Coca-Cola commercial song. A popular jingle.
Coca-Cola is loved by many people, from adults to children.
Its commercials have featured countless classic songs over the years, letting us enjoy not only the visuals but also the music.
In this article, we’ll introduce the songs that have been used in Coca-Cola commercials!
Beyond tie-ins with existing tracks, there are also many songs written specifically for the commercials and special cover versions.
If you’ve been curious about a song you heard in a recent ad, or you want to hear that tune from an old Coca-Cola commercial again, this is a must-read!
Be sure to look for the song you’re after.
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Coca-Cola Commercial Songs: Popular Jingles (51–60)
Crazy Party Night ~Revenge of the Pumpkin~kyarī pamyu pamyu
The 11th single by Kyary Pamyu Pamyu, a female singer who enjoys explosive popularity among younger generations, is known as a fashion icon, and is beloved both in Japan and abroad.
The song was featured in Coca-Cola’s “Halloween Dance Party” commercial, and the catchy phrases crafted by producer Yasutaka Nakata really get you hyped.
Its arrangement expresses Halloween—now a major event in Japan—better than anything else, and even hints at the arrival of a new era.
With cute lyrics and vocals that evoke the festivity of Halloween, it’s a perfect match for the title and the ad’s image.
Best & highestkyarī pamyu pamyu
The Coca-Cola commercial “Coca-Cola Stamp Bottle,” featuring Kyary Pamyu Pamyu, began airing on March 28, 2016.
It showcases stamp bottles with labels printed with stamps that convey feelings through various expressions.
The ad presents a candid side of Kyary rarely seen, and communicates the fun of sharing your feelings with Coca-Cola’s stamp bottles.
The music is “Sai & Kou,” Kyary’s 5th-anniversary debut song.
Written and composed by Yasutaka Nakata, it was created to tie in with the commercial, expressing gratitude that can be conveyed precisely because it marks her 5th anniversary, and sharing that feeling with fans.
YES COKE YES`84Burakku Kyattsu
The Japanese rockabilly band BLACK CATS was formed in 1981 by the late Seiichi Takada.
They were a highly capable group that once joined a U.S.
nationwide tour as the opening act for the American West Coast girl band The Go-Go’s.
Around that time, several songs by rockabilly-style bands were also used in Coca-Cola commercials.
Sing a SongMatsuyama Chiharu
Nowadays, when you think of a singer from Hokkaido known for his shaved head and sharp tongue, it’s Chiharu Matsuyama.
Back when he still had a full head of hair, his song “Sing a Song” was chosen as the image song for the 1983 “’83 Coca-Cola” campaign and was also used in a commercial in which he appeared himself.
Coca-Cola commercial songs. Popular commercial songs (61–70)
Come on in. Coke ’79Yanagi Jōji & Rainīuddo
The group that performed this song, George Yanagi & Rainy Wood, debuted in 1978, the year before the song was used in a commercial.
They were a band whose music was rooted in R&B.
In addition to their version, a compilation titled “Coca-Cola CM Song Collection 1962–89,” which makes extensive use of the original recordings, has also been released on CD.
A Long, Short FestivalShiina Ringo
A Coca-Cola summer campaign commercial song released in 2015.
It’s a duet with Ukigumo, the former Tokyo Jihen guitarist, where their slightly languid, Auto-Tuned call-and-response intertwines with keyboards and brass that incorporate Brazilian rhythms, weaving an alluring yet beautiful soundscape.
You can’t help but feel the exhilaration and surging energy within the ephemerality radiating from Ringo Sheena.
Be sure to pay attention to the emotional horn section as well.
HappinessEito
This is the fifth single by singer-songwriter Eito, who became widely known thanks to the massive 2019 hit Perfume.
It’s a cover of singer-songwriter AI’s smash hit and has been featured in Coca-Cola’s “The Best Gift” commercial.
Since the original was also used in a Coca-Cola ad, many listeners may already find it familiar.
Eito’s gentle vocals, quite different from AI’s powerful delivery, show just how dramatically the same song can change in feel.
It’s a positive track that reaffirms both the song’s inherent strength and Eito’s originality.