Karaoke songs that make it easy for women to score high
Karaoke systems with scoring features have been getting more and more sophisticated lately, and an increasing number now evaluate vocal techniques like vibrato and scooping.
However, the largest part of the scoring criteria is still the accuracy of melody and rhythm.
In this feature, we focus on those criteria and have compiled a selection of songs that are easy to sing and likely to score high, especially ones where it’s easy to follow the melody and rhythm.
When karaoke has a scoring function, you can’t help but want to go for a high score, whether you’re confident in your singing or not.
For each song, we’ve also included tips on how to earn a high score, so be sure to use them as a reference and aim for your best.
That said, the most important thing is to forget about the numbers and just sing freely and have fun the way you like!
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Karaoke songs that are easy for women to score high on (21–30)
Teru’s SongTeshima Aoi
Aoi Teshima’s first single, released in June 2006.
It’s the theme song for Studio Ghibli’s film Tales from Earthsea, composed by Hiroko Taniyama.
With a melody that’s somewhat nursery rhyme- or folk-like, it’s a very straightforward, easy-to-sing piece, making it a perfect choice if you’re aiming for a high karaoke score.
In her own performance, she skillfully uses falsetto and mixed voice in places like the high notes of the chorus, but if you’re just an everyday singer wanting to enjoy it at karaoke, you don’t need to be that particular.
Find a key that suits you and try singing gently.
If you push your voice too hard, you risk ruining the song’s atmosphere, so keep it soft and gentle throughout.
Singing gently yet firmly is actually quite difficult, though.
If this kind of thing interests you, please come to my vocal training!
Tears Flowing EndlesslyNatsukawa Rimi
Released in March 2001 as Rimi Natsukawa’s third single.
It’s a cover of a song with lyrics by Ryoko Moriyama that was released as BEGIN’s 18th single in March 2000.
The tone and phrases of the sanshin, a traditional Okinawan instrument, are particularly striking in this piece.
Natsukawa’s clear, transparent vocals also shine.
It’s said the cover was realized at Natsukawa’s strong request, and perhaps because of that, the match between the song and her voice is outstanding.
Melodically, it doesn’t require a very wide range, and its phrases are very memorable and approachable, making it an ideal choice for aiming for a high score at karaoke.
However, precisely because the melody is so simple, be careful not to let your delivery become flat.
Be sure to study the original closely—especially the phrasing in the chorus.
Karaoke songs that are easy for women to score high on (31–40)
Prisoner Of LoveUtada Hikaru
This song is Hikaru Utada’s 21st single, released first digitally in March 2008 and then on CD in May of the same year.
The quiet section at the beginning might be tricky to sing in a so-called Western style like Utada herself, but try not to be overly fixated on the original and just give it a go.
The key to singing this song well is to switch appropriately between mixed voice and falsetto.
Mastering this cool track will be incredibly rewarding, so definitely try for a high score!
dogwood (flowering dogwood)Hitoto Yo
Yo Hitoto’s fifth single, released in February 2004.
With a melody that has a somewhat Japanese traditional flavor and a collaboration with Yo Hitoto’s strong vocal abilities, this song exudes a unique charm.
Indeed, the melody itself isn’t that difficult, so if you just want to score high at karaoke, it probably isn’t that hard.
However, singing it with the same expressive power as the original might be quite a high hurdle.
Songs like this that don’t seem difficult at first glance can actually be pretty tough when you try to truly master them.
It may be important to sing it with feeling, savoring the meaning of the lyrics—which are said to have been inspired by the 9/11 terrorist attacks in the United States.
To Hikarimiwa
This is miwa’s ninth single, released in 2012.
It’s said to be the first song where miwa took on four-on-the-floor dance music, and it drew attention for featuring her dancing in the music video.
It’s a very up-tempo track, so if you ride the rhythm and sing comfortably without falling behind, it seems like a song where you can aim for a high score!
Become a flowerRyokushokushakai
The rock band song “Hana ni Natte” has a mature vibe.
It was the opening theme for season 1 of the TV anime The Apothecary Diaries and became a big topic for its lyrics as well.
The overall vocal range of the song is G#3–D#5.
The A and B sections sit in the low to mid range and can be sung in chest voice.
At the start of the chorus, the range shoots up suddenly, so many people end up straining there.
There’s room to take a breath before the chorus, so make sure to use proper diaphragmatic breathing and fill your abdomen with air.
Also, since there are many “na” syllables in the high notes, it may be harder to produce the sound, but if you focus on singing lightly, you’ll be fine.
In any case, sing lightly with head resonance and match the pitch accurately.
sparklingaiko
This is aiko’s 18th major-label single, released in August 2005.
It was the theme song for the Fuji TV drama “Gambatte Ikimasshoi.” According to aiko herself, she wrote this song with the image of summer in mind, and indeed, it has a very refreshing feel.
The melody is relatively simple and easy to follow, making it a good choice if you want to aim for a high score at karaoke.
If you listen closely to her singing, there are parts—like the use of falsetto—that seem to require fairly advanced vocal technique.
However, if you’re just looking to enjoy yourself and shoot for a high karaoke score, you don’t need to worry too much about that.
You should be fine as long as you find a key you can sing comfortably in chest voice.
Definitely give it a try!