Debut song of a 90s visual kei band
A visual kei band that revolutionized the Japanese music scene with their innovative musicality and glamorous looks.
Even major artists that everyone knows today—such as GLAY, L’Arc~en~Ciel, and DIR EN GREY—once took their very first steps as newcomers.
While influenced by X JAPAN, each established a uniquely rich musical identity and forged a new era.
Here, we introduce the debut songs that became their starting point, hidden behind the bold makeup and costumes.
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Debut Songs by 90s Visual Kei Bands (41–50)
Ask for EyesSleep My Dear

Sleep My Eyes was formed primarily by the roadies of SIlver-Rose, who, alongside Kuroyume, energized Nagoya’s visual scene.
They made their major debut in 1995 with Ask for Eyes and, together with PENICILLIN and media youth, were regarded as one of the three flagship bands of Tears Music Office.
vibrationTRANSTIC NERVE

They were a visual kei band from Himeji that later changed their name to the Underneath and disbanded in 2010.
Even within the visual kei scene, they pursued their own unique evolution, such as syncing programmed sounds with live drums and using a wide variety of guitar effects.
Missingmedia youth
Media Youth is a band best known for having bassist HEATH before he joined X JAPAN.
They made their debut in 1995 with the single “Missing.” The guitarist Kiyoshi is a highly skilled player who has been active in many settings, including working as a backing guitarist for X’s HIDE and as a studio musician.
Red ZoneJanne Da Arc

Janne Da Arc, led by yasu—who also performs solo under the name Acid Black Cherry.
While their foundation is metal and rock, many of their melodies are catchy and pop-oriented.
Once you listen to their songs, it’s easy to see why they’re so popular.
Their debut track, “Red Zone,” is a good example of that style.
Ivory TreesLa’cryma Christi

La’cryma Christi was known as one of the “Big Four of Visual Kei,” along with MALICE MIZER, FANATIC◇CRISIS, and SHAZNA.
Even within the visual kei scene, they were considered a technically skilled band, and later they increasingly released songs with complex arrangements reminiscent of progressive rock.
In conclusion
Visual kei bands of the ’90s each established their own distinctive sound and worldview.
From DIR EN GREY, who debuted under YOSHIKI’s production, to FANATIC◇CRISIS with their unique atmosphere, and Eins:Vier with a strong UK rock influence—their music remains captivating even today.
Why not revisit the brilliance of the ’90s visual kei scene, which has had a profound impact on contemporary artists?



