Classic masterpieces recommended for women
We’ve put together a selection of classic masterpieces especially recommended for women.
Looking back, classical musicians in the past—both composers and performers—were almost all men.
In recent years, however, the number of female conductors and performers has grown significantly.
Watching performances on TV or video sites, you can see that many women are now thriving in the field.
There are also many pieces written for or associated with women, such as The Maiden’s Prayer by the rare female composer in classical music, Tekla Bądarzewska, and Elgar’s Salut d’Amour, dedicated to his beloved wife.
Think of this as a beginner’s guide to classical music.
We’ve included many familiar pieces, so why not take this opportunity to make classical music your hobby?
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Classic masterpieces recommended for women (21–30)
Sword DanceAram Khachaturian
The classical piece “Sabre Dance” is quite short.
It’s an intense, fast-tempo work that makes you feel as if you can hear the performers’ breathing.
Because it’s short, it’s a well-known piece often used as an encore at concerts, so give it a listen at least once.
GymnopédieEric Satie
Gymnopédie, a piano piece by the modern music master Erik Satie.
Many people have heard it, and many have even played it.
That’s how familiar this piece has become.
Its unhurried tempo has a deeply soothing, healing quality, making it a relaxing piece to enjoy in any season.
Water MusicGeorg Friedrich Händel
It’s a Handel piece whose generous, flowing music lets you picture a broad river, gently soaking into the heart and bringing comfort.
It wouldn’t be an exaggeration to call this the essence of classical music.
The slightly Baroque feel is truly lovely.
In the ForestAlbert Ketèlbey
How about a piano piece that conjures up a tranquil forest scene with shafts of sunlight filtering through the trees? This work by Albert Ketèlbey brings a sense of calm, as if you’re taking a deep breath in the woods.
The piano’s gentle melody seems to depict the whisper of the trees and the chirping of little birds.
Included in the piano collection “A Dream Picture,” it is sometimes described as “cute” for its charm.
Rosemary Tuck’s 1993 recording is also deeply moving.
In just three to four minutes, it distills the breath of nature.
It’s perfect for forgetting the heat, spending a quiet moment, or accompanying your reading.
Listen to this piece, and you’ll surely feel at peace.
Seaside at Dusk, H.128: No. 3 “The Stormy Seashore”Bohuslav Martinů
This piece depicts waves breaking on a seaside at dusk and the sweep of a blustery wind through deft piano arpeggios.
Composed by Bohuslav Martinů in 1921, it is a short work for solo piano included on the album “Evening on the Sea-shore, H.128 and 3 other pieces.” Within its richly resonant, impressionistic colors, a classical framework—the rondo form—breathes, creating a striking dialogue between nature painting and structural elegance.
Its dynamic development evokes the subtitle “Storm,” and the design, which regains calm after a virtuosic cadenza, leaves a strong impression.
It is a gem for anyone who, in a summertime moment, wishes to immerse themselves in piano music that is both dramatic and refreshingly cool.
The Carnival of the Animals, No. 13: The SwanCamille Saint-Saëns
A celebrated work by Camille Saint-Saëns, based on a melody from the suite Le Carnaval des animaux.
Originally conceived as one of the pieces in a suite intended as entertainment for Carnival in early 1886, it was the only movement the composer allowed to be published during his lifetime.
The flowing melody played by the cello evokes the elegant figure of a swan gliding over the water and conjures the dreamlike imagery of the legendary “swan song.” The ballet The Dying Swan, created by Anna Pavlova in 1905 to this music, is renowned worldwide, and figure skater Yuzuru Hanyu’s exhibition performance to the piece also moved many audiences.
This is a piece for those who want to immerse themselves in the beautiful tone of the cello—a sound that seems to make you forget the summer heat and refresh the spirit.
The Carnival of the Animals, No. 14: FinaleCamille Saint-Saëns
A dazzling, exhilarating piece that feels like the grand finale of a festival—that’s the closing movement of Camille Saint-Saëns’s suite The Carnival of the Animals.
Composed in 1886 for a private performance and first made public only after the composer’s death in 1922, the work builds from the piano’s brilliant opening trills as various instruments join in, with motifs of animals from earlier movements appearing one after another—truly the climax of the celebration.
The humorous tone pervades the whole piece, and the ending, capped with playful animal imitations, adds to its delightful charm.
It is also known for its use in Disney’s 1999 film Fantasia 2000, and it’s the kind of music that can sweep away the summer heat and leave you feeling refreshed.
Even those who don’t often listen to classical music are sure to discover its joy.