[2026] A Collection of Masterpieces of Enka and Mood Kayō

music writerKOH-1
Started working as a music writer as a side job while employed at a record shop, and for over 18 years I’ve contributed to music magazines, disc guide books, mooks, and web media. As a writer my main field is Western music, but as a listener for over 35 years, I always try to keep my curiosity alive with the motto “I like what I like.” I have experience playing in bands, where I was a bassist who handled songwriting and composition. Instruments I’ve played include bass, guitar, and piano. I began studying English in my mid-40s and continue to do so today.

Enka and mood kayō are often lumped together, but strictly speaking, they’re sometimes treated as different genres, and it’s hard to draw a clear line between them.

There are cases where singers who are active mainly in the enka field perform classic mood kayō songs, and some argue that “mood kayō” is a subgenre within enka.

This time, we’ve compiled standout songs by singers who perform both enka and mood kayō—tracks that fans of either style can enjoy.

We hope young music fans interested in Shōwa-era kayōkyoku will also dive in and enjoy the enchanting world of enka and mood kayō!

[2026] Compilation of Classic Enka and Mood Kayō Songs (31–40)

Lullaby of a Wicked Womanyamaguchi kaoru

[Official] “Lullaby of a Villainess” Kaoru Yamaguchi Music Video

Lullaby of a Wicked Womanyamaguchi kaoru

This number captivates with its urban, moody atmosphere.

“Wicked Woman’s Lullaby” was released in March 2025, with composition by Hiroshi Tokuhisa.

Kaoru Yamaguchi’s signature lustrous vocals and phrasing that evokes a mature woman leave a strong impression.

The lyrics, which conjure scenes of a heartrending love story, really touch the heart.

It might be the perfect song for nighttime, when you want to drift into twilight while reminiscing about a past romance.

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In conclusion

This time, I focused on introducing mood-kayō-style songs performed by singers who have also thrived in the enka field and have left behind classic tracks considered enka.

As I mentioned at the start, strictly separating enka and mood kayō by genre can depend on each listener’s interpretation, so it might be better to enjoy them under the broader umbrella of Shōwa-era classics!