RAG MusicHit Song
Lovely hit song

A special feature on 1980s girl bands: trailblazing music and distinctive charm

As their name suggests, all-female “girls’ bands” now include many acts that have become popular worldwide, and here in Japan a wide variety of bands—from major-label to indie—are thriving.

In the history of Japanese pop and rock, girl bands that debuted from the late 1970s to the early 1980s paved the way; by the mid-80s, at the height of the band boom, some even dominated the hit charts, sparking a full-on girls’ band craze.

This time, we’re spotlighting essential 80s bands you can’t leave out when talking about the history of Japanese girls’ bands—from household names to hidden gems known only to die-hard fans!

Girls' Bands of the 1980s: Trailblazing Music and Unique Charms (21–30)

(I’m Sorry Mama) I’m a Wild OneThe 5.6.7.8’s

The 5.6.7.8’s – (I’m Sorry Mama) I’m A Wild One (Live at Dig It Up! Sydney) | Moshcam
(I'm Sorry Mama) I'm a Wild OneThe 5.6.7.8's

When you hear the band name The 5.6.7.8’s, what kind of band do you imagine? The numbers are said to represent decades—meaning their concept is to play rock from the ’50s, ’60s, ’70s, and ’80s.

True to their name, they create songs with a retro sound.

Some listeners even know them as a rockabilly band.

The vibe changes from track to track; for example, in their song “MOTHRA,” they cover the Mothra song, blending surf rock with the dramatic moods of Japanese enka and kayōkyoku.

On the other hand, “Woo Hoo” bursts with lively American garage rock—rough around the edges yet refreshing.

They mix music from a wide range of eras, almost like time traveling through music.

They also became internationally known around the time they appeared in the izakaya scene in the film Kill Bill.

It’s a very cool scene, so be sure to check it out.

INNOCENTArea

Many of you probably remember the late-1980s band scene.

Among them, AREA made a striking impression on the TV show Ikasu Band Tengoku.

Their gritty sound—evoking 1960s garage rock and standing apart from the prevailing trends of the time—felt incredibly fresh.

With a retro vibe that seemed to run counter to the era and performances so energetic they felt hurled at you with their whole bodies, they had an unforgettable, addictive quality after just one viewing.

Even after a drummer change, their momentum never waned; if anything, they grew more powerful, drawing audiences in irresistibly.

They’re a band that music fans who “just want to be blown away by insanely cool playing” absolutely need to hear.

A feature on 1980s girl bands: Trailblazing music and distinctive appeal (31–40)

THE BUN BENLamipass

Amid the fever of the band boom, many of you were probably blown away in front of your TVs.

Lamipass, who burst onto the scene like a comet on Ikaten in 1989, were a trio that etched such a vivid memory.

Their outlandish performance—singing punk while brandishing a toy shamisen—was impossible to look away from.

The comical song they performed, “THE BUN BEN,” had a strangely addictive quality that stuck in your head after a single listen.

The way they so breezily overturned conventions was downright exhilarating.

They may well have laughed off the fixed notion of what a “girls’ band should be,” with an easy, carefree grin.

Maiden’s PrayerPermanent Wave

The four-piece that appeared on Ikaten in 1989 and left a vivid impression—that was Permanent Wave.

The song they performed, Otome no Inori (A Maiden’s Prayer), unfortunately didn’t make it to the end.

Even so, wasn’t the appeal of their fresh, youthful rock sound condensed into that fleeting moment? Their band name, “Permanent Wave,” seems to convey a single-minded desire to leave their mark on the music scene.

Now, with no official recordings available, we can’t fully grasp what they were like.

Perhaps that’s exactly why they possess a dreamlike allure that endlessly stirs our imaginations—making us wonder, “What kind of music did they play?”

Esperpā pī bū

Paapiibuu is a four-piece group that appeared on the popular 1989 show “Ikaten,” creating a buzz with their youthful performances.

All the members were 19 years old, and many of you may remember them playing in one-piece dresses.

With a distinctive stage presence—like the vocalist singing while wearing a cape—they thrilled the audience by delivering a full performance of their comical signature song, “Esper.” Their recordings brim with a handmade indie charm, and their unexpectedly broad musical range spans from punk to jazz.

It’s easy to get drawn into their unique world, where playful spirit coexists with a genuinely polished sound.

Absurd RefrainAvocado Egg

Many of you probably felt your hearts race at the sight of the distinctive bands bursting out of the legendary show Ikaten.

Avocado Egg is a skilled all-girl band whose unforgettable name alone became a talking point.

Their performance of “Irrational Refrain” is nothing short of exhilarating, with a poppy, razor-sharp sound.

It feels as if their playing perfectly speaks for that everyday “Why does it have to be like this?!” frustration.

Just listening to the bright, bouncy melodies and down-to-earth lyrics will blow away the gloom and lift your spirits.

They’ll give you the energy to power through tomorrow.

Duncan Dancin’Non Band

A punk/new wave band that made a strong mark on the indie scene in the ’80s.

In their early days, they performed in a minimal duo of vocalist/bassist NON and drummer Keiko, unleashing a striking sound.

Formed in 1982, their experimental tracks—like those heard on “Duncan Dancin’”—became cult classics, inspiring passionate fans.

The simple lineup only heightens the thrill, drawing many listeners into their edgy sonic world.

If conventional music leaves you unsatisfied, be sure to experience this unique groove for yourself!