RAG MusicPiano
A web magazine to help you enjoy the piano even more

It’s so cool if you can play these on the piano! A selection of irresistibly charming masterpieces.

When you think of piano pieces, many people probably picture classical works, right?

But nowadays, not only classical music—J-POP, anime songs, and all kinds of tracks—are performed on the piano, and “I tried playing it” videos are gaining attention on social media and video platforms.

Some of you might be enjoying watching these videos every day, surprised to find, “Wow, this song actually goes really well with the piano!”

So this time, we’ve picked out songs that would look seriously cool if you could play them on the piano!

Alongside timeless classical masterpieces, we’ll also introduce the latest hit songs that sound great on piano.

If you’re thinking, “I want to wow everyone with my piano performance!”, be sure to use this as a reference!

Cool if you can play them on the piano! A selection of irresistibly charming classics (101–110)

Fly Me To The MoonBart Howard

"Fly Me To The Moon" Jazz Arrangement [How to Play Piano—Absolutely Playable Even for Beginners] Level ☆☆
Fly Me To The MoonBart Howard

Known as a jazz standard, Fly Me To The Moon is a classic that continues to be performed in a variety of arrangements, including Frank Sinatra’s vocal version and instrumental covers by jazz artists.

It was also used as the ending theme for Neon Genesis Evangelion, and many people first discovered the song through Eva.

Because it’s built on a simple repeating chord progression, you can create a stylish performance with a basic approach—melody in the right hand and chords in the left.

It’s an ideal piece for beginners who want to taste the feel of jazz while they play.

French Suite No. 3, BWV 814, MinuetJ.S.Bach

Bach: French Suite No. 3, Minuet (BWV 814) (Piano Sheet Music)
French Suite No. 3, BWV 814, MinuetJ.S.Bach

Brimming with the charm of an elegant and refined dance, this piece is cherished as part of a suite composed between 1722 and 1725.

Structured in ternary form, it exquisitely contrasts flowing, beautiful melodies with introspective, delicate expression, allowing performers to showcase a wide range of musicality.

While it requires an understanding of Baroque ornamentation and articulation, its technical demands are relatively modest, making it ideal for those who wish to focus on musical expression and sensitivity.

It is also widely featured in educational settings and is used as an important repertoire to cultivate both performance technique and musicality.

Invention No. 8, BWV 779J.S.Bach

Bach / Invention No. 8 in F major (J. S. Bach: Two-Part Invention No. 8 in F Major, BWV 779)
Invention No. 8, BWV 779J.S.Bach

This piece in F major, set in 3/4 time, begins with ascending broken chords brimming with the lively energy of a fanfare and exudes a bright, spirited atmosphere.

The distinctive rhythm created by the interplay of upper and lower voices, chasing each other with a one-measure delay, is pleasing and makes the listener’s heart dance.

Although composed for educational purposes, the work’s musical appeal captivates audiences.

The left-hand passages using the 3rd, 4th, and 5th fingers are somewhat challenging, but with practice, it’s a wonderful piece that allows you to feel tangible improvement in two-hand technique.

With its bright, festive character and a well-balanced technical challenge, it’s an ideal choice for a recital.

Sonatina No. 7, First MovementMuzio Clementi

Sonatina No. 7, 1st Movement / Clementi / Sonatina Op. 36 No. 1, Mov. 1 / Clementi / Classical Piano / Piano / CANACANA
Sonatina No. 7, First MovementMuzio Clementi

This is a brilliant piano work that shines with graceful, light-footed melodies.

Its lively, bright character is interwoven with virtuosic touches that evoke the famed 1781 performance duel in Vienna with Mozart.

The smooth right-hand melody and the left-hand accompaniment blend beautifully, creating a rich musicality that feels as if an entire orchestra is being expressed by a single piano.

Beginning at an Allegro tempo, it unfolds through an interplay of two contrasting themes, revealing a wide palette of musical colors.

Ideal for glamorous stage performances, this piece is recommended for those who want to make full use of the piano’s expressive power.

It is also a perfect choice for music lovers seeking comfort in an uplifting, heart-stirring tone.

Sonatina No. 10, First MovementMuzio Clementi

Clementi: No. 4 (Sonatina Album No. 10), 1st Movement, pf. Naotsugu Shimamura
Sonatina No. 10, First MovementMuzio Clementi

A lively, three-part work brimming with energy, it unfolds with a captivating contrast between an arresting first theme that begins with repeated notes in the bass and a light, staccato-driven second theme.

Since its first publication in 1797, this piece has remained a beloved staple of the piano student’s repertoire.

Though it lasts only about two and a half minutes, it breathes with brilliance and richly expressive melody.

The work is ideal for developing expressiveness, featuring elements such as contrasts between legato and staccato and dynamic variation.

With its bright, powerful character and approachable melodies, it is a recommended piece for those who want to experience dazzling expression or discover new charms of the piano.