.
It’s a perfect song for when you want to revisit a past love or spend a quiet night facing your feelings.
Lose You to Love MeSelena Gomez
This is one of Selena Gomez’s signature ballads, charting the journey of reclaiming oneself through the pain of heartbreak.
Released in October 2019 as the lead single from the album “Rare,” it became her first No.
1 on the U.S.
Billboard chart.
The arrangement—beginning with only minimal piano and raw vocals, then gradually layering in strings and chorus—feels like a direct reflection of a wounded heart slowly healing.
Its paradoxical message, “By losing you, I finally learned to love myself,” will resonate deeply with anyone who has gone through a breakup.
For those who’ve endured a hurt so intense it strips you bare, this song’s quiet strength is exactly what you need to hear.
LovesickLaufey
Laufey is a jazz-pop singer from Iceland.
With training in classical and jazz music, she creates songs with a modern sensibility that resonate with younger generations.
This piece from her 2023 album “Bewitched” is a ballad that captures the lingering feelings of a romance that ended after just a few days.
The lyrics include a passage that looks back on days in November, layering the loneliness of a brief love over the atmosphere at the end of autumn.
Its chamber music-style arrangement centered on piano and strings, whisper-like vocals, and 1950s-inspired romanticism perfectly suit the melancholy mood of November.
The album “Bewitched,” which includes this song, won Best Traditional Pop Vocal Album at the 66th Grammy Awards, a testament to the wide recognition of her talent.
Listen to MeBaby Huey
A psychedelic soul classic born in 1970s Chicago is shining once again in today’s breakdance scene.
Opening Baby Huey’s posthumous album “The Baby Huey Story: The Living Legend,” this track was released in February 1971, produced by Curtis Mayfield.
Its muscular drum groove, looping bass riff, and the powerful shouts unleashed from Huey’s massive frame radiate overwhelming intensity for six and a half minutes.
The song is also widely known as a sampling source and has held an important place in hip-hop culture since the 1990s.
It was featured in the 2016 Netflix series “The Get Down,” bringing its appeal to a new generation of listeners.
Its low-center-of-gravity breaks and hypnotic repetition pair perfectly with power moves and footwork.
LifelineBlack ‘n Blue
Black ‘N Blue, who have led Portland’s hard rock scene since the 1980s, debuted during the heyday of glam metal and drew attention with Gene Simmons’s production.
Their two-track EP “2 Song Bruiser,” released in August 2025, is an astonishing concept: formally recorded by the current lineup from demo material written in 1984 and 1985.
Revived after 40 years, the songs retain their catchy melodies and powerful choral work while being updated with a contemporary sonic palette.
Alongside original members Jaime St.
James, Patrick Young, and Pete Holmes, the harmonized sound of twin guitars from Brandon Cook and Mick Coldwell truly resurrects the spirit of ’80s glam metal for the 2020s—a genuine masterpiece.
LOD FreestyleDesiigner
Desiigner, the Brooklyn-born rapper who hit No.
1 in the U.S.
with Panda in 2016 and drew attention for his collaboration with Kanye West, returns with this release from his independent label LOD Entertainment in October 2025.
The title references his 2018 EP L.O.D.
(Life of Desiigner), carrying a narrative thread that spans his major-label era through to independence.
With Domingo as producer, the project rides on hard-edged beats rooted in rugged ’90s East Coast drum breaks, distilling shout-outs to his Brooklyn roots and a self-redefinition.
He reins in excessive melodies and ad-libs, making a clear statement that it’s about bars and cadence—marking a pivot from post-trap signifiers toward classic rap.
A must-hear track for anyone craving the texture of classic New York hip-hop.