[J-Pop] A Special Feature on Ultra-Cool Dance PVs/MVs in Japanese Music
I think many people get hooked on music through PVs and MVs they see in city ads or online.
These days, visuals are an essential part of music.
This time, I researched songs that feature dances reputed to be “cool!” You can see each artist’s unique performances, expressions, and group identity, and they all turn out really stylish.
We’ve carefully selected popular videos based on the opinions of general music fans.
Try finding your favorite dance performance!
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- Japanese dance hits from the 2000s. Songs that make you want to dance on TikTok.
[J-Pop] A special feature on Japanese songs with super cool dance PVs/MVs (41–50)
GOD_iNumber_i
This track is drawing attention with its catchy melody and sophisticated beat.
Produced by Yuta Kishi and themed around the courage to face oneself, it features a poignant topline and a chorus beat that leaves a strong impression.
It’s an ambitious work that breaks new ground for Number_i, setting it apart from their previous songs.
Released in January 2025, the track became a key work commemorating the group’s first anniversary.
Under Yuta Kishi’s production, it offers a fresh musicality with an adventurous edge.
The sound, which conveys both power and mystique, is perfect for dance performances, and the chorus choreography features distinctive moves that make you want to try them yourself.
BANZAITodoroki Hajime
A track that sets an inner scream to a cool beat.
Created by Hazime Todoroki, who also performs as a member of the VTuber unit ReGLOSS, it was digitally released in June 2025.
Following solo songs like “Countach,” it brilliantly fuses an ennui-laced vibe with a danceable electronic sound.
The edgy track, tinged with R&B and hip-hop flavors, is insanely addictive! The lyrics and melody dynamically express inner conflict and a sense of emptiness, making them equally compelling.
Don’t miss the choreography in the 3D MV, crafted by Hazime Todoroki herself!
BAKUON -Blast of Sound-WOLF HOWL HARMONY
An aggressive, cool dance track that radiates a powerful presence.
Released in March 2025 as the lead song from WOLF HOWL HARMONY’s first album, “WOLF.” Produced by Chaki Zulu, it features a tricky sound and striking, intense tempo changes.
This track embodies their strong resolve to take the music scene by storm and aim for the top.
The music video’s stylish, high-sense dance performance is another highlight.
Give it a listen when you want to get pumped up!
SOMETHING AIN’T RIGHTXG
This track features a danceable, retro vibe, blending beats reminiscent of ’90s UK garage with modern arrangements.
The melodies woven by XG are instantly catchy, and their vocals carry a universal theme: the unease of hiding one’s true self.
The refined production combined with the expressive individuality of the seven members creates a deeply moving musical experience.
Released in July 2024, the song served as the lead single for the album “AWE,” which followed in November of the same year.
Within a week of release, it surpassed 5 million views on YouTube and entered the trending charts in 13 countries worldwide, including Japan, garnering widespread attention.
Breathing fresh air into the club scene, this work is highly recommended for lovers of dance music.
Flash backTegoshi Yūya
This is a track by Yuya Tegoshi, who is active as a solo artist.
Released digitally on November 11, 2024 to coincide with his birthday, the song was co-produced with a Korean music production team and heavily features elements of electronic dance music.
It’s characterized by powerful beats and energetic melodies that incorporate styles like dubstep.
The lyrics reflect the tough times Tegoshi has experienced, his efforts, and the results of overcoming them.
Be sure to check out this cool dance tune!
Different ManAKLO×JAY’ED
This is a music video that pays homage to 90s hip-hop culture, used as the theme song for the TV Tokyo drama “Dead Stock: Challenge to the Unknown,” which aired in 2017.
The dreamy mood, seen through a retro filter, is striking.
Although the duo are dressed in hard-core hip-hop fashion, the song itself is a gentle, modern R&B.
At the time, music fans were saying it was a step ahead of the curve.
False SympathyMondo Grosso
A song featuring Aina The End—one of the most charismatic members of BiSH—on vocals.
It was newly written and produced by Shinichi Osawa, also known as MONDO GROSSO.
She, with a girlish air, exudes a bewitching allure through avant-garde dance.
It’s very sexy—she even has the allure of a mature woman.
I think the visuals also contribute to this effect.
It will captivate both men and women alike.