[Practice!] Practice Songs for Beginner Bassists During Spring Break
If you’re a student bassist, I bet many of you are thinking of using spring break to get in a lot of bass practice.
If you’re in a light music club or band circle, you’ll be welcoming new juniors, and if you’re starting as a new student in April, you’ll be making new friends—so you probably want to show off some cool bass playing, right?
In this article, I’ll introduce a bunch of recommended practice songs for those of you who want to drill bass thoroughly over spring break.
They range from very easy to slightly challenging, so definitely give them a try and level up!
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[Practice!] Practice Songs for Beginner Bassists over Spring Break (41–50)
Everything other than death is just a scratch.Koresawa
Koresawa, a singer-songwriter hugely popular among younger generations, has a diverse catalog, and many of her songs are finished with a band sound that leans strongly toward rock, so there are surely plenty of people who want to try covering them.
For those people, a recommended track is “Shinu Koto Igai Kasuri Kizu.” Released in 2017, its MV featuring the nationwide lineup of yuru-chara known as the “Kore-chans” also drew attention.
With a tempo exceeding BPM 200 and a distinctly J-rock sound, this song can serve as a good study piece for bassists—both to get used to playing fast-tempo songs with mostly root-note lines.
Whether you play with fingers or with a pick, especially during repeated notes at high speed, it’s easy to get sloppy, so focus on keeping each note even and consistent.
Don’t Say LazyHōkago Tī Taimu
K-On!, an anime that gained such popularity in the late 2000s to early 2010s that it could be called a social phenomenon, inspired many aspiring young musicians.
The songs by the in-story band Ho-kago Tea Time were released on CD, became hits on the Oricon charts, and sparked a wave of “I tried playing it” videos.
Many K-On!-related tracks require advanced performance skills, and there were surely many people who tried playing them and gave up because they were too difficult.
The hugely popular song introduced here, “Don’t Say ‘Lazy,’” features a bass line that’s largely root-note based and relatively simple in arrangement, making it approachable even for beginner bassists.
The phrases that make effective use of rests rely on open strings, so be sure to focus on muting properly to prevent unwanted noise.
If you’re struggling with the melodic phrase in the middle section, start by slowing the tempo and practicing at an easier speed.
The 2/4 measure that appears right before the final chorus is an important part where the bass steps into the spotlight, so do your best to nail that section as well!
loveHoshino Gen
This is a song by Gen Hoshino, notable for its oriental-tinged intro and uptempo rhythm.
While gently depicting a cityscape at dusk, its warm lyrics convey the importance of everyday little joys and human connection, resonating deeply with listeners.
Released in October 2016, it gained attention as the theme song for the TBS drama “We Married as a Job!” (Nigeru wa Haji da ga Yaku ni Tatsu).
Incorporating elements of soul, dance music, and funk, the track is perfect for live performances and dance scenes.
The bassline is especially memorable, making it a piece that’s incredibly fun to play—so be sure to give it a try in your practice.
Is that okay?RADWIMPS
It’s a love song that weaves humorous words to express feelings for a beloved.
Starting with a talk about food preferences and layering everyday metaphors, it conveys pure love for someone who surpasses everything.
RADWIMPS included this track on their album “RADWIMPS 4: Okazu no Gohan,” released in December 2006.
Its melodious guitar riffs and groovy rhythm leave a strong impression, and the light, breezy sound resonates pleasantly.
The song has become a live staple and a fan favorite that creates a sense of unity at concerts.
It’s also recommended as a practice piece for bass, so give it a try!
GIVE ME FIVE !AKB48
It’s quite common for idol group songs to be performed by studio musicians and feature advanced playing techniques.
However, AKB48’s “GIVE ME FIVE!” is arranged like a band-style ensemble, and aside from the horn section, it’s a great pick as a song you can tackle with a straightforward rock band setup.
It’s also known that the selected members practiced extensively and actually performed it as a live band.
As for the bass, the basic approach is root notes, with a slightly more active phrase in the intro—making it a perfect level of difficulty for practice.
Beginner bassists should definitely give it a try!
SchoolChilli Beans.
When it comes to a trio that handles vocals, instruments, and songwriting across the board—and has made a strong mark on the Reiwa-era Japanese music scene with successes like a sold-out Nippon Budokan show and numerous tie-ins—it’s Chilli Beans.
Their songs are hugely popular, especially among younger listeners, and many require a high level of musicianship.
That might make beginners feel hesitant to dive in, but from a bass perspective, School is a relatively approachable track worth recommending.
It’s a beloved hit with relatable lyrics and irresistibly catchy melodies, and its bass line—featuring frequent use of higher positions—is a great challenge for anyone looking to break out of the beginner stage.
Windy DayELLEGARDEN
ELLEGARDEN enjoyed immense popularity in Japan’s rock scene of the 2000s.
After becoming a legend during their hiatus, they announced their first return in ten years in 2018, and since then they’ve continued to run at the forefront of the scene as a top band that transcends generations.
Their songs remain hugely popular even today in the Reiwa era as covers at school festivals and the like, and this time we’re introducing an early classic, “Kaze no Hi,” as a track that’s easy for beginner bassists to take on.
The moving Japanese lyrics and melody, along with a sound that’s aggressive yet tinged with melancholy, resonate not only with younger listeners but also with people in their 30s and 40s.
From a bass-playing perspective, it’s fundamentally rooted in playing the root notes, while incorporating melodic phrases that use slides and other techniques throughout, making it a great piece for beginner bassists to study arrangement as well.