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Beginner to Intermediate: Chopin pieces with relatively low difficulty. Recommended works by Chopin.

Frédéric Chopin, the great Polish composer known as the Poet of the Piano.

Even if you don’t often listen to classical music, you’ve probably heard Chopin’s name and his music at least once.

Chopin, a leading figure of the early Romantic era, created works that are romantic yet somehow simple and familiar.

This time, we’ve selected relatively easy piano pieces by Chopin that we recommend for beginners to intermediate players.

Among the works introduced, some have high difficulty in their original form but are widely available in arrangements that can be played at an elementary to intermediate level.

If you’re interested in Chopin’s music, be sure to check them out!

[Beginner–Intermediate] Chopin pieces with a relatively low difficulty level. Recommended Chopin works (11–20)

Prelude No. 4, Op. 28-4Frederic Chopin

Eric Lu – Prelude in E minor Op. 28 No. 4 (third stage)
Prelude No. 4, Op. 28-4Frederic Chopin

In homage to Johann Sebastian Bach’s The Well-Tempered Clavier, Chopin’s 24 Preludes, Op.

28 are said to be composed in all different keys.

The fourth prelude is characterized by a structure in which a simple melody is supported by chromatic movement in the left hand.

Known for its poignant line that quietly conveys profound sorrow, this piece is said to have been performed at Chopin’s funeral.

To avoid letting its calm character lead to a monotonous performance, play with attention to subtle dynamics and shifts in harmony.

Prelude in E major, Op. 28 No. 9Frederic Chopin

Chopin / Martha Argerich, 1974: Prelude Op. 28 No. 9 in E Major (Largo)
Prelude in E major, Op. 28 No. 9Frederic Chopin

Here is a piano piece from classical music that is easy to play.

It’s a work by a Polish-born composer who was active in the 19th century.

The piece is one of the 24 Preludes and lasts only about a minute.

It features dotted rhythms in the right hand and triplets in the left, giving it a solemn and stately feel.

It may seem difficult for someone touching the piano for the first time, but with slow practice, you’ll be able to play it.

Although classical music can seem intimidating, researching the composer and the background of the piece while you practice will help you enjoy the music more deeply.

Why not take this opportunity to step into the world of classical music?

Prelude, Op. 45 in C-sharp minorFrederic Chopin

Frédéric Chopin ‒ Prelude in C-sharp minor, Op.45
Prelude, Op. 45 in C-sharp minorFrederic Chopin

This piece is by Frédéric Chopin, a composer who stands alongside Franz Liszt and Robert Schumann as a leading figure of the Romantic era.

Though only about 40 measures long, it shines with Chopin’s characteristic delicate harmonies and masterful modulations.

With an elegant, nocturne-like atmosphere, it has a dreamlike resonance.

Completed in 1841, the work drew particular attention for the sophistication of its key changes.

Chopin himself is said to have remarked, “Never before have my modulations gone so well.” It’s a highly recommended piece not only for piano students but also for anyone looking to become more familiar with classical music.

Three New Etudes No. 2 in A-flat majorFrederic Chopin

Chopin Nouvelle Etude No.2 (Take 2) Paul Barton, FEURICH piano
Three New Etudes No. 2 in A-flat majorFrederic Chopin

I’d like to introduce No.

2 from Frédéric Chopin’s “Three New Études.” Set at an Allegretto tempo, it presents the challenge of coordinating different rhythms—triplets in the right hand against eighth notes in the left.

With slow, careful practice, you’ll definitely be able to play it.

The melody lies in the upper voice of the right hand, so the key is to bring that line out.

The left hand also spans a wide range, so be sure to practice your leaps thoroughly.

Composed in 1839, this piece is a wonderful work that teaches not only technical skills but also musical expression.

It’s recommended even for those who have just started playing the piano.

Come and experience the world of Chopin!

Prelude in D-sharp major, Op. 28 No. 13Frederic Chopin

Chopin Prelude No. 13 – Sheet Music – Piano – Chopin Prelude in F-sharp major, Op. 28 No. 13
Prelude in D-sharp major, Op. 28 No. 13Frederic Chopin

This is a piece by Frédéric Chopin that exudes a quiet, introspective atmosphere.

The three-voice harmony in the right hand evokes the sound of a religious chorale, while the left-hand arpeggios flow gently—features that define its character.

In the middle section, the right-hand melody becomes single notes, highlighting a simpler, more inward expression.

Although the performance demands advanced technique and expressiveness, it allows one to sense emotions hidden within the silence, making it a profoundly deep work.

It is recommended for those studying piano and for listeners who appreciate introspective music.

It can be considered an important piece that reveals Chopin’s spirit of musical exploration.

Prelude in C minor, Op. 28 No. 20Frederic Chopin

Known as a piano piece by Frédéric Chopin that is easy to play, this work leaves a strong impression with its weighty, solemn atmosphere despite its short duration.

Its characteristic sound features repeated low-register chords that evoke a funeral march.

The piece unfolds at a relaxed tempo, and the contrast between forte and piano expresses inner emotions.

While approachable for beginner pianists, its nuanced emotional expression makes it popular among advanced players as well.

If you’re interested in classical music, why not give it a try?

[Beginner–Intermediate] Chopin pieces with relatively low difficulty. Recommended Chopin works (21–30)

Waltz No. 19 in A minor, Op. posthumousFrederic Chopin

Waltz No. 19 in A minor, Op. Posth. (Chopin) – Chopin – Waltz in A minor, Op. Posth. – pianomaedaful
Waltz No. 19 in A minor, Op. posthumousFrederic Chopin

Composed in Chopin’s later years and published after his death, the Waltz No.

19 in A minor is relatively approachable among Chopin’s waltzes, which vary widely in difficulty.

Because No.

19 has a calm character, the key is to value the horizontal flow and perform it gently.

In the brighter middle section, switch to a lighter touch to bring out the waltz’s triple-meter dance quality.

Use the pedal skillfully to connect the sounds while taking care to avoid muddiness.