RAG MusicDance Music
Recommended club and dance music

Revival among the youth? Japanese dance music that was a hit in the 1980s. Showa-era dance tracks.

Due to American influence, in the 1980s Japan also saw dance music that heavily used drum machines and synthesizers become popular as it was incorporated into pop and other genres.

Behind the scenes, a wealth of superb, funky disco tracks were produced in large numbers, many of which remain timeless classics still talked about today.

In this era of retro revival, why not listen to the dance music that was in vogue in the ’80s?

For those who spent their youth back then, it will sound nostalgic; for generations who didn’t experience the era, it will sound fresh and new!

In this article, we’ve selected recommended dance tracks from that time.

Enjoy!

Revival among the youth? Japanese dance music hits from the 1980s: Showa-era dance tracks (31–40)

You were mineKubota Toshinobu

This is a quintessential ’80s disco track featuring Toshinobu Kubota’s smooth, memorable vocals.

Though it’s a bittersweet love song, its funky rhythm and sophisticated arrangement strike a perfect balance.

Released in February 1988, the song drew major attention as the theme for Fuji TV’s Monday 9 p.m.

drama “Kimi no Hitomi wo Taiho Suru!” It was also included on the album “the BADDEST,” and became a big hit, reaching No.

3 on the Oricon Weekly Singles Chart.

Incorporating elements of R&B, soul, and funk, the track’s beat makes you want to move—danceable and undeniably cool.

It’s recommended for those who want to relive nostalgic youth memories or discover the allure of ’80s music.

Ah, heartlessAn Ruisu

This song expresses a passionate, heartrending love story set to a powerful rock sound.

Released as a single in April 1986, it features lyrics by Reiko Yukawa and composition by NOBODY.

Considered the culmination of Ann Lewis’s kayō-rock style, it has captivated fans across generations with the artist’s powerful vocals.

In July 2006, it returned to the spotlight as the theme song for Fuji TV’s Thursday drama “Time of Distrust: Woman Wars.” The fusion of hard-hitting sound and richly emotive melody is striking, and its irresistibly danceable beat makes you tap along.

HeartbeatFujiwara Miho

Miho Fujiwara – HEARTBEAT (1986) [Japanese Funk/R&B]
HeartbeatFujiwara Miho

This track fuses energetic synth-pop with funk.

Released by Miho Fujiwara in 1986, it portrays a sophisticated, urban woman and expresses the passion of romance.

The pounding of the heart and the sway of emotions amid the city’s bustle are conveyed through powerful vocals.

It was also used as the ending theme for the anime “California Crisis,” marking a turning point in Fujiwara’s career.

It’s a perfect song for anyone who wants to feel the thrill of love and the vibe of urban life.

Flashy!!!Nagayama Miho

This track layers Miho Nakayama’s powerful vocals over an uptempo dance tune woven from synthesizers and drum machines.

Released as a single in July 1987, it became a hit, peaking at No.

3 on the Oricon Weekly Singles Chart.

With lyrics by Yasushi Akimoto, music by Tsugutoshi Goto, and arrangement by Motoki Funayama, it brilliantly fuses ’80s synth-pop with glamorous dance music.

Although it had no commercial tie-ins, its captivating performance and vibrant sound won over many fans.

Featuring an energetic melody and positive lyrics, it’s perfect for dance parties or driving.

It’s a great pick both for those who spent their youth in the ’80s and for listeners who want to enjoy a fresh take on a retro sound.

MasqueradeShonentai

Masquerade Ball Shonentai 1985
MasqueradeShonentai

Beginning with an innovative 5/4-time intro, this song portrays the true emotions lurking behind human relationships through the scene of a masquerade ball.

The repeated English phrases give it a powerful drive that awakens inner passion.

Released in December 1985, it marked the group’s first appearance at the 37th NHK Kōhaku Uta Gassen the following year.

The staging on the TV program “The Best Ten” also drew attention, proving the high caliber of the performance.

It’s a track distinguished by Shonentai’s sharp dance and acrobatic moves.