[François Couperin] Introducing famous and popular pieces by the composer who loved the harpsichord
François Couperin, a French composer of the Baroque era.
He grew up in the illustrious musical Couperin family and became the most famous member of his lineage.
Among French musicians he was a unique talent; it is said that the famous German composer Brahms—despite his strong dislike of French music—showed considerable interest in Couperin’s works.
In this article, we introduce some of François Couperin’s masterpieces and popular pieces.
Among his works, the Pièces de clavecin—over 200 pieces—hold a central place.
From these, we’ve selected some of the most renowned pieces, so please enjoy the elegant, evocative music played on the harpsichord.
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[François Couperin] Introducing masterpieces and popular pieces by the composer who loved the harpsichord (1–10)
Tenebrae MonodyFrançois Couperin
A sacred piece set to the text of the Old Testament Book of Lamentations, it expresses grief over the destruction of Jerusalem.
It was composed to be performed during the Tenebrae service held at midnight over the three Holy Days before Easter.
The work is notable for its beautiful melodies featuring chromaticism and exquisite modulations.
Often sung by two sopranos, it begins with their voices clashing in dissonance and gradually resolving—a structure that deeply moves listeners.
With its serene, mystical musicality, it is sometimes hailed as the ultimate music of healing.
Highly recommended not only for classical music enthusiasts but also for anyone seeking calm and tranquility.
Fusion of Hobbies – Concerto No. 7 in G minorFrançois Couperin
Fusion of Tastes – Concerto No.
7 in G Minor (Les goûts réunis: Concerto No.
7 in G Minor).
Performed by El Concierto Ilustrado.
Baroque violin: Mr.
Carlos Jaime; cello: Mr.
Joseba Beloki; harpsichord: Mr.
Denis de la Herrán.
Suite Collection ‘Peoples of Various Countries’ – Suite No. 3 ‘Peoples of the Holy Roman Empire’François Couperin
A collection of suites for chamber ensemble composed by Couperin in his final years.
Published in 1726, the work reflects the cultural exchange and musical diversity of Europe at the time and serves as an important piece showcasing Couperin’s compositional technique and creativity.
While drawing on Baroque dance forms, it masterfully blends French and Italian musical styles.
Combining a variety of dances—such as the stately allemande, the graceful sarabande, and the lively gigue—it offers a musical depiction of the dignity and diversity of the Holy Roman Empire.
Highly recommended for those who want to fully savor the allure of Baroque music.
[François Couperin] Introducing Famous and Popular Pieces by the Composer Who Loved the Harpsichord (11–20)
Sonata “Sultana”François Couperin
This quartet sonata, known as one of Couperin’s masterpieces, is performed by two violins, two bass viols, and continuo.
It consists of six movements, with slow movements and faster ones placed in alternation.
Influenced by the Orientalist tastes fashionable in late 17th-century Paris, it is said to have received the title “La Sultane” from its solemn character.
It is a superb work that beautifully fuses French and Italian musical styles, notable for its delicate textures, supple dance rhythms, and richly lyrical melodies.
It’s a must-listen not only for those interested in Baroque music, but also for anyone who loves chamber music.
Mount Parnassus, or An Ode to CorelliFrançois Couperin
A programmatic work in seven movements brimming with the charm of the harpsichord.
It portrays Corelli’s ascent of Mount Parnassus with music that is both graceful and passionate.
French delicacy and Italian brilliance blend exquisitely, yielding a supreme masterpiece that distills the essence of Baroque music.
It embodies Couperin’s ideal of “the union of tastes,” pursuing harmony between French and Italian musical styles.
Published in 1725, this work is recommended not only for classical music enthusiasts but also for anyone who enjoys music with a narrative character.
Royal Concert – Concerto No. 2 in D majorFrançois Couperin
The Royal Concerts, known as one of Couperin’s masterpieces.
Comprising five movements, this work is brimming with elegance and refinement.
Particularly striking is the “Echo” movement, which employs techniques that imitate the reverberation of sound, captivating the listener.
Composed around 1714–1715 for performances at the Palace of Versailles, there is also an anecdote that it was written late in Louis XIV’s reign to ease his melancholy.
Noble yet introspective, this piece is highly recommended for anyone interested in Baroque music.
From Pièces de clavecin, Book II, Suite No. 8: Nos. 1–7François Couperin
The seven selected pieces from Couperin’s Pièces de clavecin invite you into an elegant, evocative musical world.
Titles such as “The Lady Painter” and “The Lady Poet” convey the intellectual atmosphere of the time.
The sprightly “Gavotte” and the beautifully recurring “Rondeau” are filled with a courtly grace reminiscent of courtly dance.
Woven with delicate ornamentation and expressive melodies, this collection is a jewel that distills the essence of French Baroque music.
Highly recommended for those who wish to be soothed by graceful melodies or to experience the refined tastes of the eighteenth century.