A collection of enka songs with “Blues” in the title: masterpieces that sing of sorrow
When you look through enka song titles, many of you may have noticed there are a lot of tracks called “___ Blues.”
Blues is a music genre born in America, where singers pour a range of emotions into songs built on a particular rhythm and chord progression.
In Japan’s enka scene, many songs began to be composed with the blues in mind, and a particularly large number of melancholy tunes were released.
In this article, we’ll introduce classic enka songs whose titles include the word “Blues.”
Listen to them while picturing the scenes and emotions woven into each track.
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A collection of enka songs with “Blues” in the title: Classic masterpieces of sorrow (1–10)
Blues of SorrowYoshi Ikuzo
Ikuzo Yoshi’s classic “Ai no Blues” is memorable for its passionate vocal delivery.
Although it falls into the so-called ‘onnagata’ (woman’s song) category, Yoshi’s husky voice brilliantly conveys a woman’s sorrow.
One reason this piece is easy to sing is its frequent repetition.
From the A section to the B section, the same vocal lines are often repeated, and because these repeated parts don’t include kobushi (ornamental vocal turns), the overall difficulty naturally decreases.
There is a slightly higher passage toward the end, but the overall vocal range remains narrow, so it’s undoubtedly an easy song to sing.
OSAKA Rainy Bluesreika
Reika, who debuted in 2006 and is known for many moody songs.
Her “OSAKA Rainy Blues” is a must-check, too.
As the title suggests, this track is set in Osaka and sings of a woman’s sorrow after being deceived by a man.
A major feature is that the lyrics are entirely in Osaka dialect, giving it a slightly different vibe from her other songs.
By the way, the coupling track “Tokyo Bolero” depicts a love story set in Tokyo.
It’s also recommended to compare the two.
Port Town BluesMori Shinichi
This song, which portrays a poignant love story set in Japan’s port towns, was the third single of Shinichi Mori’s career, released in 1969 (Showa 44).
With lyrics by Takeshi Fukatsu and music by Kosho Inomata, it weaves the names of port towns from around the country into a richly emotional tale of heartbreak and lingering affection for a lost lover.
Coupled with Mori’s powerful, husky voice, it has long been cherished as a melancholic masterpiece that resonates deeply with listeners.
At the 62nd NHK Kohaku Uta Gassen in 2011 (Heisei 23), the song was performed for the first time in 42 years as part of a program supporting recovery from the Great East Japan Earthquake, drawing renewed attention to its enduring appeal.
It’s a track you’ll want to share with someone special as you take in the scenery and sentiments of Japan’s port towns.
Collection of enka songs with “Blues” in the title: Classic laments (11–20)
Entertainment District BluesMori Shinichi
This is a blues number by Shinichi Mori whose low, subdued, and dandy musical style evokes a mature allure.
It’s also a very popular karaoke song, widely beloved by middle-aged and older listeners, and it’s a classic that comes highly recommended.
Woman’s BluesFuji Keiko
This is a blues number by Keiko Fuji that exudes a luxurious, noble aura, drawing out a mature, adult allure from deep within.
It’s also popular for karaoke, and its approachable key progression is one of the work’s appealing features.
Nakanoshima BluesAkiniba Yutaka & Aronaitsu
This song was written when Yutaka Akinoba and the Alonights were still an amateur band.
They released a self-produced record in 1973, and the major-label version came out in 1975.
Notably, Hiroshi Uchiyamada and the Cool Five also performed the same song.
Sad SakeMisora Hibari
It’s a classic song known for its wistful melody and lyrics that resonate deeply.
Released in June 1966, this piece is recognized as one of Hibari Misora’s signature songs, and a version featuring spoken lines also gained popularity.
The lyrics, which portray the pain of heartbreak and the strength to overcome life’s hardships, have struck a chord with many and continue to be loved today.
Combined with Misora’s emotionally rich vocal performance, it’s a track that leaves a lasting impression on listeners.
It’s recommended not only for those interested in enka and mood kayō, but also for younger music fans who want to experience the great songs of the Shōwa era.
Take your time to savor the heartfelt vocals and lyrics.